Essays in Radical Empiricism. William James

the fact that experience is indefeasibly dualistic in structure. It means that not subject, not object, but object-plus-subject is the minimum that can actually be. The subject-object distinction meanwhile is entirely different from that between mind and matter, from that between body and soul. Souls were detachable, had separate destinies; things could happen to them. To consciousness as such nothing can happen, for, timeless itself, it is only a witness of happenings in time, in which it plays no part. It is, in a word, but the logical correlative of ‘content’ in an Experience of which the peculiarity is that fact comes to light in it, that awareness of content takes place. Consciousness as such is entirely impersonal—‘self’ and its activities belong to the content. To say that I am self-conscious, or conscious of putting forth volition, means only that certain contents, for which ‘self’ and ‘effort of will’ are the names, are not without witness as they occur.

      Thus, for these belated drinkers at the Kantian spring, we should have to admit consciousness as an ‘epistemological’ necessity, even if we had no direct evidence of its being there.

      But in addition to this, we are supposed by almost every one to have an immediate consciousness of consciousness itself. When the world of outer fact ceases to be materially present, and we merely recall it in memory, or fancy it, the consciousness is believed to stand out and to be felt as a kind of impalpable inner flowing, which, once known in this sort of experience, may equally be detected in presentations of the outer world. “The moment we try to fix our attention upon consciousness and to see what, distinctly, it is,” says a recent writer, “it seems to vanish. It seems as if we had before us a mere emptiness. When we try to introspect the sensation of blue, all we can see is the blue; the other element is as if it were diaphanous. Yet it can be distinguished, if we look attentively enough, and know that there is something to look for.”[6] “Consciousness” (Bewusstheit), says another philosopher, “is inexplicable and hardly describable, yet all conscious experiences have this in common that what we call their content has this peculiar reference to a centre for which ‘self’ is the name, in virtue of which reference alone the content is subjectively given, or appears … While in this way consciousness, or reference to a self, is the only thing which distinguishes a conscious content from any sort of being that might be there with no one conscious of it, yet this only ground of the distinction defies all closer explanations. The existence of consciousness, although it is the fundamental fact of psychology, can indeed be laid down as certain, can be brought out by analysis, but can neither be defined nor deduced from anything but itself.”[7]

      

      ‘Can be brought out by analysis,’ this author says. This supposes that the consciousness is one element, moment, factor—call it what you like—of an experience of essentially dualistic inner constitution, from which, if you abstract the content, the consciousness will remain revealed to its own eye. Experience, at this rate, would be much like a paint of which the world pictures were made. Paint has a dual constitution, involving, as it does, a menstruum[8] (oil, size or what not) and a mass of content in the form of pigment suspended therein. We can get the pure menstruum by letting the pigment settle, and the pure pigment by pouring off the size or oil. We operate here by physical subtraction; and the usual view is, that by mental subtraction we can separate the two factors of experience in an analogous way—not isolating them entirely, but distinguishing them enough to know that they are two.

      II

      Now my contention is exactly the reverse of this. Experience, I believe, has no such inner duplicity; and the separation of it into consciousness and content comes, not by way of subtraction, but by way of addition—the addition, to a given concrete piece of it, of other sets of experiences, in connection with which severally its use or function may be of two different kinds. The paint will also serve here as an illustration. In a pot in a paint-shop, along with other paints, it serves in its entirety as so much saleable matter. Spread on a canvas, with other paints around it, it represents, on the contrary, a feature in a picture and performs a spiritual function. Just so, I maintain, does a given undivided portion of experience, taken in one context of associates, play the part of a knower, of a state of mind, of ‘consciousness’; while in a different context the same undivided bit of experience plays the part of a thing known, of an objective ‘content.’ In a word, in one group it figures as a thought, in another group as a thing. And, since it can figure in both groups simultaneously we have every right to speak of it as subjective and objective both at once. The dualism connoted by such double-barrelled terms as ‘experience,’ ‘phenomenon,’ ‘datum,’ ‘Vorfindung’—terms which, in philosophy at any rate, tend more and more to replace the single-barrelled terms of ‘thought’ and ‘thing’—that dualism, I say, is still preserved in this account, but reinterpreted, so that, instead of being mysterious and elusive, it becomes verifiable and concrete. It is an affair of relations, it falls outside, not inside, the single experience considered, and can always be particularized and defined.

      The entering wedge for this more concrete way of understanding the dualism was fashioned by Locke when he made the word ‘idea’ stand indifferently for thing and thought, and by Berkeley when he said that what common sense means by realities is exactly what the philosopher means by ideas. Neither Locke nor Berkeley thought his truth out into perfect clearness, but it seems to me that the conception I am defending does little more than consistently carry out the ‘pragmatic’ method which they were the first to use.

      If the reader will take his own experiences, he will see what I mean. Let him begin with a perceptual experience, the ‘presentation,’ so called, of a physical object, his actual field of vision, the room he sits in, with the book he is reading as its centre; and let him for the present treat this complex object in the common-sense way as being ‘really’ what it seems to be, namely, a collection of physical things cut out from an environing world of other physical things with which these physical things have actual or potential relations. Now at the same time it is just those self-same things which his mind, as we say, perceives; and the whole philosophy of perception from Democritus’s time downwards has been just one long wrangle over the paradox that what is evidently one reality should be in two places at once, both in outer space and in a person’s mind. ‘Representative’ theories of perception avoid the logical paradox, but on the other hand they violate the reader’s sense of life, which knows no intervening mental image but seems to see the room and the book immediately just as they physically exist.

      The puzzle of how the one identical room can be in two places is at bottom just the puzzle of how one identical point can be on two lines. It can, if it be situated at their intersection; and similarly, if the ‘pure experience’ of the room were a place of intersection of two processes, which connected it with different groups of associates respectively, it could be counted twice over, as belonging to either group, and spoken of loosely as existing in two places, although it would remain all the time a numerically single thing.

      Well, the experience is a member of diverse processes that can be followed away from it along entirely different lines. The one self-identical thing has so many relations to the rest of experience that you can take it in disparate systems of association, and treat it as belonging with opposite contexts.[9] In one of these contexts it is your ‘field of consciousness’; in another it is ‘the room in which you sit,’ and it enters both contexts in its wholeness, giving no pretext for being said to attach itself to consciousness by one of its parts or aspects, and to outer reality by another. What are the two processes, now, into which the room-experience simultaneously enters in this way?

      One of them is the reader’s personal biography, the other is the history of the house of which the room is part. The presentation, the experience, the that in short (for until we have decided what it is it must be a mere that) is the last term of a train of sensations, emotions, decisions, movements, classifications, expectations, etc., ending in the present, and the first term of a series