Название | On War |
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Автор произведения | Carl von Clausewitz |
Жанр | Документальная литература |
Серия | |
Издательство | Документальная литература |
Год выпуска | 0 |
isbn | 4064066388133 |
In this case the means of comparison lie much more on the surface than in the foregoing, but they have been equally overlooked, because one-sided views have prevailed, and there has been no freedom of judgment.
From the necessity of pointing out a better means which might have been used in place of those which are condemned has arisen the form of criticism almost exclusively in use, which contents itself with pointing out the better means without demonstrating in what the superiority consists. The consequence is that some are not convinced, that others start up and do the same thing, and that thus discussion arises which is without any fixed basis for the argument. Military literature abounds with matter of this sort.
The demonstration we require is always necessary when the superiority of the means propounded is not so evident as to leave no room for doubt, and it consists in the examination of each of the means on its own merits, and then of its comparison with the object desired. When once the thing is traced back to a simple truth, controversy must cease, or at all events a new result is obtained, whilst by the other plan the pros and cons go on for ever consuming each other.
Should we, for example, not rest content with assertion in the case before mentioned, and wish to prove that the persistent pursuit of Blücher would have been more advantageous than the turning on Schwartzenberg, we should support the arguments on the following simple truths:
1 In general it is more advantageous to continue our blows in one and the same direction, because there is a loss of time in striking in different directions; and at a point where the moral power is already shaken by considerable losses there is the more reason to expect fresh successes, therefore in that way no part of the preponderance already gained is left idle.
2 Because Blücher, although weaker than Schwartzenberg, was, on account of his enterprising spirit, the more important adversary; in him, therefore, lay the centre of attraction which drew the others along in the same direction.
3 Because the losses which Blücher had sustained almost amounted to a defeat, which gave Buonaparte such a preponderance over him as to make his retreat to the Rhine almost certain, and at the same time no reserves of any consequence awaited him there.
4 Because there was no other result which would be so terrific in its aspects, would appear to the imagination in such gigantic proportions, an immense advantage in dealing with a Staff so weak and irresolute as that of Schwartzenberg notoriously was at this time. What had happened to the Crown Prince of Wartemberg at Montereau, and to Count Wittgenstein at Mormant, Prince Schwartzenberg must have known well enough; but all the untoward events on Blücher’s distant and separate line from the Marne to the Rhine would only reach him by the avalanche of rumour. The desperate movements which Buonaparte made upon Vitry at the end of March, to see what the Allies would do if he threatened to turn them strategically, were evidently done on the principle of working on their fears; but it was done under far different circumstances, in consequence of his defeat at Laon and Arcis, and because Blücher, with 100,000 men, was then in communication with Schwartzenberg.
There are people, no doubt, who will not be convinced on these arguments, but at all events they cannot retort by saying, that “whilst Buonaparte threatened Schwartzenberg’s base by advancing to the Rhine, Schwartzenberg at the same time threatened Buonaparte’s communications with Paris,” because we have shown by the reasons above given that Schwartzenberg would never have thought of marching on Paris.
With respect to the example quoted by us from the campaign of 1796, we should say: Buonaparte looked upon the plan he adopted as the surest means of beating the Austrians; but admitting that it was so, still the object to be attained was only an empty victory, which could have hardly any sensible influence on the fall of Mantua. The way which we should have chosen would, in our opinion, have been much more certain to prevent the relief of Mantua; but even if we place ourselves in the position of the French General and assume that it was not so, and look upon the certainty of success to have been less, the question then amounts to a choice between a more certain but less useful, and therefore less important, victory on the one hand, and a somewhat less probable but far more decisive and important victory, on the other hand. Presented in this form, boldness must have declared for the second solution, which is the reverse of what took place, when the thing was only superficially viewed. Buonaparte certainly was anything but deficient in boldness, and we may be sure that he did not see the whole case and its consequences as fully and clearly as we can at the present time.
Naturally the critic, in treating of the means, must often appeal to military history, as experience is of more value in the Art of War than all philosophical truth. But this exemplification from history is subject to certain conditions, of which we shall treat in a special chapter and unfortunately these conditions are so seldom regarded that reference to history generally only serves to increase the confusion of ideas.
We have still a most important subject to consider, which is, How far criticism in passing judgments on particular events is permitted, or in duty bound, to make use of its wider view of things, and therefore also of that which is shown by results; or when and where it should leave out of sight these things in order to place itself, as far as possible, in the exact position of the chief actor?
If criticism dispenses praise or censure, it should seek to place itself as nearly as possible at the same point of view as the person acting, that is to say, to collect all he knew and all the motives on which he acted, and, on the other hand, to leave out of the consideration all that the person acting could not or did not know, and above all, the result. But this is only an object to aim at, which can never be reached because the state of circumstances from which an event proceeded can never be placed before the eye of the critic exactly as it lay before the eye of the person acting. A number of inferior circumstances, which must have influenced the result, are completely lost to sight, and many a subjective motive has never come to light.
The latter can only be learnt from the memoirs of the chief actor, or from his intimate friends; and in such things of this kind are often treated of in a very desultory manner, or purposely misrepresented. Criticism must, therefore, always forego much which was present in the minds of those whose acts are criticised.
On the other hand, it is much more difficult to leave out of sight that which criticism knows in excess. This is only easy as regards accidental circumstances, that is, circumstances which have been mixed up, but are in no way necessarily related. But it is very difficult, and, in fact, can never be completely done with regard to things really essential.
Let us take first, the result. If it has not proceeded from accidental circumstances, it is almost impossible that the knowledge of it should not have an effect on the judgment passed on events which have preceded it, for we see these things in the light of this result, and it is to a certain extent by it that we first become acquainted with them and appreciate them. Military history, with all its events, is a source of instruction for criticism itself, and it is only natural that criticism should throw that light on things which it has itself obtained from the consideration of the whole. If therefore it might wish in some cases to leave the result out of the consideration, it would be impossible to do so completely.
But it is not only in relation to the result, that is, with what takes place at the last, that this embarrassment arises; the same occurs in relation to preceding events,