Christmas with Selma Lagerlöf. Selma Lagerlöf

the gray rats had hardly swallowed the first wheat-grains, before the sound of a little shrill pipe was heard from the yard. The gray rats raised their heads, listened anxiously, ran a few steps as if they intended to leave the bin, then they turned back and began to eat once more.

      Again the pipe sounded a sharp and piercing note—and now something wonderful happened. One rat, two rats—yes, a whole lot of rats left the grain, jumped from the bins and hurried down cellar by the shortest cut, to get out of the house. Still there were many gray rats left. These thought of all the toil and trouble it had cost them to win Glimminge castle, and they did not want to leave it. But again they caught the tones from the pipe, and had to follow them. With wild excitement they rushed up from the bins, slid down through the narrow holes in the walls, and tumbled over each other in their eagerness to get out.

      In the middle of the courtyard stood a tiny creature, who blew upon a pipe. All round him he had a whole circle of rats who listened to him, astonished and fascinated; and every moment brought more. Once he took the pipe from his lips—only for a second—put his thumb to his nose and wiggled his fingers at the gray rats; and then it looked as if they wanted to throw themselves on him and bite him to death; but as soon as he blew on his pipe they were in his power.

      When the tiny creature had played all the gray rats out of Glimminge castle, he began to wander slowly from the courtyard out on the highway; and all the gray rats followed him, because the tones from that pipe sounded so sweet to their ears that they could not resist them.

      The tiny creature walked before them and charmed them along with him, on the road to Vallby. He led them into all sorts of crooks and turns and bends—on through hedges and down into ditches—and wherever he went they had to follow. He blew continuously on his pipe, which appeared to be made from an animal's horn, although the horn was so small that, in our days, there were no animals from whose foreheads it could have been broken. No one knew, either, who had made it. Flammea, the steeple-owl, had found it in a niche, in Lund cathedral. She had shown it to Bataki, the raven; and they had both figured out that this was the kind of horn that was used in former times by those who wished to gain power over rats and mice. But the raven was Akka's friend; and it was from him she had learned that Flammea owned a treasure like this. And it was true that the rats could not resist the pipe. The boy walked before them and played as long as the starlight lasted—and all the while they followed him. He played at daybreak; he played at sunrise; and the whole time the entire procession of gray rats followed him, and were enticed farther and farther away from the big grain loft at Glimminge castle.

      THE GREAT CRANE DANCE ON KULLABERG

       Table of Contents

      Tuesday, March twenty-ninth.

      Although there are many magnificent buildings in Skåne, it must be acknowledged that there's not one among them that has such pretty walls as old Kullaberg.

      Kullaberg is low and rather long. It is not by any means a big or imposing mountain. On its broad summit you'll find woods and grain fields, and one and another heather-heath. Here and there, round heather-knolls and barren cliffs rise up. It is not especially pretty up there. It looks a good deal like all the other upland places in Skåne.

      He who walks along the path which runs across the middle of the mountain, can't help feeling a little disappointed. Then he happens, perhaps, to turn away from the path, and wanders off toward the mountain's sides and looks down over the bluffs; and then, all at once, he will discover so much that is worth seeing, he hardly knows how he'll find time to take in the whole of it. For it happens that Kullaberg does not stand on the land, with plains and valleys around it, like other mountains; but it has plunged into the sea, as far out as it could get. Not even the tiniest strip of land lies below the mountain to protect it against the breakers; but these reach all the way up to the mountain walls, and can polish and mould them to suit themselves. This is why the walls stand there as richly ornamented as the sea and its helpmeet, the wind, have been able to effect. You'll find steep ravines that are deeply chiselled in the mountain's sides; and black crags that have become smooth and shiny under the constant lashing of the winds. There are solitary rock-columns that spring right up out of the water, and dark grottoes with narrow entrances. There are barren, perpendicular precipices, and soft, leaf-clad inclines. There are small points, and small inlets, and small rolling stones that are rattlingly washed up and down with every dashing breaker. There are majestic cliff-arches that project over the water. There are sharp stones that are constantly sprayed by a white foam; and others that mirror themselves in unchangeable dark-green still water. There are giant troll-caverns shaped in the rock, and great crevices that lure the wanderer to venture into the mountain's depths—all the way to Kullman's Hollow.

      And over and around all these cliffs and rocks crawl entangled tendrils and weeds. Trees grow there also, but the wind's power is so great that trees have to transform themselves into clinging vines, that they may get a firm hold on the steep precipices. The oaks creep along on the ground, while their foliage hangs over them like a low ceiling; and long-limbed beeches stand in the ravines like great leaf-tents.

      These remarkable mountain walls, with the blue sea beneath them, and the clear penetrating air above them, is what makes Kullaberg so dear to the people that great crowds of them haunt the place every day as long as the summer lasts. But it is more difficult to tell what it is that makes it so attractive to animals, that every year they gather there for a big play-meeting. This is a custom that has been observed since time immemorial; and one should have been there when the first sea-wave was dashed into foam against the shore, to be able to explain just why Kullaberg was chosen as a rendezvous, in preference to all other places.

      When the meeting is to take place, the stags and roebucks and hares and foxes and all the other four-footers make the journey to Kullaberg the night before, so as not to be observed by the human beings. Just before sunrise they all march up to the playground, which is a heather-heath on the left side of the road, and not very far from the mountain's most extreme point. The playground is inclosed on all sides by round knolls, which conceal it from any and all who do not happen to come right upon it. And in the month of March it is not at all likely that any pedestrians will stray off up there. All the strangers who usually stroll around on the rocks, and clamber up the mountain's sides the fall storms have driven away these many months past. And the lighthouse keeper out there on the point; the old fru on the mountain farm, and the mountain peasant and his house-folk go their accustomed ways, and do not run about on the desolate heather-fields.

      When the four-footers have arrived on the playground, they take their places on the round knolls. Each animal family keeps to itself, although it is understood that, on a day like this, universal peace reigns, and no one need fear attack. On this day a little hare might wander over to the foxes' hill, without losing as much as one of his long ears. But still the animals arrange themselves into separate groups. This is an old custom.

      After they have all taken their places, they begin to look around for the birds. It is always beautiful weather on this day. The cranes are good weather prophets, and would not call the animals together if they expected rain. Although the air is clear, and nothing obstructs the vision, the four-footers see no birds. This is strange. The sun stands high in the heavens, and the birds should already be on their way.

      But what the animals, on the other hand, observe, is one and another little dark cloud that comes slowly forward over the plain. And look! one of these clouds comes gradually along the coast of Öresund, and up toward Kullaberg. When the cloud has come just over the playground it stops, and, simultaneously, the entire cloud begins to ring and chirp, as if it was made of nothing but tone. It rises and sinks, rises and sinks, but all the while it rings and chirps. At last the whole cloud falls down over a knoll—all at once—and the next instant the knoll is entirely covered with gray larks, pretty red-white-gray bulfinches, speckled starlings and greenish-yellow titmice.

      Soon after that, another cloud comes over the plain. This stops over every bit of land; over peasant cottage and palace; over towns and cities; over farms and railway stations; over fishing hamlets and sugar refineries. Every time