UNDER WESTERN EYES. Джозеф Конрад

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      The Egeria of the "Russian Mazzini" produced, at first view, a strong effect by the death-like immobility of an obviously painted face. The eyes appeared extraordinarily brilliant. The figure, in a close-fitting dress, admirably made, but by no means fresh, had an elegant stiffness. The rasping voice inviting him to sit down; the rigidity of the upright attitude with one arm extended along the back of the sofa, the white gleam of the big eyeballs setting off the black, fathomless stare of the enlarged pupils, impressed Razumov more than anything he had seen since his hasty and secret departure from St. Petersburg. A witch in Parisian clothes, he thought. A portent! He actually hesitated in his advance, and did not even comprehend, at first, what the rasping voice was saying.

      "Sit down. Draw your chair nearer me. There—"

      He sat down. At close quarters the rouged cheekbones, the wrinkles, the fine lines on each side of the vivid lips, astounded him. He was being received graciously, with a smile which made him think of a grinning skull.

      "We have been hearing about you for some time."

      He did not know what to say, and murmured some disconnected words. The grinning skull effect vanished.

      "And do you know that the general complaint is that you have shown yourself very reserved everywhere?"

      Razumov remained silent for a time, thinking of his answer.

      "I, don't you see, am a man of action," he said huskily, glancing upwards.

      Peter Ivanovitch stood in portentous expectant silence by the side of his chair. A slight feeling of nausea came over Razumov. What could be the relations of these two people to each other? She like a galvanized corpse out of some Hoffman's Tale—he the preacher of feminist gospel for all the world, and a super-revolutionist besides! This ancient, painted mummy with unfathomable eyes, and this burly, bull-necked, deferential...what was it? Witchcraft, fascination.... "It's for her money," he thought. "She has millions!"

      The walls, the floor of the room were bare like a barn. The few pieces of furniture had been discovered in the garrets and dragged down into service without having been properly dusted, even. It was the refuse the banker's widow had left behind her. The windows without curtains had an indigent, sleepless look. In two of them the dirty yellowy-white blinds had been pulled down. All this spoke, not of poverty, but of sordid penuriousness.

      The hoarse voice on the sofa uttered angrily—

      "You are looking round, Kirylo Sidorovitch. I have been shamefully robbed, positively ruined."

      A rattling laugh, which seemed beyond her control, interrupted her for a moment.

      "A slavish nature would find consolation in the fact that the principal robber was an exalted and almost a sacrosanct person—a Grand Duke, in fact. Do you understand, Mr. Razumov? A Grand Duke—No! You have no idea what thieves those people are! Downright thieves!"

      Her bosom heaved, but her left arm remained rigidly extended along the back of the couch.

      "You will only upset yourself," breathed out a deep voice, which, to Razumov's startled glance, seemed to proceed from under the steady spectacles of Peter Ivanovitch, rather than from his lips, which had hardly moved.

      "What of hat? I say thieves! Voleurs! Voleurs!"

      Razumov was quite confounded by this unexpected clamour, which had in it something of wailing and croaking, and more than a suspicion of hysteria.

      "Voleurs! Voleurs! Vol...."

      "No power on earth can rob you of your genius," shouted Peter Ivanovitch in an overpowering bass, but without stirring, without a gesture of any kind. A profound silence fell.

      Razumov remained outwardly impassive. "What is the meaning of this performance?" he was asking himself. But with a preliminary sound of bumping outside some door behind him, the lady companion, in a threadbare black skirt and frayed blouse, came in rapidly, walking on her heels, and carrying in both hands a big Russian samovar, obviously too heavy for her. Razumov made an instinctive movement to help, which startled her so much that she nearly dropped her hissing burden. She managed, however, to land it on the table, and looked so frightened that Razumov hastened to sit down. She produced then, from an adjacent room, four glass tumblers, a teapot, and a sugar-basin, on a black iron tray.

      The rasping voice asked from the sofa abruptly—

      "Les gateaux? Have you remembered to bring the cakes?"

      Peter Ivanovitch, without a word, marched out on to the landing, and returned instantly with a parcel wrapped up in white glazed paper, which he must have extracted from the interior of his hat. With imperturbable gravity he undid the string and smoothed the paper open on a part of the table within reach of Madame de S—'s hand. The lady companion poured out the tea, then retired into a distant corner out of everybody's sight. From time to time Madame de S— extended a claw-like hand, glittering with costly rings, towards the paper of cakes, took up one and devoured it, displaying her big false teeth ghoulishly. Meantime she talked in a hoarse tone of the political situation in the Balkans. She built great hopes on some complication in the peninsula for arousing a great movement of national indignation in Russia against "these thieves—thieves thieves."

      "You will only upset yourself," Peter Ivanovitch interposed, raising his glassy gaze. He smoked cigarettes and drank tea in silence, continuously. When he had finished a glass, he flourished his hand above his shoulder. At that signal the lady companion, ensconced in her corner, with round eyes like a watchful animal, would dart out to the table and pour him out another tumblerful.

      Razumov looked at her once or twice. She was anxious, tremulous, though neither Madame de S— nor Peter Ivanovitch paid the slightest attention to her. "What have they done between them to that forlorn creature?" Razumov asked himself. "Have they terrified her out of her senses with ghosts, or simply have they only been beating her?" When she gave him his second glass of tea, he noticed that her lips trembled in the manner of a scared person about to burst into speech. But of course she said nothing, and retired into her corner, as if hugging to herself the smile of thanks he gave her.

      "She may be worth cultivating," thought Razumov suddenly.

      He was calming down, getting hold of the actuality into which he had been thrown—for the first time perhaps since Victor Haldin had entered his room...and had gone out again. He was distinctly aware of being the object of the famous—or notorious—Madame de S—'s ghastly graciousness.

      Madame de S— was pleased to discover that this young man was different from the other types of revolutionist members of committees, secret emissaries, vulgar and unmannerly fugitive professors, rough students, ex-cobblers with apostolic faces, consumptive and ragged enthusiasts, Hebrew youths, common fellows of all sorts that used to come and go around Peter Ivanovitch—fanatics, pedants, proletarians all. It was pleasant to talk to this young man of notably good appearance—for Madame de S— was not always in a mystical state of mind. Razumov's taciturnity only excited her to a quicker, more voluble utterance. It still dealt with the Balkans. She knew all the statesmen of that region, Turks, Bulgarians, Montenegrins, Roumanians, Greeks, Armenians, and nondescripts, young and old, the living and the dead. With some money an intrigue could be started which would set the Peninsula in a blaze and outrage the sentiment of the Russian people. A cry of abandoned brothers could be raised, and then, with the nation seething with indignation, a couple of regiments or so would be enough to begin a military revolution in St. Petersburg and make an end of these thieves....

      "Apparently I've got only to sit still and listen," the silent Razumov thought to himself. "As to that hairy and obscene brute" (in such terms did Mr. Razumov refer mentally to the popular expounder of a feministic conception of social state), "as to him, for all his cunning he too shall speak out some day."

      Razumov ceased to think for a moment. Then a sombre-toned reflection formulated itself in his mind, ironical and bitter. "I have the gift of inspiring confidence." He heard himself laughing