Название | The Complete Works of Jane Austen (Including Novels, Personal Letters & Scraps) |
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Автор произведения | Jane Austen |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 9788027231461 |
When the ladies withdrew to the drawing-room after dinner, this poverty was particularly evident, for the gentlemen HAD supplied the discourse with some variety–the variety of politics, inclosing land, and breaking horses–but then it was all over; and one subject only engaged the ladies till coffee came in, which was the comparative heights of Harry Dashwood, and Lady Middleton’s second son William, who were nearly of the same age.
Had both the children been there, the affair might have been determined too easily by measuring them at once; but as Harry only was present, it was all conjectural assertion on both sides; and every body had a right to be equally positive in their opinion, and to repeat it over and over again as often as they liked.
The parties stood thus:
The two mothers, though each really convinced that her own son was the tallest, politely decided in favour of the other.
The two grandmothers, with not less partiality, but more sincerity, were equally earnest in support of their own descendant.
Lucy, who was hardly less anxious to please one parent than the other, thought the boys were both remarkably tall for their age, and could not conceive that there could be the smallest difference in the world between them; and Miss Steele, with yet greater address gave it, as fast as she could, in favour of each.
Elinor, having once delivered her opinion on William’s side, by which she offended Mrs. Ferrars and Fanny still more, did not see the necessity of enforcing it by any farther assertion; and Marianne, when called on for hers, offended them all, by declaring that she had no opinion to give, as she had never thought about it.
Before her removing from Norland, Elinor had painted a very pretty pair of screens for her sister-in-law, which being now just mounted and brought home, ornamented her present drawing room; and these screens, catching the eye of John Dashwood on his following the other gentlemen into the room, were officiously handed by him to Colonel Brandon for his admiration.
“These are done by my eldest sister,” said he; “and you, as a man of taste, will, I dare say, be pleased with them. I do not know whether you have ever happened to see any of her performances before, but she is in general reckoned to draw extremely well.”
The Colonel, though disclaiming all pretensions to connoisseurship, warmly admired the screens, as he would have done any thing painted by Miss Dashwood; and on the curiosity of the others being of course excited, they were handed round for general inspection. Mrs. Ferrars, not aware of their being Elinor’s work, particularly requested to look at them; and after they had received gratifying testimony of Lady Middletons’s approbation, Fanny presented them to her mother, considerately informing her, at the same time, that they were done by Miss Dashwood.
“Hum”–said Mrs. Ferrars–“very pretty,”–and without regarding them at all, returned them to her daughter.
Perhaps Fanny thought for a moment that her mother had been quite rude enough,–for, colouring a little, she immediately said,
“They are very pretty, ma’am–an’t they?” But then again, the dread of having been too civil, too encouraging herself, probably came over her, for she presently added,
“Do you not think they are something in Miss Morton’s style of painting, Ma’am?–She DOES paint most delightfully!–How beautifully her last landscape is done!”
“Beautifully indeed! But SHE does every thing well.”
Marianne could not bear this.–She was already greatly displeased with Mrs. Ferrars; and such ill-timed praise of another, at Elinor’s expense, though she had not any notion of what was principally meant by it, provoked her immediately to say with warmth,
“This is admiration of a very particular kind!–what is Miss Morton to us?–who knows, or who cares, for her?–it is Elinor of whom WE think and speak.”
And so saying, she took the screens out of her sister-in-law’s hands, to admire them herself as they ought to be admired.
Mrs. Ferrars looked exceedingly angry, and drawing herself up more stiffly than ever, pronounced in retort this bitter philippic, “Miss Morton is Lord Morton’s daughter.”
Fanny looked very angry too, and her husband was all in a fright at his sister’s audacity. Elinor was much more hurt by Marianne’s warmth than she had been by what produced it; but Colonel Brandon’s eyes, as they were fixed on Marianne, declared that he noticed only what was amiable in it, the affectionate heart which could not bear to see a sister slighted in the smallest point.
Marianne’s feelings did not stop here. The cold insolence of Mrs. Ferrars’s general behaviour to her sister, seemed, to her, to foretell such difficulties and distresses to Elinor, as her own wounded heart taught her to think of with horror; and urged by a strong impulse of affectionate sensibility, she moved after a moment, to her sister’s chair, and putting one arm round her neck, and one cheek close to hers, said in a low, but eager, voice,
“Dear, dear Elinor, don’t mind them. Don’t let them make YOU unhappy.”
She could say no more; her spirits were quite overcome, and hiding her face on Elinor’s shoulder, she burst into tears. Every body’s attention was called, and almost every body was concerned.–Colonel Brandon rose up and went to them without knowing what he did.–Mrs. Jennings, with a very intelligent “Ah! poor dear,” immediately gave her her salts; and Sir John felt so desperately enraged against the author of this nervous distress, that he instantly changed his seat to one close by Lucy Steele, and gave her, in a whisper, a brief account of the whole shocking affair.
In a few minutes, however, Marianne was recovered enough to put an end to the bustle, and sit down among the rest; though her spirits retained the impression of what had passed, the whole evening.
“Poor Marianne!” said her brother to Colonel Brandon, in a low voice, as soon as he could secure his attention,– “She has not such good health as her sister,–she is very nervous,–she has not Elinor’s constitution;–and one must allow that there is something very trying to a young woman who HAS BEEN a beauty in the loss of her personal attractions. You would not think it perhaps, but Marianne WAS remarkably handsome a few months ago; quite as handsome as Elinor.– Now you see it is all gone.”
SENSE AND SENSIBILITY
CHAPTER THIRTY-FIVE
Elinor’s curiosity to see Mrs. Ferrars was satisfied.– She had found in her every thing that could tend to make a farther connection between the families undesirable.– She had seen enough of her pride, her meanness, and her determined prejudice against herself, to comprehend all the difficulties that must have perplexed the engagement, and retarded the marriage, of Edward and herself, had he been otherwise free;–and she had seen almost enough to be thankful for her OWN sake, that one greater obstacle preserved her from suffering under any other of Mrs. Ferrars’s creation, preserved her from all dependence upon her caprice, or any solicitude for her good opinion. Or at least, if she did not bring herself quite to rejoice in Edward’s being fettered to Lucy, she determined, that had Lucy been more amiable, she OUGHT to have rejoiced.
She wondered that Lucy’s spirits could be so very much elevated by the civility of Mrs. Ferrars;–that her interest and her vanity should so very much blind her as to make the attention which seemed only paid her because she was NOT ELINOR, appear a compliment to herself–or to allow her to derive encouragement from a preference only given her, because her real situation was unknown. But that it was so, had not only been declared by Lucy’s eyes at the time, but was declared over again the next morning more openly, for at her particular desire, Lady Middleton set her down in Berkeley Street on the chance of seeing Elinor alone, to tell her how happy she was.
The chance proved a