The Side Of The Angels. Basil King

over in her mind the various interests on which Polly Wilson might desire to consult her—"she wants me to see her new dress."

      "Very well, my dear, but I hope after this evening you'll be able to do your errands in the daytime. You know how it was with Matt. If he hadn't gone roaming the streets at night—"

      Rosie came close to the table. Her face was resolute. "Father, I'm not Matt. I know what I'm doing." She added, with increased determination, "I'm acting for the best."

      He was mildly surprised. "Acting for the best in going to see Polly Wilson's new dress?"

      She ignored this. "I'm twenty-three, father. I've got to follow my own judgment. If I've a chance I must use it."

      "What sort of a chance, my dear?"

      "There's nothing to hope for here," she went on, cruelly, "except from what I can do myself. Mother's no good; and Matt's worse than if he was dead. I wish to God he would die—before he comes out. And you know what you are, father."

      "I do the best I can, my dear," he said, humbly.

      "I know you do; but we can all see what that is. Everybody else is going ahead but us."

      "Oh no, they're not, my dear. There are lots that fall behind as bad as we do—and worse."

      She shook her head fiercely. "No, not worse. They couldn't. And whatever's to be done, I've got to do it. If I don't—or if I can't—well, we might as well give up. So you mustn't try to stop me, father. I know what I'm doing. It's for your sake and everybody's sake as much as for my own."

      He dropped his eyes to his book, in seeming admission that he had no tenable ground on which to meet her in a conflict of wills. "Very well, my dear," he sighed. "If you're going to Polly Wilson's you'd better be off. You'll be home by ten, won't you? I must go then to show the new fireman his way about the place."

      Outside it was a windy night, but not a cold one. Shreds of dark cloud scudded across the face of a three-quarters moon, giving it the appearance of traveling through the sky at an incredible rate of speed. In the south wind there was the tang of ocean salt, mingled with the sweeter scents of woodland and withered garden nearer home. There was a crackling of boughs in the old apple-trees, and from the ridge behind the house came the deep, soft, murmurous soughing of pines.

      If Rosie lingered on the door-step it was not because she was afraid of the night sounds or of the dark. She was restrained for a minute by a sense of terror at what she was about to do. It was not a new terror. She felt it on every occasion when she went forth to keep this tryst. As she had already said to her father, she knew what she was doing. She was neither so young nor so inexperienced as to be unaware of the element of danger that waited on her steps. No one could have told her better than she could have told herself that the voice of wise counsel would have bidden her stay at home. But if she was not afraid of the night, neither was she irresolute before the undertaking. Being forewarned, she was forearmed. Being forearmed, she could run the risks. Running the risks, she could enjoy the excitement and find solace in the romance.

      For it was romance, romance of the sort she had dreamed of and planned for and got herself ready to be equal to, if ever it should come. Somehow, she had always known it would come. She could hardly go back to the time when she did not have this premonition of a lover who would appear like a prince in a fairy-tale and lift her out of her low estate.

      And he had come. He had come late on an afternoon in the preceding summer, when she was picking wild raspberries in the wood above Duck Rock. It was a lonely spot in which she could reasonably have expected to be undisturbed. She was picking the berries fast and deftly, because the fruitman who passed in the morning would give her a dollar for her harvest. Was it the dollar, or was it the sweet, wandering, summer air? Was it the mingled perfumes of vine and fruit and soft loam loosened as she crept among the brambles, or was it the shimmer of the waning sunlight or the whir of the wings of birds or the note of a hermit-thrush in some still depth of the woodland ever so far away? Or was it only because she was young and invincibly happy at times, in spite of a sore heart, that she sang to herself as her nimble fingers secured the juicy, delicate red things and dropped them into the pan?

      He came like Pan, or a faun, or any other woodland thing, with no sound of his approach, not even that of oaten pipes. When she raised her eyes he was standing in a patch of bracken. She had been stooping to gather the fruit that clustered on a long, low, spiny stem. The words on her lips had been:

      At least be pity to me shown

       If love it may na be—

      but her voice trailed away faintly on the last syllable, for on looking up he was before her. He wore white flannels, and a Panama hat of which the brim was roguishly pulled down in front to shade his eyes.

      He was smiling unabashed, and yet with a friendliness that made it impossible for her to take offense. "Isn't it Rosie?" he asked, without moving from where he stood in the patch of trampled bracken. "I'm Claude. Don't you remember me?"

      A Delphic nymph who had been addressed by Apollo, in the seclusion of some sacred grove, could hardly have felt more joyous or more dumb. Rosie Fay did not know in what kind of words to answer the glistening being who had spoken to her with this fine familiarity. Later, in the silence of the night, she blushed with shame to think of the figure she must have cut, standing speechless before him, the pan of red raspberries in her hands, her raspberry-red lips apart in amazement, and her eyes gleaming and wide with awe.

      She remained vague as to what she answered in the end. It was confusedly to the effect that though she remembered him well enough, she supposed that he had long ago forgotten one so insignificant as herself. Presently he was beside her, dropping raspberries into her pan, while they laughed together as in those early days when they had picked peas by her father's permission in Grandpa Thorley's garden.

      Their second meeting was accidental—if it was accidental that each had come to the same spot, at the same hour, on the following day, in the hope of finding the other. The third meeting was also on the same spot, but by appointment, in secret, and at night! Claude had been careful to impress on her the disaster that would ensue if their romance were discovered.

      But Rosie Fay knew what she was doing. She repeated that statement often to herself. Had she really been a Delphic nymph, or even a young lady of the best society, she might have given herself without reserve to the rapture of her idyl; but her circumstances were peculiar. Rosie was obliged to be practical, to look ahead. A fairy prince was not only a romantic dream in her dreary life, but an agency to be utilized. The least self-seeking of drowning maids might expect the hero on the bank to pull her out of the water. The very fact that she recognized in Claude a tendency to dally with her on the brink instead of landing her in a place of safety compelled her to be the more astute.

      But she was not so astute as to be inaccessible to the sense of terror that assailed her every time she went to meet him. It was the fright of one accustomed to walk on earth when seized and borne into the air. Claude's voice over the telephone, as she had heard it that afternoon, was like the call to adventures at once enthralling and appalling, in which she found it hard to keep her head. She kept it only by saying to herself: "I know what I'm doing. I know what I'm doing. My father is ruined; my brother is in jail. But I love this man and he loves me. If he marries me—"

      But Rosie's thoughts broke off abruptly there. They broke off because they reached a point beyond which imagination would not carry her. If he marries me! The supposition led her where all was blurred and roseate and golden, like the mists around the Happy Isles. Rosie could not forecast the conditions that would be hers as the wife of Claude Masterman. She only knew that she would be transported into an atmosphere of money, and money she had learned by sore experience to be the sovereign palliative of care. Love was much to poor Rosie, but relief from anxiety was more. It had to be so, since both love and light are secondary blessings to the tired creature whose first need is rest. It was for rest that Claude Masterman stood primarily in her mind. He was a fairy prince, of course; he was a lover who might have satisfied any girl's aspirations. But before everything else he was a hero and a savior, a being in whose vast potentialities, both social and financial,