Dodo Trilogy - Complete Edition: Dodo, Dodo's Daughter & Dodo Wonders. E. F. Benson

      Dodo laid her hand on his shoulder, conscious of restraining her impatience.

      "No, that's just the difference between us," she said. "Go on, Tommy, get into the carriage. You don't want me not to go, dear, do you?"

      "No, you are right to go, if you wish to," he said again.

      Dodo grew impatient.

      "Really, you might be more cordial about it," she said. "I needn't have consulted you at all."

      Lord Chesterford was not as meek as Moses. He was capable of a sense of injustice.

      "I don't know that you did consult me much," he said, "you mean to go in any case."

      "Very well," said Dodo, "I do mean to go. Good-night, old boy. I sha'n't be very late. But I don't mean to quarrel with you."

      Lord Chesterford turned into his room. But he would not keep Dodo, as she wished to go, even if he could have done so.

      Ledgers was waiting in the carriage.

      "Oh, the devil," said Dodo, as she stepped in.

      Lady Bretton's ball is still talked about, I believe, in certain circles, though it ought to have been consigned, with all other events of last year, to oblivion. It was very brilliant, and several princes shed the light of their presence on it. But, as Lord Ledgers was heard to remark afterwards, "There are many princes, but there is only one Dodo." He felt as if he was adapting a quotation from the Koran, which was somehow suitable to the positive solemnity of the occasion. Dodo can only be described as having been indescribable. Lucas, Lady Bretton's eldest son, in honour of whose coming of age the ball was given, can hardly allude to it even now. His emotions expressed themselves feebly in his dressing with even more care than usual, in hanging round Eaton Square, and in leaving cards on the Chesterfords as often as was decent.

      Dodo was conscious of a frenzied desire to make the most of it, and to drown remembrance, for in the background of her mind was another picture, that she did not care to look at. There was a man she knew, leaning over a small dead child. The door of the room was half open, and a woman, brilliantly dressed, was turning to go out, looking back over her shoulder with a smile, half of impatience, half of pity, at the kneeling figure in the room. Through the half-open door came sounds of music and rhythmical steps, and a blaze of light. This picture had started unbidden into Dodo's mind, as she and Ledgers drove up to Lady Bretton's door, with such sudden clearness that she half wondered whether she had ever actually seen it. It reminded her of one of Orchardson's silent, well-appointed tragedies. In any case it gave her a rather unpleasant twinge, and she determined to shut it out for the rest of the evening, and, to do her justice, no one would have guessed that Dodo's brilliance was due to anything but pure spontaneity, or that, even in the deepest shades of her inmost mind, there was any remembrance that it needed an effort to stifle.

      Many women, though few men, were surprised to see her there, and there was no one who was not glad; but the question arose more than once in the minds of two or three people, "Would society stand it if she didn't happen to be herself?" Dodo had treated a select party of her friends to a private exhibition of skirt-dancing during supper-time. The music from the band was quite loud enough to be heard distinctly in a small, rather unfrequented sitting-out room, and there Dodo had displayed her incomparable grace of movement and limb to the highest advantage. Dodo danced that night with unusual perfection, and who has not felt the exquisite beauty of such motion? Her figure, clad in its long, clinging folds of diaphanous, almost luminous texture, stood out like a radiant statue of dawn against the dark panelling of the room; her graceful figure bending this way and that, her wonderful white arms now holding aside her long skirt, or clasped above her head; above all, the supreme distinction and conscious modesty of every posture seemed, to the little circle who saw her, to be almost a new revelation of the perfection of form, colour and grace.

      Jack knew Dodo pretty well, but he stood and wondered. Was she a devil? was she a tiger? or was she, after all, a woman? Dodo had told him what had happened that evening, and yet he did not condemn her utterly. He knew how prison-like her life must have been to her during the last month. It was a thousand pities that Dodo's meat was Chesterford's poison, but he no more blamed Dodo for eating her meat than he blamed Chesterford for avoiding his poison; and to advance the conventional argument against Dodo, that her behaviour was not usual, was, equivalent to saying, "Why do you behave like yourself?" rather than, "Why don't you behave like other people?" Dodo's estimate of herself, as purely normal, was only another instance of her very abnormalness. No, on the whole, she was not a devil. The other question was harder to settle. Jack remembered a tigress he had seen that day with her at the Zoo. The brute had a small and perfectly fascinating tiger cub, in which she took a certain maternal pride; but when feeding-time came near, and the cub continued to be importunate, she gave it a cuff with her big velvety paw, and sent it staggering to the corner. Dodo's tiger cub was a mixture between Chesterford and the dead child, and Dodo's feeding-time had come round. Here she was feeding with an enviable appetite, and where was the cub? The tigress element was not wholly absent.

      And yet, withal, she was a woman. Is it that certain attributes of pure womanliness run through the female of animals, or that every woman has a touch of the tigress about her? Jack felt incompetent to decide.

      Dodo's dance came to an end. She accepted Prince Waldenech's arm, and went down to supper. As he advanced to her, Dodo dropped a curtsey, and he stooped and kissed her hand. "The brute," thought Jack, as he strolled out into the ballroom, where people were beginning to collect again. Many turned and looked at Dodo as, she passed out with her handsome partner. The glow of exercise and excitement and success burned brightly in her cheeks, and no one accused Dodo of using rouge. The supper was spread on a number of small tables, laid for four or six each. The Prince led her to an empty one, and sat down by her side.

      "I have seen many beautiful things," he said, in French, which permits a man to say more than he may I in English, "but none so beautiful as what I have seen to-night."

      Dodo was far too accomplished a coquette to pretend not to know what he meant. She made him a charming little obeisance.

      "Politeness required that of your Highness," she said. "That is only my due, you know."

      "I can never give you your due," said he.

      "My due in this case is the knowledge I have pleased you."

      Dodo felt suddenly a little uncomfortable. The forgotten picture flashed for a moment across her inward eye. She spoke of other things: praised the prettiness of the ballroom, the excellence of the band.

      "Lady Bretton has given a fine setting to the diamond," said the Prince, "but the diamond is not hers."

      Dodo laughed. He was a little ponderous, and he deserved to be told so.

      "You Austrians have beautiful manners," she said, "but you are too serious. English are always accused of sharing that fault, but anyhow, when they pay compliments, they have at least the air of not meaning what they say."

      "That is the fault of the English, or of the compliment."

      "No one means what they say when they pay compliments," said Dodo. "They are only a kind of formula to avoid the unpleasantness of saying nothing."

      "Austrians seldom pay compliments," said he; "but when they do, they mean them."

      "Ouf," said Dodo; "that sounds homelike to you, doesn't it? All Austrians say 'ouf' in books—do they really say 'ouf,' by the way?—What a bald way of saying that I needn't expect any more to-night. Really, Prince, that's rather unflattering to you. No, don't excuse yourself; I understand perfectly. I'm not fishing for any more. Come, there's the pas de quatre beginning. That's the 'Old Kent Road' tune. It's much the best. What do you suppose 'Knocked 'em in the Old Kent Road' means? No foreigner has ever been able to translate it to me yet. This is your dance, isn't it? O dear me, half the night's gone, and I feel as if I hadn't begun yet. Some people are in bed now; what a waste of time, you know."

      The ball went on and on, and Dodo seemed to gather fresh strength and brilliance with each hour. Extra dances were added and still added, and many who were tired with dancing stayed and watched