The Greatest Novels & Novellas of Gustave Flaubert. Gustave Flaubert

bedsides of patients, he comforted the sufferer with all sorts of kindly remarks, those Caresses of the surgeon that are like the oil they put on bistouries. In order to make some splints a bundle of laths was brought up from the carthouse. Charles selected one, cut it into two pieces and planed it with a fragment of windowpane, while the servant tore up sheets to make bandages, and Mademoiselle Emma tried to sew some pads. As she was a long time before she found her work-case, her father grew impatient; she did not answer, but as she sewed she pricked her fingers, which she then put to her mouth to suck them. Charles was surprised at the whiteness of her nails. They were shiny, delicate at the tips, more polished than the ivory of Dieppe, and almond-shaped. Yet her hand was not beautiful, perhaps not white enough, and a little hard at the knuckles; besides, it was too long, with no soft inflections in the outlines. Her real beauty was in her eyes. Although brown, they seemed black because of the lashes, and her look came at you frankly, with a candid boldness.

      The bandaging over, the doctor was invited by Monsieur Rouault himself to “pick a bit” before he left.

      Charles went down into the room on the ground floor. Knives and forks and silver goblets were laid for two on a little table at the foot of a huge bed that had a canopy of printed cotton with figures representing Turks. There was an odour of iris-root and damp sheets that escaped from a large oak chest opposite the window. On the floor in corners were sacks of flour stuck upright in rows. These were the overflow from the neighbouring granary, to which three stone steps led. By way of decoration for the apartment, hanging to a nail in the middle of the wall, whose green paint scaled off from the effects of the saltpetre, was a crayon head of Minerva in gold frame, underneath which was written in Gothic letters “To dear Papa.”

      First they spoke of the patient, then of the weather, of the great cold, of the wolves that infested the fields at night.

      Mademoiselle Rouault did not at all like the country, especially now that she had to look after the farm almost alone. As the room was chilly, she shivered as she ate. This showed something of her full lips, that she had a habit of biting when silent.

      Her neck stood out from a white turned-down collar. Her hair, whose two black folds seemed each of a single piece, so smooth were they, was parted in the middle by a delicate line that curved slightly with the curve of the head; and, just showing the tip of the ear, it was joined behind in a thick chignon, with a wavy movement at the temples that the country doctor saw now for the first time in his life. The upper part of her cheek was rose-coloured. She had, like a man, thrust in between two buttons of her bodice a tortoiseshell eyeglass.

      When Charles, after bidding farewell to old Rouault, returned to the room before leaving, he found her standing, her forehead against the window, looking into the garden, where the bean props had been knocked down by the wind. She turned round. “Are you looking for anything?” she asked.

      “My whip, if you please,” he answered.

      He began rummaging on the bed, behind the doors, under the chairs. It had fallen to the floor, between the sacks and the wall. Mademoiselle Emma saw it, and bent over the flour sacks.

      Charles out of politeness made a dash also, and as he stretched out his arm, at the same moment felt his breast brush against the back of the young girl bending beneath him. She drew herself up, scarlet, and looked at him over her shoulder as she handed him his whip.

      Instead of returning to the Bertaux in three days as he had promised, he went back the very next day, then regularly twice a week, without counting the visits he paid now and then as if by accident.

      Everything, moreover, went well; the patient progressed favourably; and when, at the end of forty-six days, old Rouault was seen trying to walk alone in his “den,” Monsieur Bovary began to be looked upon as a man of great capacity. Old Rouault said that he could not have been cured better by the first doctor of Yvetot, or even of Rouen.

      As to Charles, he did not stop to ask himself why it was a pleasure to him to go to the Bertaux. Had he done so, he would, no doubt, have attributed his zeal to the importance of the case, or perhaps to the money he hoped to make by it. Was it for this, however, that his visits to the farm formed a delightful exception to the meagre occupations of his life? On these days he rose early, set off at a gallop, urging on his horse, then got down to wipe his boots in the grass and put on black gloves before entering. He liked going into the courtyard, and noticing the gate turn against his shoulder, the cock crow on the wall, the lads run to meet him. He liked the granary and the stables; he liked old Rouault, who pressed his hand and called him his saviour; he like the small wooden shoes of Mademoiselle Emma on the scoured flags of the kitchen — her high heels made her a little taller; and when she walked in front of him, the wooden soles springing up quickly struck with a sharp sound against the leather of her boots.

      She always accompanied him to the first step of the stairs. When his horse had not yet been brought round she stayed there. They had said “Goodbye”; there was no more talking. The open air wrapped her round, playing with the soft down on the back of her neck, or blew to and fro on her hips the apron-strings, that fluttered like streamers. Once, during a thaw the bark of the trees in the yard was oozing, the snow on the roofs of the outbuildings was melting; she stood on the threshold, and went to fetch her sunshade and opened it. The sunshade of silk of the colour of pigeons’ breasts, through which the sun shone, lighted up with shifting hues the white skin of her face. She smiled under the tender warmth, and drops of water could be heard falling one by one on the stretched silk.

      During the first period of Charles’s visits to the Bertaux, Madame Bovary junior never failed to inquire after the invalid, and she had even chosen in the book that she kept on a system of double entry a clean blank page for Monsieur Rouault. But when she heard he had a daughter, she began to make inquiries, and she learnt the Mademoiselle Rouault, brought up at the Ursuline Convent, had received what is called “a good education”; and so knew dancing, geography, drawing, how to embroider and play the piano. That was the last straw.

      “So it is for this,” she said to herself, “that his face beams when he goes to see her, and that he puts on his new waistcoat at the risk of spoiling it with the rain. Ah! that woman! That woman!”

      And she detested her instinctively. At first she solaced herself by allusions that Charles did not understand, then by casual observations that he let pass for fear of a storm, finally by open apostrophes to which he knew not what to answer. “Why did he go back to the Bertaux now that Monsieur Rouault was cured and that these folks hadn’t paid yet? Ah! it was because a young lady was there, some one who know how to talk, to embroider, to be witty. That was what he cared about; he wanted town misses.” And she went on —

      “The daughter of old Rouault a town miss! Get out! Their grandfather was a shepherd, and they have a cousin who was almost had up at the assizes for a nasty blow in a quarrel. It is not worth while making such a fuss, or showing herself at church on Sundays in a silk gown like a countess. Besides, the poor old chap, if it hadn’t been for the colza last year, would have had much ado to pay up his arrears.”

      For very weariness Charles left off going to the Bertaux. Heloise made him swear, his hand on the prayer-book, that he would go there no more after much sobbing and many kisses, in a great outburst of love. He obeyed then, but the strength of his desire protested against the servility of his conduct; and he thought, with a kind of naive hypocrisy, that his interdict to see her gave him a sort of right to love her. And then the widow was thin; she had long teeth; wore in all weathers a little black shawl, the edge of which hung down between her shoulder-blades; her bony figure was sheathed in her clothes as if they were a scabbard; they were too short, and displayed her ankles with the laces of her large boots crossed over grey stockings.

      Charles’s mother came to see them from time to time, but after a few days the daughter-in-law seemed to put her own edge on her, and then, like two knives, they scarified him with their reflections and observations. It was wrong of him to eat so much.

      Why did he always offer a glass of something to everyone who came? What obstinacy not to wear flannels! In the spring it came about that a notary at Ingouville, the holder of the widow Dubuc’s property, one fine day went off, taking with him all the money in his office. Heloise, it is