THE LAND OF THE BLESSED VIRGIN. Уильям Сомерсет Моэм

hospitable, and honest; they are old-fashioned people with many antique customs, and preserve much of the courteous dignity which made their fathers famous.

      A string of grey donkeys came along the bridge, their panniers earth-laden, poor miserable things that plodded slowly and painfully, with heads bent down, placing one foot before the other with the donkey's peculiar motion, patiently doing a thing they had patiently done ever since they could bear a load. They seemed to have a dull feeling that it was no use to make a fuss, or to complain; it would just go on till they dropped down dead and their carcases were sold for leather and glue. There was a Spanish note in the red trappings, braided and betasselled, but all worn, discoloured and stained.

      Inside the gate they stopped, waiting in a huddled group, with the same heavy patience, for the examination of the consumo. An officer of the custom-house went round with a long steel prong, which he ran into the baskets one by one, to see that there was nothing dutiable hidden in the earth. Then, sparing of his words, he made a sign to the driver and sat down again straddle-wise on his chair. 'Arre, burra!' The first donkey walked slowly on, and as they heard the tinkling of the leader's bell the rest stepped forward in the long line, their heads hanging down, with that hopeless movement of the feet.

       In the night, wandering at random through the streets, their silent whiteness filled me again with that intoxicating sensation of the Arabian Nights. I looked through the iron gateways as I passed, into the patios with their dark foliage, and once I heard the melancholy twang of a guitar. I was sure that in one of those houses the three princesses had thrown off their disguise and sat radiant in queenly beauty, their raven tresses falling in a hundred plaits over their shoulders, their fingers stained with henna and their long eyelashes darkened with kohl. But alas! though I lost my way I found them not.

      Yet many an amorous Spaniard, too passionate to be admitted within his mistress' house, stood at her window. This method of philandering, surely most conducive to the ideal, is variously known as comer hierro, to eat iron, and pelar la pava, to pluck the turkey. One imagines that the cold air of a winter's night must render the most ardent lover platonic. It is a significant fact that in Spanish novels if the hero is left for two minutes alone with the heroine there are invariably asterisks and some hundred pages later a baby. So it is doubtless wise to separate true love by iron bars, and perchance beauty's eyes flash more darkly to the gallant standing without the gate; illusions, the magic flower of passion, arise more willingly. But in Spain the blood of youth is very hot, love laughs at most restraints and notwithstanding these precautions, often enough there is a catastrophe. The Spaniard, who will seduce any girl he can, is pitiless under like circumstances to his own womenkind; so there is much weeping, the girl is turned out of doors and falls readily into the hands of the procuress. In the brothels of Seville or of Madrid she finds at least a roof and bread to eat; and the fickle swain goes his way rejoicing.

      I found myself at last near the Puerta del Puente, and I stood again on the Moorish bridge. The town was still and mysterious in the night, and the moon shone down on the water with a hard and brilliant coldness. The three trees with their bare branches looked yet more slender, naked and alone, like pre-Raphaelite trees in a landscape of Pélléas et Mélisande; the broad river, almost stagnant, was extraordinarily calm and silent. I wondered what strange things the placid Guadalquivir had seen through the centuries; on its bosom many a body had been borne towards the sea. It recalled those mysterious waters of the Eastern tales which brought to the marble steps of palaces great chests in which lay a fair youth's headless corpse or a sleeping beautiful maid.

      XI

      Seville

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       The impression left by strange towns and cities is often a matter of circumstance, depending upon events in the immediate past; or on the chance which, during his earliest visit, there befell the traveller. After a stormy passage across the Channel, Newhaven, from the mere fact of its situation on solid earth, may gain a fascination which closer acquaintance can never entirely destroy; and even Birmingham, first seen by a lurid sunset, may so affect the imagination as to appear for ever like some infernal, splendid city, restless with the hurried toil of gnomes and goblins. So to myself Seville means ten times more than it can mean to others. I came to it after weary years in London, heartsick with much hoping, my mind dull with drudgery; and it seemed a land of freedom. There I became at last conscious of my youth, and it seemed a belvedere upon a new life. How can I forget the delight of wandering in the Sierpes, released at length from all imprisoning ties, watching the various movement as though it were a stage-play, yet half afraid that the falling curtain would bring back reality! The songs, the dances, the happy idleness of orange-gardens, the gay turbulence of Seville by night; ah! there at least I seized life eagerly, with both hands, forgetting everything but that time was short and existence full of joy. I sat in the warm sunshine, inhaling the pleasant odours, reminding myself that I had no duty to do then, or the morrow, or the day after. I lay a-bed thinking how happy, effortless and free would be my day. Mounting my horse, I clattered through the narrow streets, over the cobbles, till I came to the country; the air was fresh and sweet, and Aguador loved the spring mornings. When he put his feet to the springy turf he gave a little shake of pleasure, and without a sign from me broke into a gallop. To the amazement of shepherds guarding their wild flocks, to the confusion of herds of brown pigs, scampering hastily as we approached, he and I excited by the wind singing in our ears, we pelted madly through the country. And the whole land laughed with the joy of living.

      But I love also the recollection of Seville in the grey days of December, when the falling rain offered a grateful contrast to the unvarying sunshine. Then new sights delighted the eye, new perfumes the nostril. In the decay of that long southern autumn a more sombre opulence was added to the gay colours; a different spirit filled the air, so that I realised suddenly that old romantic Spain of Ferdinand and Isabella. It lay a-dying still, gorgeous in corruption, sober yet flamboyant, rich and poverty-stricken, squalid, magnificent. The white streets, the dripping trees, the clouds gravid with rain, gave to all things an adorable melancholy, a sad, poetic charm. Looking back, I cannot dismiss the suspicion that my passionate emotions were somewhat ridiculous, but at twenty-three one can afford to lack a sense of humour.

       But Seville at first is full of disillusion. It has offered abundant material to the idealist who, as might be expected, has drawn of it a picture which is at once common and pretentious. Your idealist can see no beauty in sober fact, but must array it in all the theatrical properties of a vulgar imagination; he must give to things more imposing proportions, he colours gaudily; Nature for him is ever posturing in the full glare of footlights. Really he stands on no higher level than the housemaid who sees in every woman a duchess in black velvet, an Aubrey Plantagenet in plain John Smith. So I, in common with many another traveller, expected to find in the Guadalquivir a river of transparent green, with orange-groves along its banks, where wandered ox-eyed youths and maidens beautiful. Palm-trees, I thought, rose towards heaven, like passionate souls longing for release from earthly bondage; Spanish women, full-breasted and sinuous, danced boleros, fandangos, while the air rang with the joyous sound of castanets, and toreadors in picturesque habiliments twanged the light guitar.

      Alas! the Guadalquivir is like yellow mud, and moored to the busy quays lie cargo-boats lading fruit or grain or mineral; there no perfume scents the heavy air. The nights, indeed, are calm and clear, and the stars shine brightly; but the river banks see no amours more romantic than those of stokers from Liverpool or Glasgow, and their lady-loves have neither youth nor beauty.

      Yet Seville has many a real charm to counter-balance these lost illusions. He that really knows it, like an ardent lover with his mistress' imperfections, would have no difference; even the Guadalquivir, so matter-of-fact, really so prosaic, has an unimagined attractiveness; the crowded shipping, the hurrying porters, add to that sensation of vivacity which is of Seville the most fascinating characteristic. And Seville is an epitome of Andalusia, with its life and death, with its colour and vivid contrasts, with its boyish gaiety.

      It is a city of delightful ease, of freedom and sunshine, of torrid heat. There it does