Thirty Strange Stories. H. G. Wells

at it and grabbed it, and I gave him a whack on the head to make him leave go. And at that he went for me. Lord!

      “He gave me this in the face.” The man indicated his scar. “Then he kicked me. It was like a cart horse. I got up, and seeing he hadn’t finished I started off full tilt with my arms doubled up over my face. But he ran on those gawky legs of his faster than a race horse, and kept landing out at me with sledge-hammer kicks, and bringing his pickaxe down on the back of my head. I made for the lagoon, and went in up to my neck. He stopped at the water, for he hated getting his feet wet, and began to make a shindy, something like a peacock’s, only hoarser. He started strutting up and down the beach. I’ll admit I felt small to see this blessed fossil lording it there. And my head and face were all bleeding, and—well, my body just one jelly of bruises.

      “I decided to swim across the lagoon and leave him alone for a bit, until the affair blew over. I shinned up the tallest palm-tree and sat there thinking of it all. I don’t suppose I ever felt so hurt by anything before or since. It was the brutal ingratitude of the creature. I’d been more than a brother to him. I’d hatched him. Educated him. A great, gawky, out-of-date bird! And me a human being—heir of the ages and all that.

      “I thought after a time he’d begin to see things in that light himself, and feel a little sorry for his behaviour. I thought if I was to catch some nice little bits of fish, perhaps, and go to him presently in a casual kind of way, and offer them to him, he might do the sensible thing. It took me some time to learn how unforgiving and cantankerous an extinct bird can be. Malice!

      “I won’t tell you all the little devices I tried to get that bird round again. I simply can’t. It makes my cheek burn with shame even now to think of the snubs and buffets I had from this infernal curiosity. I tried violence. I chucked lumps of coral at him from a safe distance, but he only swallowed them. I shied my open knife at him and almost lost it, though it was too big for him to swallow. I tried starving him out and struck fishing, but he took to picking along the beach at low water after worms, and rubbed along on that. Half my time I spent up to my neck in the lagoon, and the rest up the palm-trees. One of them was scarcely high enough, and when he caught me up it he had a regular Bank Holiday with the calves of my legs. It got unbearable. I don’t know if you have ever tried sleeping up a palm-tree. It gave me the most horrible nightmares. Think of the shame of it too! Here was this extinct animal mooning about my island like a sulky duke, and me not allowed to rest the sole of my foot on the place. I used to cry with weariness and vexation. I told him straight that I didn’t mean to be chased about a desert island by any damned anachronisms. I told him to go and peck a navigator of his own age. But he only snapped his beak at me. Great ugly bird—all legs and neck!

      “I shouldn’t like to say how long that went on altogether. I’d have killed him sooner if I’d known how. However, I hit on a way of settling him at last. It’s a South American dodge. I joined all my fishing lines together with stems of seaweed and things, and made a stoutish string, perhaps twelve yards in length or more, and I fastened two lumps of coral rock to the ends of this. It took me some time to do, because every now and then I had to go into the lagoon or up a tree as the fancy took me. This I whirled rapidly round my head and then let it go at him. The first time I missed, but the next time the string caught his legs beautifully and wrapped round them again and again. Over he went. I threw it standing waist-deep in the lagoon, and as soon as he went down I was out of the water and sawing at his neck with my knife—

      “I don’t like to think of that even now. I felt like a murderer while I did it, though my anger was hot against him. When I stood over him and saw him bleeding on the white sand and his beautiful great legs and neck writhing in his last agony—Pah!

      “With that tragedy, Loneliness came upon me like a curse. Good Lord! you can’t imagine how I missed that bird. I sat by his corpse and sorrowed over him, and shivered as I looked round the desolate, silent reef. I thought of what a jolly little bird he had been when he was hatched, and of a thousand pleasant tricks he had played before he went wrong. I thought if I’d only wounded him I might have nursed him round into a better understanding. If I’d had any means of digging into the coral rock I’d have buried him. I felt exactly as if he was human. As it was I couldn’t think of eating him, so I put him in the lagoon and the little fishes picked him clean. Then one day a chap cruising about in a yacht had a fancy to see if my atoll still existed.

      “He didn’t come a moment too soon, for I was about sick enough of the desolation of it, and only hesitating whether I should walk out into the sea and finish up the business that way, or fall back on the green things.

      “I sold the bones to a man named Winslow—a dealer near the British Museum, and he says he sold them to old Havers. It seems Havers didn’t understand they were extra large, and it was only after his death they attracted attention. They called ’em Æpyornis—what was it?”

      “Æpyornis vastus,” said I. “It’s funny, the very thing was mentioned to me by a friend of mine. When they found an Æpyornis with a thigh a yard long they thought they had reached the top of the scale and called him Æpyornis maximus. Then some one turned up another thigh bone four feet six or more, and that they called Æpyornis Titan. Then your vastus was found after old Havers died, in his collection, and then a vastissimus turned up.”

      “Winslow was telling me as much,” said the man with the scar. “If they get any more Æpyornises, he reckons some scientific swell will go and burst a blood-vessel. But it was a queer thing to happen to a man; wasn’t it—altogether?”

THE PLATTNER STORY

       Table of Contents

      Whether the story of Gottfried Plattner is to be credited or not, is a pretty question in the value of evidence. On the one hand, we have seven witnesses—to be perfectly exact, we have six and a half pairs of eyes, and one undeniable fact; and on the other we have—what is it?—prejudice, common sense, the inertia of opinion. Never were there seven more honest-seeming witnesses; never was there a more undeniable fact than the inversion of Gottfried Plattner’s anatomical structure, and—never was there a more preposterous story than the one they have to tell! The most preposterous part of the story is the worthy Gottfried’s contribution (for I count him as one of the seven). Heaven forbid that I should be led into giving countenance to superstition by a passion for impartiality, and so come to share the fate of Eusapia’s patrons! Frankly, I believe there is something crooked about this business of Gottfried Plattner; but what that crooked factor is, I will admit as frankly, I do not know. I have been surprised at the credit accorded to the story in the most unexpected and authoritative quarters. The fairest way to the reader, however, will be for me to tell it without further comment.

      Gottfried Plattner is, in spite of his name, a freeborn Englishman. His father was an Alsatian who came to England in the Sixties, married a respectable English girl of unexceptionable antecedents, and died, after a wholesome and uneventful life (devoted, I understand, chiefly to the laying of parquet flooring), in 1887. Gottfried’s age is seven-and-twenty. He is, by virtue of his heritage of three languages, Modern Languages Master in a small private school in the South of England. To the casual observer he is singularly like any other Modern Languages Master in any other small private school. His costume is neither very costly nor very fashionable, but, on the other hand, it is not markedly cheap or shabby; his complexion, like his height and his bearing, is inconspicuous. You would notice, perhaps, that, like the majority of people, his face was not absolutely symmetrical, his right eye a little larger than the left, and his jaw a trifle heavier on the right side. If you, as an ordinary careless person, were to bare his chest and feel his heart beating, you would probably find it quite like the heart of any one else. But here you and the trained observer would part company. If you found his heart quite ordinary, the trained observer would find it quite otherwise. And once the thing was pointed out to you, you too would perceive the peculiarity easily enough. It is that Gottfried’s heart beats on the right side of his body.

      Now, that is not the only singularity of Gottfried’s structure, although it is the only one that would appeal to the untrained