Poetical Works. Charles Churchill

Waller! whose praise succeeding bards rehearse,

       Parent of harmony in English verse,

       Whose tuneful Muse in sweetest accents flows,

       In couplets first taught straggling sense to close.

       In polish'd numbers and majestic sound,

       Where shall thy rival, Pope! be ever found?

       But whilst each line with equal beauty flows.

       E'en excellence, unvaried, tedious grows.

       Nature, through all her works, in great degree, 370

       Borrows a blessing from variety.

       Music itself her needful aid requires

       To rouse the soul, and wake our dying fires.

       Still in one key, the nightingale would tease;

       Still in one key, not Brent would always please.

       Here let me bend, great Dryden! at thy shrine,

       Thou dearest name to all the Tuneful Nine!

       What if some dull lines in cold order creep,

       And with his theme the poet seems to sleep?

       Still, when his subject rises proud to view, 380

       With equal strength the poet rises too:

       With strong invention, noblest vigour fraught,

       Thought still springs up and rises out of thought;

       Numbers ennobling numbers in their course,

       In varied sweetness flow, in varied force;

       The powers of genius and of judgment join,

       And the whole Art of Poetry is thine.

       But what are numbers, what are bards to me,

       Forbid to tread the paths of poesy?

       A sacred Muse should consecrate her pen—390

       Priests must not hear nor see like other men—

       Far higher themes should her ambition claim:

       Behold where Sternhold points the way to fame!

       Whilst with mistaken zeal dull bigots burn,

       Let Reason for a moment take her turn.

       When coffee-sages hold discourse with kings,

       And blindly walk in paper leading-strings,

       What if a man delight to pass his time

       In spinning reason into harmless rhyme,

       Or sometimes boldly venture to the play? 400

       Say, where's the crime, great man of prudence, say?

       No two on earth in all things can agree;

       All have some darling singularity:

       Women and men, as well as girls and boys,

       In gew-gaws take delight, and sigh for toys.

       Your sceptres and your crowns, and such like things,

       Are but a better kind of toys for kings.

       In things indifferent Reason bids us choose,

       Whether the whim's a monkey or a Muse.

       What the grave triflers on this busy scene, 410

       When they make use of this word Reason, mean,

       I know not; but according to my plan,

       'Tis Lord Chief-Justice in the court of man;

       Equally form'd to rule in age or youth,

       The friend of virtue and the guide to truth;

       To her I bow, whose sacred power I feel;

       To her decision make my last appeal;

       Condemn'd by her, applauding worlds in vain

       Should tempt me to take up the pen again;

       By her absolved, my course I'll still pursue: 420

       If Reason's for me, God is for me too.

      * * * * *

      Footnotes:

      [83] For occasion, &c. of this, see Life.

      [84] 'Hamilton:' Archibald Hamilton, printer of the 'Critical Review.'

      [85] 'Voltaire:' Smollett had changed his opinion of Voltaire, and from praising, had begun to abuse him.

      [86] 'Thy name:' Dr. Tobias Smollett, the well-known author of 'Roderick

       Random, 'The Regicide,' an unfortunate tragedy, and one of the editors

       of the 'Critical Review,'is here satirised.

      [87] 'Fopperies of France,' &c.: in these lines the poet refers to

       Murphy's practice of vamping up French plays, and to his 'Desert

       Island,' a ridiculous pastoral drama.

      [88] 'Modern tragedy:' Mr. Murphy again.

      [89] 'Vain tyrant,' &c.: Garrick is here meant; he had displeased Churchill by pretending that he had written 'The Rosciad' to gain the freedom of the playhouse. He apologised very humbly to Churchill, and a reconciliation took place.

      [90] 'A man:' Dr. Smollett again.

      [91] 'Expose the man:' referring to some personal lines on one Mr. John Palmer, which occurred in the first edition, but which he expunged.

NIGHT.[92]

       Table of Contents

      AN EPISTLE TO ROBERT LLOYD.

      Contrarius evehor orbi.—OVID, Met. lib. ii.

      When foes insult, and prudent friends dispense,

       In pity's strains, the worst of insolence,

       Oft with thee, Lloyd, I steal an hour from grief,

       And in thy social converse find relief.

       The mind, of solitude impatient grown,

       Loves any sorrows rather than her own.

       Let slaves to business, bodies without soul,

       Important blanks in Nature's mighty roll,

       Solemnise nonsense in the day's broad glare,

       We Night prefer, which heals or hides our care. 10

       Rogues justified, and by success made bold,

       Dull fools and coxcombs sanctified by gold,

       Freely may bask in fortune's partial ray,

       And spread their feathers opening to the day;

       But threadbare Merit dares not show the head

       Till vain Prosperity retires to bed.

       Misfortunes, like the owl, avoid the light;

       The sons of Care are always sons of Night.

       The wretch, bred up in Method's drowsy school,

       Whose only merit is to err by rule, 20

       Who ne'er through heat of blood was tripping caught,

       Nor guilty deem'd of one eccentric thought;

       Whose soul directed to no use is seen,

       Unless to move the body's dull machine,

       Which, clock-work like, with the same equal pace

       Still travels on through life's insipid space,

       Turns up his eyes to think that there should be,

       Among God's creatures, two such things as we;

       Then for his nightcap calls, and thanks