Tales of Louisiana Life: Bayou Folk & A Night in Acadie. Kate Chopin

more than is at once apparent. Above all, he would keep clear of the maelstroms of sordid work and senseless pleasure in which the average American business man may be said alternately to exist, and which reduce him, naturally, to a rather ragged condition of soul.

      Offdean had done, in a temperate way, the usual things which young men do who happen to belong to good society, and are possessed of moderate means and healthy instincts. He had gone to college, had traveled a little at home and abroad, had frequented society and the clubs, and had worked in his uncle's commission-house; in all of which employments he had expended much time and a modicum of energy.

      But he felt all through that he was simply in a preliminary stage of being, one that would develop later into something tangible and intelligent, as he liked to tell himself. With his patrimony of twenty-five thousand dollars came what he felt to be the turning-point in his life—the time when it behooved him to choose a course, and to get himself into proper trim to follow it manfully and consistently.

      When Messrs. Harding & Offdean determined to have some one look after what they called "a troublesome piece of land on Red River," Wallace Offdean requested to be intrusted with that special commission of land-inspector.

      A shadowy, ill-defined piece of land in an unfamiliar part of his native State, might, he hoped, prove a sort of closet into which he could retire and take counsel with his inner and better self.

      II.

       Table of Contents

What Harding & Offdean had called a piece of land on Red River was better known to the people of Natchitoches[1] parish as "the old Santien place."

      In the days of Lucien Santien and his hundred slaves, it had been very splendid in the wealth of its thousand acres. But the war did its work, of course. Then Jules Santien was not the man to mend such damage as the war had left. His three sons were even less able than he had been to bear the weighty inheritance of debt that came to them with the dismantled plantation; so it was a deliverance to all when Harding & Offdean, the New Orleans creditors, relieved them of the place with the responsibility and indebtedness which its ownership had entailed.

      Hector, the eldest, and Grégoire, the youngest of these Santien boys, had gone each his way. Placide alone tried to keep a desultory foothold upon the land which had been his and his forefathers'. But he too was given to wandering—within a radius, however, which rarely took him so far that he could not reach the old place in an afternoon of travel, when he felt so inclined.

      There were acres of open land cultivated in a slovenly fashion, but so rich that cotton and corn and weed and "cocoa-grass" grew rampant if they had only the semblance of a chance. The negro quarters were at the far end of this open stretch, and consisted of a long row of old and very crippled cabins. Directly back of these a dense wood grew, and held much mystery, and witchery of sound and shadow, and strange lights when the sun shone. Of a gin-house there was left scarcely a trace; only so much as could serve as inadequate shelter to the miserable dozen cattle that huddled within it in winter-time.

      A dozen rods or more from the Red River bank stood the dwelling-house, and nowhere upon the plantation had time touched so sadly as here. The steep, black, moss-covered roof sat like an extinguisher above the eight large rooms that it covered, and had come to do its office so poorly that not more than half of these were habitable when the rain fell. Perhaps the live-oaks made too thick and close a shelter about it. The verandas were long and broad and inviting; but it was well to know that the brick pillar was crumbling away under one corner, that the railing was insecure at another, and that still another had long ago been condemned as unsafe. But that, of course, was not the corner in which Wallace Offdean sat the day following his arrival at the Santien place. This one was comparatively secure. A gloire-de-Dijon, thick-leaved and charged with huge creamy blossoms, grew and spread here like a hardy vine upon the wires that stretched from post to post. The scent of the blossoms was delicious; and the stillness that surrounded Offdean agreeably fitted his humor that asked for rest. His old host, Pierre Manton, the manager of the place, sat talking to him in a soft, rhythmic monotone; but his speech was hardly more of an interruption than the hum of the bees among the roses. He was saying:—

      "If it would been me myse'f, I would nevair grumb'. W'en a chimbly breck, I take one, two de boys; we patch 'im up bes' we know how. We keep on men' de fence', firs' one place, anudder; an' if it would n' be fer dem mule' of Lacroix—tonnerre! I don' wan' to talk 'bout dem mule'. But me, I would n' grumb'. It's Euphrasie, hair. She say dat's all fool nonsense fer rich man lack Hardin'-Offde'n to let a piece o' lan' goin' lack dat."

      "Euphrasie?" questioned Offdean, in some surprise; for he had not yet heard of any such person.

      "Euphrasie, my li'le chile. Escuse me one minute," Pierre added, remembering that he was in his shirt-sleeves, and rising to reach for his coat, which hung upon a peg near by. He was a small, square man, with mild, kindly face, brown and roughened from healthy exposure. His hair hung gray and long beneath the soft felt hat that he wore. When he had seated himself, Offdean asked:—

      "Where is your little child? I have n't seen her," inwardly marveling that a little child should have uttered such words of wisdom as those recorded of her.

      "She yonder to Mme. Duplan on Cane River. I been kine espectin' hair sence yistiday—hair an' Placide," casting an unconscious glance down the long plantation road. "But Mme. Duplan she nevair want to let Euphrasie go. You know it's hair raise' Euphrasie sence hair po' ma die', Mr. Offde'n. She teck dat li'le chile, an' raise it, sem lack she raisin' Ninette. But it's mo' 'an a year now Euphrasie say dat's all fool nonsense to leave me livin' 'lone lack dat, wid nuttin' 'cep' dem nigger'—an' Placide once a w'ile. An' she came yair bossin'! My goodness!" The old man chuckled, "Dat's hair been writin' all dem letter' to Hardin'-Offde'n. If it would been me myse'f"—

[1] Pronounced Nack-e-tosh.

      III.

       Table of Contents

      Placide seemed to have had a foreboding of ill from the start when he found that Euphrasie began to interest herself in the condition of the plantation. This ill feeling voiced itself partly when he told her it was none of her lookout if the place went to the dogs. "It's good enough for Joe Duplan to run things en grand seigneur, Euphrasie; that's w'at's spoiled you."

      Placide might have done much single-handed to keep the old place in better trim, if he had wished. For there was no one more clever than he to do a hand's turn at any and every thing. He could mend a saddle or bridle while he stood whistling a tune. If a wagon required a brace or a bolt, it was nothing for him to step into a shop and turn out one as deftly as the most skilled blacksmith. Any one seeing him at work with plane and rule and chisel would have declared him a born carpenter. And as for mixing paints, and giving a fine and lasting coat to the side of a house or barn, he had not his equal in the country.

      This last talent he exercised little in his native parish. It was in a neighboring one, where he spent the greater part of his time, that his fame as a painter was established. There, in the village of Orville, he owned a little shell of a house, and during odd times it was Placide's great delight to tinker at this small home, inventing daily new beauties and conveniences to add to it. Lately it had become a precious possession to him, for in the spring he was to bring Euphrasie there as his wife.

      Maybe it was because of his talent, and his indifference in turning it to good, that he was often called "a no-account creole" by thriftier souls than himself. But no-account creole or not, painter, carpenter, blacksmith, and whatever else he might be at times, he was a Santien always, with the best blood in the country running in his veins. And many thought his choice had fallen in very low places when he engaged himself to marry little Euphrasie, the daughter of old Pierre