The Best Western Novels of William MacLeod Raine. William MacLeod Raine

      "No. He didn't tell me that. We neither of us think it was Phil. It couldn't be, for he was riding with you at the time. But he found your knife there by the dead cow. Now, how did it come there? You let Phil have the knife. Had he lent his knife to some one?"

      "I don't know." She went on, after a momentary hesitation: "Are you quite sure, Jim, that he really found the knife there?"

      "He said so. I believe him."

      She sighed softly, as if she would have liked to feel as sure. "The reason I spoke of it was that I accused him of trying to throw the blame on Phil, and he told me to ask you about it."

      Jim shook his head. "Nothing to it. If you want my opinion, Keller is white clear enough. He wouldn't try a trick like that."

      The girl's face lit, and she held out an impulsive hand. "Anyhow, you're a good friend, Jim."

      "I've been that ever since you was knee high to a duck, Phyl."

      "Yes—yes, you have. The best I've got, next to Phil and Dad." Her heart just now was very warm to him.

      "Don't you reckon maybe a good friend might make a good—something else."

      She gasped. "Oh, Jim! You don't mean——"

      "Yep. That's what I do mean. Course I'm not good enough. I know that."

      "Good. You're the best ever. It isn't that. Only I don't like you that way."

      "Maybe you might some day."

      She shook her head slowly. "I wish I could, Jim. But I never will."

      "Is there—someone else, Phyl?"

      If it had been light enough he could have seen a wave of color sweep her face.

      "No. Of course there isn't. How could there be? I'm only a girl."

      "It ain't Brill then?"

      "No. It's—it isn't anybody." She carried the war, womanlike, into his camp. "And I don't believe you care for me—that way. It's just a fancy."

      "One I've had two years, little girl."

      "Oh, I'm sorry. I do like you, better than any one else. You know that, dear old Jim."

      He smiled wistfully. "If you didn't like me so well I reckon I'd have a better chance. Well, I mustn't keep you here. Good night."

      Her ringers were lost in his big fist. "Good night, Jim." And again she added, "I'm so sorry."

      "Don't you be. It's all right with me, Phyl. I just thought I'd mention it. You never can tell, though I most knew how it would be. Buenos noches, nina."

      He released her hand, and without once looking back strode to his horse, swung to the saddle, and rode into the night.

      She carried into the house with her a memory of his cheerful smile. It had been meant as a reassurance to her. It told her he would get over it, and she knew he would. For he was no puling schoolboy, but a man, game to the core.

      The face of another man rose before her, saturnine and engaging and debonair. With the picture came wave on wave of shame. He was a detected villain, and she had let him kiss her. But beneath the self-scorn was something new, something that stung her blood, that left her flushed and tingling with her first experience of sex relations.

      A week ago she had not yet emerged fully from the chrysalis of childhood. But in the Southland flowers ripen fast. Adolescence steals hard upon the heels of infancy. Nature was pushing her relentlessly toward a womanhood for which her splendid vitality and unschooled impulses but scantily safeguarded her. The lank, shy innocence of the fawn still wrapped her, but in the heart of this frank daughter of the desert had been born a poignant shyness, a vague, delightful trembling that marked a change. A quality which had lain banked in her nature like a fire since childhood now threw forth its first flame of heat. At sunset she had been still treading the primrose path of youth; at sunrise she had entered upon the world-old heritage of her sex.

      Chapter VII

       A Shot from Ambush

       Table of Contents

      From the valley there drifted up a breeze-swept sound. The rider on the rock-rim trail above, shifting in his saddle to one of the easy, careless attitudes of the habitual horseman, recognized it as a rifle shot.

      Presently, from a hidden wash rose little balloon-like puffs of smoke, followed by a faint, far popping, as if somebody had touched off a bunch of firecrackers. Men on horseback, dwarfed by distance to pygmy size, clambered to the bank—now one and then another firing into the mesquite that ran like a broad tongue from the roll of hills into the valley.

      "Looks like something's broke loose," the young man drawled aloud. "The band's sure playing a right lively tune this glad mo'ning."

      Save for one or two farewell shots, the firing ceased. The riders had disappeared into the chaparral.

      The rider did not need to be told that this was a man hunt, destined perhaps to be one of a hundred unwritten desert tragedies. Some subtle instinct in him differentiated between these hurried shots and those born of the casual exuberance of the cow-puncher at play. He had a reason for taking an interest in it—an interest that was more than casual.

      Skirting the rim of the saucer-shaped valley, he rode forward warily, came at length to a cañon that ran like a sword cleft into the hills, and descended cautiously by a cattle trail, its scarred slope.

      Through the defile ran a mountain stream, splashing over and round boulders in its swift fall.

      "I reckon we'll slide down, Keno, and work out close to the fire zone," the rider said to his horse, as they began to slither down the precipitous slope, starting rubble at every motion.

      Man and horse were both of the frontier, fit to the minute for any call that might be made on them. The broncho was a roan, with muscles of elastic leather, sure-footed as a mountain goat. Its master—a slim, brown man, of medium height, well knit and muscular—looked on the world, quietly and often humorously, with shrewd gray eyes.

      As he reached the bottom of the gulch, his glance fell upon another rider—a woman. She crossed the stream hurriedly, her pony flinging water at every step, and cantered up toward him.

      Her glance was once and again over her shoulder, so that it was not until she was almost upon him that she saw the young man among the cottonwoods, and drew her pony to an instant halt. The rifle that had been lying across her saddle leaped halfway to her shoulder, covering him instantly.

      "Buenos dios, senorita. Are you going for to shoot my head off?" he drawled.

      "The rustler!" she cried.

      "The alleged rustler, Miss Sanderson," he corrected gently.

      "Let me past," she panted.

      He observed that her eyes mirrored terror of the scene she had just left.

      "It's you that has got the drop on me, isn't it?" he suggested.

      The rifle went back to the saddle. Instantly the girl was in motion again, flying up the cañon past the white-stockinged roan, her pony's hindquarters gathered to take the sheep trail like those of a wild cat.

      Keller gazed after her. As she disappeared, he took off his hat, bowed elaborately, and remarked to himself, in his low, soft drawl:

      "Good mo'ning, ma'am. See you again one of these days, mebbe, when you ain't in such a hurry."

      But though he appeared to take the adventure whimsically his mind was busy with its meaning. She was in danger, and he must save her. So much he knew at least.

      He had scarcely turned the head of his horse toward the mouth of the cañon when the pursuit drove headlong into sight. Galloping men pounded up the arroyo, and came to halt at his sharp summons.