Название | Life of Johann Wolfgang Goethe |
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Автор произведения | James Sime |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4064066230876 |
One day in September, 1770, Goethe accidentally met a young clergyman on the steps at the entrance to the inn, “Zum Geist.” He knew that Herder had just arrived at Strasburg, and could not doubt that this was he. Goethe greeted him respectfully, and Herder, attracted, like every one else, by the young student’s manly bearing and frank expression, responded pleasantly, and entered into conversation with him. This led to an intimate friendship, and the consequences were of the highest importance for Goethe. Herder was at this time only twenty-six years of age—that is, five years older than Goethe—but his character had been matured by hard discipline, and he had already made a good reputation as the author of two collections of essays full of energy and fresh thought. He was not one of the great creative spirits of the world, but he had an intellect of restless activity, endowed with an extraordinary faculty for the apprehension of far-reaching ideas. He had enthusiasm, too, and a noble, inspiring conception of the part that properly belongs to the individual mind in its relations to the world at large.
Having given up his work as preacher and schoolmaster at Riga, he had spent some time in France; and he had lately accepted the office of tutor to the young Prince of Holstein-Eutin, whom he had accompanied to Strasburg. This appointment he now resigned, having received a promise (which was soon fulfilled) of the chief pastorate at Bückeburg, where he proposed to marry Caroline Flachsland, to whom he had become engaged at Darmstadt. He remained, however, rather more than six months at Strasburg, mainly that he might be cured of an affection of the eyes, by which he was much troubled. A painful operation was performed, and recovery was less rapid than he expected. Goethe was one of his most constant visitors, and missed no opportunity of serving him. Even when his health was good, it was rather difficult for Herder’s friends to hit it off with him, for with all his excellent qualities he was irritable, and apt to be somewhat arrogant; and his temper was not improved by his sufferings. But Goethe, who recognized the essential greatness of his character, was not discouraged by his occasional rudeness, and was well rewarded for the fidelity with which he waited upon his new friend.
At this time the serious thought of Europe was passing through one of the most momentous revolutions the world has ever seen. Beyond all question the foremost figure in the movement was Rousseau. As a man of letters Rousseau was far inferior to Voltaire, and his knowledge was neither so wide nor so exact as that of Diderot. But his ideas corresponded to the deepest needs of the age, and he had the enthusiasm, the prophetic ardour that commanded for them the attention of mankind. The civilization of France he had shaken to its centre, and in Germany the impression he had produced had been hardly less profound. Everywhere generous minds were filled with discontent with the world as it actually existed. Everywhere they were revolting against forms and conventions, and crying out for a return to “nature,” for the free growth and expression of the innate qualities of humanity—qualities which, when not corrupted by unjust institutions, were, according to Rousseau, always pure and noble.
Herder, who had studied Rousseau closely, had appropriated all that was most vital in his teaching, and had applied his doctrines, not only in the criticism of life, but in his judgments of literature; and now he made Goethe a sharer of the intellectual wealth he had himself acquired. Goethe had already been a reader of Rousseau, but from this time, as we know from the characteristics of his early writings, his mind was deeply penetrated by the spirit of “La Nouvelle Héloïse” and “Émile.” Of still greater importance was the help he obtained in the comprehension of the full splendour of Shakespeare’s genius. Of all poets, Shakespeare, as Herder taught, was the one in whom nature had found her truest interpreter; and, returning in earnest to the study of his dramas, Goethe was impressed, as he had never been impressed before, by their power and beauty, and felt more and more strongly that it would be impossible for him ever to exhaust their meaning. Herder had also much to say about Swift, Richardson, Fielding, Sterne, and Goldsmith; and to a circle of friends, of whom Goethe was one, he read “The Vicar of Wakefield,” the humour, pathos, and idyllic charm of which filled them with delight. Through Herder’s influence Goethe began the serious study of Homer; and even from “Hamlet” he did not receive a deeper inspiration than from the “Iliad” and the “Odyssey.” Macpherson’s rendering of Ossian had touched the imagination of Herder, and he communicated his enthusiasm for it to Goethe, who perceived in “Fingal” and “The Songs of Selma” many a trace of a great and entrancing primitive literature. From Herder, too, who was familiar with Percy’s “Reliques,” Goethe first learned that some of the finest manifestations of the poetic impulse are to be found in popular songs and ballads. This revelation gave him exquisite pleasure, and it led to his collecting folk-songs, the directness, freshness, and simplicity of which, but with a new and subtle delicacy, were reproduced in his own lyrics.
Thanks to the influences under which he was brought by Herder, Goethe, during his residence at Strasburg, experienced a great intellectual awakening. He did not accept any body of doctrines as a complete and final expression of truth. On the contrary, the supreme service done to him by Herder was that in regard to things of the mind he was delivered from subservience to external authority. He now began to look out upon the world with his own eyes, and to test opinions by the free exercise of his own judgment. He had met Herder at the very moment when he needed, and was capable of responding to, the stimulus of an original mind at a stage of development more advanced than his own. When he parted from his teacher, it was no longer necessary for him to sit at the feet of a master. He had learned that great achievements were possible only if, like the poets into whose secrets he was penetrating, he brought himself into direct contact with the facts of the world, and trusted absolutely to the inherent impulses and laws of his own intellectual and imaginative powers.
During the period in which he was deriving fresh ideal impulses from Herder, Goethe was drinking deep draughts of the sweetest joys of the actual world. In the autumn of 1770 he rode with his friend Weyland to the pretty Alsatian village, Sesenheim, where Weyland wished to visit Pastor Brion, whose wife was related by marriage to one of his half-sisters. As they approached the quaint old parsonage, standing with its quiet garden in a well-wooded country, Goethe’s restless spirit could not but feel the soothing influence of a scene at once so beautiful and so peaceful. Pastor Brion, a most amiable and hospitable clergyman, had four daughters, one of whom was married, while three lived with their parents. There was also a son about eight years old. A simpler, happier family did not exist, and we cannot wonder that Goethe (not, as he afterwards thought, on his first visit, for he then knew nothing of Goldsmith) sometimes compared it to the family of the Vicar of Wakefield. Some whim made him present himself in disguise, but he soon appeared in his real character; and as he was pleasantly received, he at once felt at home. The youngest daughter was not old enough to interest Goethe. The others were Salomea, who was about his own age, and Frederika, who was in her nineteenth or twentieth year. Frederika had a slender, graceful figure, with rich masses of fair hair, dark-blue eyes, and finely modelled features. She was rather delicate, but had a fresh appearance, due to the sweet, wholesome air of the country. Behind her coy and maidenly manner were hidden possibilities of deep and passionate devotion, and her charm was made all the more alluring by the contrast she presented to her robust and outspoken elder sister.
In his autobiography Goethe gives a matchless description of his relation to this lovely girl. It is impossible to trust the details of the picture, some of which are known to be inaccurate; but there is no reason to doubt that in its main outlines it reproduces faithfully what actually happened. At any rate it is certain that he loved Frederika with all his heart; not as he had loved Gretchen and Annette, for their influence had never gone far below the surface; but with a love full of romance, with a passion that glowed and flamed with ever-increasing intensity. And Frederika—how was it possible for her to resist the young poet’s wooing? He had come to her suddenly, like some radiant being out of an unknown world, and in response to his fervour her heart throbbed with love, and pride, and joy.
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