Dystopian Novels of H. G. Wells. H. G. Wells

fall. The fight is over. Their attack on the theatre was their last frantic struggle. They have only a thousand men or so, and some of these men will be disloyal. They have little ammunition. And we are reviving the ancient arts. We are casting guns.”

      “But — help. Is this city the world?”

      “Practically this is all they have left to them of their empire. Abroad the cities have either revolted with us or wait the issue. Your awakening has perplexed them, paralysed them.”

      “But haven’t the Council flying machines? Why is there no fighting with them?”

      “They had. But the greater part of the aeronauts were in the revolt with us. They wouldn’t take the risk of fighting on our side, but they would not stir against us. We had to get a pull with the aeronauts. Quite half were with us, and the others knew it. Directly they knew you had got away, those looking for you dropped. We killed the man who shot at you — an hour ago. And we occupied the flying stages at the outset in every city we could, and so stopped and captured the greater aeroplanes, and as for the little flying machines that turned out — for some did — we kept up too straight and steady a fire for them to get near the Council House. If they dropped they couldn’t rise again, because there’s no clear space about there for them to get up. Several we have smashed, several others have dropped and surrendered, the rest have gone off to the Continent to find a friendly city if they can before their fuel runs out. Most of these men were only too glad to be taken prisoner and kept out of harm’s way. Upsetting in a flying machine isn’t a very attractive prospect. There’s no chance for the Council that way. Its days are done.”

      He laughed and turned to the oval reflection again to show Graham what he meant by flying stages. Even the four nearer ones were remote and obscured by a thin morning haze. But Graham could perceive they were very vast structures, judged even by the standard of the things about them.

      And then as these dim shapes passed to the left there came again the sight of the expanse across which the disarmed men in red had been marching. And then the black ruins, and then again the beleaguered white fastness of the Council. It appeared no longer a ghostly pile, but glowing amber in the sunlight, for a cloud shadow had passed. About it the pigmy struggle still hung in suspense, but now the red defenders were no longer firing.

      So, in a dusky stillness, the man from the nineteenth century saw the closing scene of the great revolt, the forcible establishment of his rule. With a quality of startling discovery it came to him that this was his world, and not that other he had left behind; that this was no spectacle to culminate and cease; that in this world lay whatever life was still before him, lay all his duties and dangers and responsibilities. He turned with fresh questions. Ostrog began to answer them, and then broke off abruptly. “But these things I must explain more fully later. At present there are — duties. The people are coming by the moving ways towards this ward from every part of the city — the markets and theatres are densely crowded. You are just in time for them. They are clamouring to see you. And abroad they want to see you. Paris, New York, Chicago, Denver, Capri — thousands of cities are up and in a tumult, undecided, and clamouring to see you. They have clamoured that you should be awakened for years, and now it is done they will scarcely believe — “

      “But surely — I can’t go …”

      Ostrog answered from the other side of the room, and the picture on the oval disc paled and vanished as the light jerked back again. “There are kineto-telephoto-graphs,” he said. “As you bow to the people here — all over the world myriads of myriads of people, packed and still in darkened halls, will see you also. In black and white, of course — not like this. And you will hear their shouts reinforcing the shouting in the hall.

      “And there is an optical contrivance we shall use,” said Ostrog, “used by some of the posturers and women dancers. It may be novel to you. You stand in a very bright light, and they see not you but a magnified image of you thrown on a screen — so that even the furtherest man in the remotest gallery can, if he chooses, count your eyelashes.”

      Graham clutched desperately at one of the questions in his mind. “What is the population of London?” he said.

      “Eight and twaindy myriads.”

      “Eight and what?”

      “More than thirty-three millions.”

      These figures went beyond Graham’s imagination.

      “You will be expected to say something,” said Ostrog. “Not what you used to call a Speech, but what our people call a word — just one sentence, six or seven words. Something formal. If I might suggest — ‘I have awakened and my heart is with you.’ That is the sort of thing they want.”

      “What was that?” asked Graham.

      “‘I am awakened and my heart is with you.’ And bow — bow royally. But first we must get you black robes — for black is your colour. Do you mind? And then they will disperse to their homes.”

      Graham hesitated. “I am in your hands,” he said.

      Ostrog was clearly of that opinion. He thought for a moment, turned to the curtain and called brief directions to some unseen attendants. Almost immediately a black robe, the very fellow of the black robe Graham had worn in the theatre, was brought. And as he threw it about his shoulders there came from the room without the shrilling of a highpitched bell. Ostrog turned in interrogation to the attendant, then suddenly seemed to change his mind, pulled the curtain aside and disappeared.

      For a moment Graham stood with the deferential attendant listening to Ostrog’s retreating steps. There was a sound of quick question and answer and of men running. The curtain was snatched back and Ostrog reappeared, his massive face glowing with excitement. He crossed the room in a stride, clicked the room into darkness, gripped Graham’s arm and pointed to the mirror.

      “Even as we turned away,” he said.

      Graham saw his index finger, black and colossal, above the mirrored Council House. For a moment he did not understand. And then he perceived that the flagstaff that had carried the white banner was bare.

      “Do you mean —?” he began.

      “The Council has surrendered. Its rule is at an end for evermore.”

      “Look!” and Ostrog pointed to a coil of black that crept in little jerks up the vacant flagstaff, unfolding as it rose.

      The oval picture paled as Lincoln pulled the curtain aside and entered.

      “They are clamorous,” he said.

      Ostrog kept his grip of Graham’s arm.

      “We have raised the people,” he said. “We have given them arms. For to-day at least their wishes must be law.”

      Lincoln held the curtain open for Graham and Ostrog to pass through….

      On his way to the markets Graham had a transitory glance of a long narrow white-walled room in which men in the universal blue canvas were carrying covered things like biers, and about which men in medical purple hurried to and fro. From this room came groans and wailing. He had an impression of an empty bloodstained couch, of men on other couches, bandaged and bloodstained. It was just a glimpse from a railed footway and then a buttress hid the place and they were going on towards the markets….

      The roar of the multitude was near now: it leapt to thunder. And, arresting his attention, a fluttering of black banners, the waving of blue canvas and brown rags, and the swarming vastness of the theatre near the public markets came into view down a long passage. The picture opened out. He perceived they were entering the great theatre of his first appearance, the great theatre he had last seen as a chequer-work of glare and blackness in his flight from the red police. This time he entered it along a gallery at a level high above the stage. The place was now brilliantly lit again. His eyes sought the gangway up which he had fled, but he could not tell it from among its dozens of fellows; nor could he see anything of the smashed seats, deflated cushions, and such like traces of the fight because of the density of the people. Except the stage the whole place