Fyodor Dostoyevsky: The Complete Novels. Fyodor Dostoevsky

      "How do I explain them? What is there to explain? It's clear. At any rate, the direction in which explanation is to be sought is clear, and the jewel-case points to it. The real murderer dropped those ear- rings. The murderer was upstairs, locked in, when Koch and Pestryakov knocked at the door. Koch, like an ass, did not stay at the door; so the murderer popped out and ran down, too; for he had no other way of escape. He hid from Koch, Pestryakov and the porter in the flat when Nikolay and Dmitri had just run out of it. He stopped there while the porter and others were going upstairs, waited till they were out of hearing, and then went calmly downstairs at the very minute when Dmitri and Nikolay ran out into the street and there was no one in the entry; possibly he was seen, but not noticed. There are lots of people going in and out. He must have dropped the ear-rings out of his pocket when he stood behind the door, and did not notice he dropped them, because he had other things to think of. The jewel-case is a conclusive proof that he did stand there… . That's how I explain it."

      "Too clever! No, my boy, you're too clever. That beats everything."

      "But, why, why?"

      "Why, because everything fits too well … it's too melodramatic."

      "A-ach!" Razumihin was exclaiming, but at that moment the door opened and a personage came in who was a stranger to all present.

      Chapter 5

      This was a gentleman no longer young, of a stiff and portly appearance, and a cautious and sour countenance. He began by stopping short in the doorway, staring about him with offensive and undisguised astonishment, as though asking himself what sort of place he had come to. Mistrustfully and with an affectation of being alarmed and almost affronted, he scanned Raskolnikov's low and narrow "cabin." With the same amazement he stared at Raskolnikov, who lay undressed, dishevelled, unwashed, on his miserable dirty sofa, looking fixedly at him. Then with the same deliberation he scrutinised the uncouth, unkempt figure and unshaven face of Razumihin, who looked him boldly and inquiringly in the face without rising from his seat. A constrained silence lasted for a couple of minutes, and then, as might be expected, some scene-shifting took place. Reflecting, probably from certain fairly unmistakable signs, that he would get nothing in this "cabin" by attempting to overawe them, the gentleman softened somewhat, and civilly, though with some severity, emphasising every syllable of his question, addressed Zossimov:

      "Rodion Romanovitch Raskolnikov, a student, or formerly a student?"

      Zossimov made a slight movement, and would have answered, had not Razumihin anticipated him.

      "Here he is lying on the sofa! What do you want?"

      This familiar "what do you want" seemed to cut the ground from the feet of the pompous gentleman. He was turning to Razumihin, but checked himself in time and turned to Zossimov again.

      "This is Raskolnikov," mumbled Zossimov, nodding towards him. Then he gave a prolonged yawn, opening his mouth as wide as possible. Then he lazily put his hand into his waistcoat-pocket, pulled out a huge gold watch in a round hunter's case, opened it, looked at it and as slowly and lazily proceeded to put it back.

      Raskolnikov himself lay without speaking, on his back, gazing persistently, though without understanding, at the stranger. Now that his face was turned away from the strange flower on the paper, it was extremely pale and wore a look of anguish, as though he had just undergone an agonising operation or just been taken from the rack. But the new-comer gradually began to arouse his attention, then his wonder, then suspicion and even alarm. When Zossimov said "This is Raskolnikov" he jumped up quickly, sat on the sofa and with an almost defiant, but weak and breaking, voice articulated:

      "Yes, I am Raskolnikov! What do you want?"

      The visitor scrutinised him and pronounced impressively:

      "Pyotr Petrovitch Luzhin. I believe I have reason to hope that my name is not wholly unknown to you?"

      But Raskolnikov, who had expected something quite different, gazed blankly and dreamily at him, making no reply, as though he heard the name of Pyotr Petrovitch for the first time.

      "Is it possible that you can up to the present have received no information?" asked Pyotr Petrovitch, somewhat disconcerted.

      In reply Raskolnikov sank languidly back on the pillow, put his hands behind his head and gazed at the ceiling. A look of dismay came into Luzhin's face. Zossimov and Razumihin stared at him more inquisitively than ever, and at last he showed unmistakable signs of embarrassment.

      "I had presumed and calculated," he faltered, "that a letter posted more than ten days, if not a fortnight ago … "

      "I say, why are you standing in the doorway?" Razumihin interrupted suddenly. "If you've something to say, sit down. Nastasya and you are so crowded. Nastasya, make room. Here's a chair, thread your way in!"

      He moved his chair back from the table, made a little space between the table and his knees, and waited in a rather cramped position for the visitor to "thread his way in." The minute was so chosen that it was impossible to refuse, and the visitor squeezed his way through, hurrying and stumbling. Reaching the chair, he sat down, looking suspiciously at Razumihin.

      "No need to be nervous," the latter blurted out. "Rodya has been ill for the last five days and delirious for three, but now he is recovering and has got an appetite. This is his doctor, who has just had a look at him. I am a comrade of Rodya's, like him, formerly a student, and now I am nursing him; so don't you take any notice of us, but go on with your business."

      "Thank you. But shall I not disturb the invalid by my presence and conversation?" Pyotr Petrovitch asked of Zossimov.

      "N-no," mumbled Zossimov; "you may amuse him." He yawned again.

      "He has been conscious a long time, since the morning," went on Razumihin, whose familiarity seemed so much like unaffected good- nature that Pyotr Petrovitch began to be more cheerful, partly, perhaps, because this shabby and impudent person had introduced himself as a student.

      "Your mamma," began Luzhin.

      "Hm!" Razumihin cleared his throat loudly. Luzhin looked at him inquiringly.

      "That's all right, go on."

      Luzhin shrugged his shoulders.

      "Your mamma had commenced a letter to you while I was sojourning in her neighbourhood. On my arrival here I purposely allowed a few days to elapse before coming to see you, in order that I might be fully assured that you were in full possession of the tidings; but now, to my astonishment … "

      "I know, I know!" Raskolnikov cried suddenly with impatient vexation. "So you are the fiancé? I know, and that's enough!"

      There was no doubt about Pyotr Petrovitch's being offended this time, but he said nothing. He made a violent effort to understand what it all meant. There was a moment's silence.

      Meanwhile Raskolnikov, who had turned a little towards him when he answered, began suddenly staring at him again with marked curiosity, as though he had not had a good look at him yet, or as though something new had struck him; he rose from his pillow on purpose to stare at him. There certainly was something peculiar in Pyotr Petrovitch's whole appearance, something which seemed to justify the title of "fiancé" so unceremoniously applied to him. In the first place, it was evident, far too much so indeed, that Pyotr Petrovitch had made eager use of his few days in the capital to get himself up and rig himself out in expectation of his betrothed—a perfectly innocent and permissible proceeding, indeed. Even his own, perhaps too complacent, consciousness of the agreeable improvement in his appearance might have been forgiven in such circumstances, seeing that Pyotr Petrovitch had taken up the rôle of fiancé. All his clothes were fresh from the tailor's and were all right, except for being too new and too distinctly appropriate. Even the stylish new round hat had the same significance. Pyotr Petrovitch treated it too respectfully and held it too carefully in his hands. The exquisite pair of lavender gloves, real Louvain, told the same tale, if only from the fact of his not wearing them, but carrying them in his hand for show. Light and youthful colours predominated in Pyotr Petrovitch's