THE LAND OF THE BLESSED VIRGIN. Уильям Сомерсет Моэм

      Human beauty is the most arbitrary of things, and the Englishman, accustomed to the classic type of his own countrywomen, will at first perhaps be somewhat disappointed with the excellence of Spain. It consists but seldom in any regularity of feature, for their appeal is to the amorist rather than to the sculptor in marble. Their red lips carry suggestions of burning kisses, so that his heart must be hard indeed who does not feel some flutterings at their aspect. The teeth are small, very white, regular. Face and body, indeed, are but the expression of a passionate nature.

      But when I write of Spanish women I think of you, Rosarito; I find suddenly that it is no impersonal creature that fills my mind, but you—you! When I state solemnly that their greatest beauty lies in their hair and eyes, it is of you I think; it is your dark eyes that were lustrous, soft as velvet, caressing sometimes, and sometimes sparkling with fiery glances. (Alas! that I can find but hackneyed phrases to describe those heart-disturbers!) And when I say that the eyebrows of a Spanish woman are not often so delicately pencilled as with many an English girl, I remember that yours were thick; and the luxuriance gave you a certain tropical and savage charm. And your hair was plentiful and curling, intensely black; I believe it was your greatest care in life. Don't you remember how often you explained to me that nothing was so harmful as to brush it, and how proud you were that it hung in glorious locks to your very knees?

      Hardly any girl in Seville is too poor to have a peinadora to do her hair; and these women go from house to house, combing and arranging the coiffure for such infinitesimal sums as half a real, which is little more than a penny.

      Again I try to be impersonal. The complexion ranges through every quality from dark olive to pearly white; but yours, Rosarito, was like the very finest ivory, a perfect miracle of delicacy and brilliance; and the blood in the cheeks shone through with a rich, soft red. I used to think it was a colour by itself, not to be found on palettes, the carnation of your cheeks, Rosarito. And none could walk with such graceful dignity as you; it was a pleasure to watch your perfect ease, your self-command. Your feet, I think, were somewhat long; but your hands were wonderful, very small, admirably modelled, with little tapering fingers, and the most adorable filbert nails. Don't you remember how I used to look at them, and turn them over and discuss them point by point? And if ever I kissed their soft, warm palms, (I think it possible, though I have no vivid recollections,) remember that I was twenty-three; and it was certainly an appropriate gesture in the little comedy which to our mutual entertainment we played so gravely.

      Now, as I write, my heart goes pit-a-pat, thinking of you, Rosarito; and I'm sure that if we had over again that charming time, I should fall head over ears in love. Oh, you know we were both fibbing when we vowed we adored one another; I am a romancer by profession, and you by nature. We parted joyously, and you had the grace not to force a tear, and neither of our hearts was broken. Where are you now, I wonder; and do you ever think of me?

       The whole chapter of Andalusian beauty is unfolded in the tobacco factory at Seville. Six thousand women work there, at little tables placed by the columns which uphold the roof; they are of all ages, of all types; plain, pretty, commonplace, beautiful; and ten, perhaps, are lovely. The gipsies are disappointing, not so comely as the pure Spaniards; and they attract only by the sphinx-like mystery of their copper-coloured skin, by their hard, unfathomable eyes.

      The Sevillans are perhaps inclined to stoutness, but that is a charm in their lover's sight, and often have a little down on the upper lip, than which, when it amounts to no more than a shadow, nothing can be more enchanting. They look with malicious eyes as you saunter through room after room in the factory; it is quite an experience to run the gauntlet of their numerous tongues, making uncomplimentary remarks about your person, sometimes to your embarrassment offering you the carnation from their hair, or other things. Their clothes are suspended to the pillars, and their costume in summer is more adapted for coolness than for the inspection of decorous foreigners. They may bring with them babies, and many a girl will have a cradle by her side, which she rocks with one foot as her fingers work nimbly at the cigarettes.

      They are very oriental, these women with voluptuous forms; they have no education, and with all their charm are unutterably stupid; they do not read, and find even newspapers tiresome! Those whose circumstances do not force them to work for their living, love nothing better than to lie for long hours on a sofa, neither talking nor thinking, in easy gowns, untrammelled by tight-fitting things. In the morning they put on a mantilla and go to mass, and besides, except to pay a polite visit on a friend or to drive in the Paseo, hardly leave the house. They are content with the simplest life. They adore their children, and willingly devote themselves entirely to them; they seem never to be bored.

      For them the days must come and go without distinction. Their fleeting beauty leaves them imperceptibly; they grow fat, they grow thin, wrinkled, and gaunt; the years pass and their life proceeds without change. They do not think, they do not live: they merely exist, and they die, and that is the end of it. I suppose they are as happy as any one else. After all, taking it from one point of view, it matters very little what sort of life one leads, there are so many people in the world, such millions have come and gone, such millions will come and go. If an individual makes no use of his hour what does it signify? He is only one among countless hordes. In the existence of these handsome creatures, so passionate and yet so apathetic, there are no particular pleasures beside the simple joys of sense, but on the other hand, beyond the inevitable separations of death, there are no outstanding griefs. They propagate their species, and that, perhaps, is the only quite certain duty that human beings have.

      XVII

      The Dance

       Table of Contents

       Cervantes said that there was never born a Spanish woman but she was made to dance; and he might have added that in the South, at all events, most men share the enviable faculty. The dance is one of the most characteristic features of Andalusia, and as an amusement rivals in popularity even the bull-fight. The Sevillans dance on every possible occasion, and nothing pleases them more than the dexterity of professionals. Before a company has been assembled half an hour some one is bound to suggest that a couple should show their skill; room is quickly made, the table pushed against the wall, the chairs drawn back, and they begin. Even when men are alone in a tavern, drinking wine, two of them will often enough stand up to tread a seguidilla. On a rainy day it is the entertainment that naturally recommends itself.

      Riding through the villages round Seville on Sundays it delighted me to see little groups making a circle about the house doors, in the middle of which were dancing two girls in bright-coloured clothes, with roses in their hair. A man seated on a broken chair was twanging a guitar, the surrounders beat their hands in time and the dancers made music with their castanets. Sometimes on a feast-day I came across a little band, arrayed in all its best, that had come into the country for an afternoon's diversion, and sat on the grass in the shade of summer or in the wintry sun. Whenever Andalusians mean to make merry some one will certainly bring a guitar, or if not the girls have their castanets; and though even these are wanting and no one can be induced to sing, a rhythmical clapping of hands will be sufficient accompaniment, and the performers will snap their fingers in lieu of castanets.

      It is charming then to see the girls urge one another to dance; each vows with much dramatic gesture that she cannot, calling the Blessed Virgin to witness that she has strained her ankle and has a shocking cold. But some youth springs up and volunteers, inviting a particular damsel to join him. She is pushed forward, and the couple take their places. The man carefully puts down his cigarette, jams his broad-brimmed hat on his head, buttons his short coat and arches his back! The spectators cry: 'Ole!' The girl passes an arranging hand over her hair. The measure begins. The pair stand opposite one another, a yard or so distant, and foot it in accordance with one another's motions. It is not a thing of complicated steps, but, as one might expect from its Moorish origin, of movements of the body. With much graceful swaying from side to side the executants approach and retire, and at the middle of the dance change positions. It finishes with a great clapping of hands, the maiden sinks down among her friends and begins violently to fan herself, while her partner,