The Essential Works of L. Frank Baum. L. Frank Baum

do you wish, good people?”

      “Are you the Princess Langwidere?” asked Dorothy.

      “No, miss; I am her servant,” replied the maid.

      “May I see the Princess, please?”

      “I will tell her you are here, miss, and ask her to grant you an audience,” said the maid. “Step in, please, and take a seat in the drawing-room.”

      So Dorothy walked in, followed closely by the machine. But as the yellow hen tried to enter after them, the little maid cried “Shoo!” and flapped her apron in Billina’s face.

      “Shoo, yourself!” retorted the hen, drawing back in anger and ruffling up her feathers. “Haven’t you any better manners than that?”

      “Oh, do you talk?” enquired the maid, evidently surprised.

      “Can’t you hear me?” snapped Billina. “Drop that apron, and get out of the doorway, so that I may enter with my friends!”

      “The Princess won’t like it,” said the maid, hesitating.

      “I don’t care whether she likes it or not,” replied Billina, and fluttering her wings with a loud noise she flew straight at the maid’s face. The little servant at once ducked her head, and the hen reached Dorothy’s side in safety.

      “Very well,” sighed the maid; “if you are all ruined because of this obstinate hen, don’t blame me for it. It isn’t safe to annoy the Princess Langwidere.”

      “Tell her we are waiting, if you please,” Dorothy requested, with dignity. “Billina is my friend, and must go wherever I go.”

      Without more words the maid led them to a richly furnished drawing-room, lighted with subdued rainbow tints that came in through beautiful stained-glass windows.

      “Remain here,” she said. “What names shall I give the Princess?”

      “I am Dorothy Gale, of Kansas,” replied the child; “and this gentleman is a machine named Tiktok, and the yellow hen is my friend Billina.”

      The little servant bowed and withdrew, going through several passages and mounting two marble stairways before she came to the apartments occupied by her mistress.

      Princess Langwidere’s sitting-room was paneled with great mirrors, which reached from the ceiling to the floor; also the ceiling was composed of mirrors, and the floor was of polished silver that reflected every object upon it. So when Langwidere sat in her easy chair and played soft melodies upon her mandolin, her form was mirrored hundreds of times, in walls and ceiling and floor, and whichever way the lady turned her head she could see and admire her own features. This she loved to do, and just as the maid entered she was saying to herself:

      “This head with the auburn hair and hazel eyes is quite attractive. I must wear it more often than I have done of late, although it may not be the best of my collection.”

      “You have company, Your Highness,” announced the maid, bowing low.

      “Who is it?” asked Langwidere, yawning.

      “Dorothy Gale of Kansas, Mr. Tiktok and Billina,” answered the maid.

      “What a queer lot of names!” murmured the Princess, beginning to be a little interested. “What are they like? Is Dorothy Gale of Kansas pretty?”

      “She might be called so,” the maid replied.

      “And is Mr. Tiktok attractive?” continued the Princess.

      “That I cannot say, Your Highness. But he seems very bright. Will Your Gracious Highness see them?”

      “Oh, I may as well, Nanda. But I am tired admiring this head, and if my visitor has any claim to beauty I must take care that she does not surpass me. So I will go to my cabinet and change to No. 17, which I think is my best appearance. Don’t you?”

      “Your No. 17 is exceedingly beautiful,” answered Nanda, with another bow.

      Again the Princess yawned. Then she said:

      “Help me to rise.”

      So the maid assisted her to gain her feet, although Langwidere was the stronger of the two; and then the Princess slowly walked across the silver floor to her cabinet, leaning heavily at every step upon Nanda’s arm.

      Now I must explain to you that the Princess Langwidere had thirty heads—as many as there are days in the month. But of course she could only wear one of them at a time, because she had but one neck. These heads were kept in what she called her “cabinet,” which was a beautiful dressing-room that lay just between Langwidere’s sleeping-chamber and the mirrored sitting-room. Each head was in a separate cupboard lined with velvet. The cupboards ran all around the sides of the dressing-room, and had elaborately carved doors with gold numbers on the outside and jeweled-framed mirrors on the inside of them.

      When the Princess got out of her crystal bed in the morning she went to her cabinet, opened one of the velvet-lined cupboards, and took the head it contained from its golden shelf. Then, by the aid of the mirror inside the open door, she put on the head—as neat and straight as could be—and afterward called her maids to robe her for the day. She always wore a simple white costume, that suited all the heads. For, being able to change her face whenever she liked, the Princess had no interest in wearing a variety of gowns, as have other ladies who are compelled to wear the same face constantly.

      Of course the thirty heads were in great variety, no two formed alike but all being of exceeding loveliness. There were heads with golden hair, brown hair, rich auburn hair and black hair; but none with gray hair. The heads had eyes of blue, of gray, of hazel, of brown and of black; but there were no red eyes among them, and all were bright and handsome. The noses were Grecian, Roman, retrousse and Oriental, representing all types of beauty; and the mouths were of assorted sizes and shapes, displaying pearly teeth when the heads smiled. As for dimples, they appeared in cheeks and chins, wherever they might be most charming, and one or two heads had freckles upon the faces to contrast the better with the brilliancy of their complexions.

      One key unlocked all the velvet cupboards containing these treasures—a curious key carved from a single blood-red ruby—and this was fastened to a strong but slender chain which the Princess wore around her left wrist.

      When Nanda had supported Langwidere to a position in front of cupboard No. 17, the Princess unlocked the door with her ruby key and after handing head No. 9, which she had been wearing, to the maid, she took No. 17 from its shelf and fitted it to her neck. It had black hair and dark eyes and a lovely pearl-and-white complexion, and when Langwidere wore it she knew she was remarkably beautiful in appearance.

      There was only one trouble with No. 17; the temper that went with it (and which was hidden somewhere under the glossy black hair) was fiery, harsh and haughty in the extreme, and it often led the Princess to do unpleasant things which she regretted when she came to wear her other heads.

      But she did not remember this today, and went to meet her guests in the drawing-room with a feeling of certainty that she would surprise them with her beauty.

      However, she was greatly disappointed to find that her visitors were merely a small girl in a gingham dress, a copper man that would only go when wound up, and a yellow hen that was sitting contentedly in Langwidere’s best work-basket, where there was a china egg used for darning stockings. (It may surprise you to learn that a princess ever does such a common thing as darn stockings. But, if you will stop to think, you will realize that a princess is sure to wear holes in her stockings, the same as other people; only it isn’t considered quite polite to mention the matter.)

      “Oh!” said Langwidere, slightly lifting the nose of No. 17. “I thought some one of importance had called.”

      “Then you were right,” declared Dorothy. “I’m a good deal of ‘portance myself, and when Billina lays an egg she has the proudest cackle you ever heard. As for Tiktok, he’s the—”

      “Stop—Stop!”