The Complete Short Stories of Stephen Crane. Stephen Crane

"I have some tobacco." He gave the officer his pouch. As if in compensation, the other directed a soldier to strip the bandolier from the corpse. Peza, having crossed the long cartridge belt on his breast, felt that the dead man had flung his two arms around him.

      A soldier with a polite nod and smile gave Peza a rifle, a relic of another dead man. Thus, he felt, besides the clutch of a corpse about his neck, that the rifle was as inhumanly horrible as a snake that lives in a tomb. He heard at his ear something that was in effect like the voices of those two dead men, their low voices speaking to him of bloody death, mutilation. The bandolier gripped him tighter; he wished to raise his hands to his throat like a man who is choking. The rifle was clammy; upon his palms he felt the movement of the sluggish currents of a serpent's life; it was crawling and frightful.

      All about him were these peasants, with their interested countenances, gibbering of the fight. From time to time a soldier cried out in semi-humorous lamentations descriptive of his thirst. One bearded man sat munching a great bit of hard bread. Fat, greasy, squat, he was like an idol made of tallow. Peza felt dimly that there was a distinction between this man and a young student who could write sonnets and play the piano quite well. This old blockhead was coolly gnawing at the bread, while he, Peza, was being throttled by a dead man's arms.

      He looked behind him, and saw that a head by some chance had been uncovered from its blanket. Two liquid-like eyes were staring into his face. The head was turned a little sideways as if to get better opportunity for the scrutiny. Peza could feel himself blanch; he was being drawn and drawn by these dead men slowly, firmly down as to some mystic chamber under the earth where they could walk, dreadful figures, swollen and blood-marked. He was bidden; they had commanded him; he was going, going, going.

      When the man in the new white helmet bolted for the rear, many of the soldiers in the trench thought that he had been struck, but those who had been nearest to him knew better. Otherwise they would have heard the silken sliding tender noise of the bullet and the thud of its impact. They bawled after him curses, and also outbursts of self-congratulation and vanity. Despite the prominence of the cowardly part, they were enabled to see in this exhibition a fine comment upon their own fortitude. The other soldiers thought that Peza had been wounded somewhere in the neck, because as he ran he was tearing madly at the bandolier, the dead man's arms. The soldier with the bread paused in his eating and cynically remarked upon the speed of the runaway.

      An officer's voice was suddenly heard calling out the calculation of the distance to the enemy, the readjustment of the sights. There was a stirring rattle along the line. The men turned their eyes to the front. Other trenches beneath them to the right were already heavily in action. The smoke was lifting toward the blue sky. The soldier with the bread placed it carefully on a bit of paper beside him as he turned to kneel in the trench.

      VII

      In the late afternoon, the child ceased his play on the mountain with his flocks and his dogs. Part of the battle had whirled very near to the base of his hill, and the noise was great. Sometimes he could see fantastic smoky shapes which resembled the curious figures in foam which one sees on the slant of a rough sea. The plain indeed was etched in white circles and whirligigs like the slope of a colossal wave. The child took seat on a stone and contemplated the fight. He was beginning to be astonished; he had never before seen cattle herded with such uproar. Lines of flame flashed out here and there. It was mystery.

      Finally, without any preliminary indication, he began to weep. If the men struggling on the plain had had time and greater vision, they could have seen this strange tiny figure seated on a boulder, surveying them while the tears streamed. It was as simple as some powerful symbol.

      As the magic clear light of day amid the mountains dimmed the distances, and the plain shone as a pallid blue cloth marked by the red threads of the firing, the child arose and moved off to the unwelcoming door of his home. He called softly for his mother, and complained of his hunger in the familiar formula. The pearl-coloured cow, grinding her jaws thoughtfully, stared at him with her large eyes. The peaceful gloom of evening was slowly draping the hills.

      The child heard a rattle of loose stones on the hillside, and facing the sound, saw a moment later a man drag himself up to the crest of the hill and fall panting. Forgetting his mother and his hunger, filled with calm interest, the child walked forward and stood over the heaving form. His eyes too were now large and inscrutably wise and sad like those of the animal in the house.

      After a silence he spoke inquiringly. "Are you a man?"

      Peza rolled over quickly and gazed up into the fearless cherubic countenance. He did not attempt to reply. He breathed as if life was about to leave his body. He was covered with dust; his face had been cut in some way, and his cheek was ribboned with blood. All the spick of his former appearance had vanished in a general dishevelment, in which he resembled a creature that had been flung to and fro, up and down, by cliffs and prairies during an earthquake. He rolled his eye glassily at the child.

      They remained thus until the child repeated his words. "Are you a man?"

      Peza gasped in the manner of a fish. Palsied, windless, and abject, he confronted the primitive courage, the sovereign child, the brother of the mountains, the sky and the sea, and he knew that the definition of his misery could be written on a grass-blade.

      Part II

       Midnight Sketches

      An Experiment in Misery

       Table of Contents

      (From the Press, New York.)

      It was late at night, and a fine rain was swirling softly down, causing the pavements to glisten with hue of steel and blue and yellow in the rays of the innumerable lights. A youth was trudging slowly, without enthusiasm, with his hands buried deep in his trouser's pockets, towards the down-town places where beds can be hired for coppers. He was clothed in an aged and tattered suit, and his derby was a marvel of dust-covered crown and torn rim. He was going forth to eat as the wanderer may eat, and sleep as the homeless sleep. By the time he had reached City Hall Park he was so completely plastered with yells of "bum" and "hobo," and with various unholy epithets that small boys had applied to him at intervals, that he was in a state of the most profound dejection. The sifting rain saturated the old velvet collar of his overcoat, and as the wet cloth pressed against his neck, he felt that there no longer could be pleasure in life. He looked about him searching for an outcast of highest degree that they too might share miseries, but the lights threw a quivering glare over rows and circles of deserted benches that glistened damply, showing patches of wet sod behind them. It seemed that their usual freights had fled on this night to better things. There were only squads of well-dressed Brooklyn people who swarmed towards the bridge.

      The young man loitered about for a time and then went shuffling off down Park Row. In the sudden descent in style of the dress of the crowd he felt relief, and as if he were at last in his own country. He began to see tatters that matched his tatters. In Chatham Square there were aimless men strewn in front of saloons and lodging-houses, standing sadly, patiently, reminding one vaguely of the attitudes of chickens in a storm. He aligned himself with these men, and turned slowly to occupy himself with the flowing life of the great street.

      Through the mists of the cold and storming night, the cable cars went in silent procession, great affairs shining with red and brass, moving with formidable power, calm and irresistible, dangerful and gloomy, breaking silence only by the loud fierce cry of the gong. Two rivers of people swarmed along the side walks, spattered with black mud, which made each shoe leave a scar-like impression. Overhead elevated trains with a shrill grinding of the wheels stopped at the station, which upon its leg-like pillars seemed to resemble some monstrous kind of crab squatting over the street. The quick fat puffings of the engines could be heard. Down an alley there were sombre curtains of purple and black, on which street lamps dully glittered like embroidered flowers.

      A saloon stood with a voracious air on a