Woman in Sacred History. Гарриет Бичер-Стоу

to the narrative of the Old Testament, however, we are led to feel that in setting Sarah before wives as a model of conjugal behavior, no very alarming amount of subjection or submission is implied.

      The name Sarah means "princess"; and from the Bible story we infer that, crowned with the power of eminent beauty, and fully understanding the sovereignty it gave her over man, Sarah was virtually empress and mistress of the man she called "lord." She was a woman who understood herself and him, and was too wise to dispute the title when she possessed the reality of sway; and while she called Abraham "lord," it is quite apparent from certain little dramatic incidents that she expected him to use his authority in the line of her wishes.

      In going back to these Old Testament stories, one feels a ceaseless admiration of the artless simplicity of the primitive period of which they are the only memorial. The dew of earth's early morning lies on it, sparkling and undried; and the men and women speak out their hearts with the simplicity of little children.

      In Abraham we see the man whom God designed to be the father of a great sacerdotal nation; through whom, in the fullness of time, should come the most perfect revelation of himself to man, by Jesus Christ. In choosing the man to found such a nation, the Divine Being rejected the stormy and forcible characters which command the admiration of rude men in early ages, and chose one of gentler elements.

      Abraham was distinguished for a loving heart, a tender domestic nature, great reverence, patience, and fidelity, a childlike simplicity of faith, and a dignified self-possession. Yet he was not deficient in energy or courage when the event called for them. When the warring tribes of the neighborhood had swept his kinsman, Lot, into captivity, Abraham came promptly to the rescue, and, with his three hundred trained servants, pursued, vanquished, and rescued. Though he loved not battle, when roused for a good cause he fought to some purpose.

      Over the heart of such a man, a beautiful, queenly woman held despotic sway. Traveling with her into the dominions of foreign princes, he is possessed by one harassing fear. The beauty of this woman—will it not draw the admiration of marauding powers? And shall I not be murdered, or have her torn from me? And so, twice, Abraham resorts to the stratagem of concealing their real relation, and speaking of her as his sister. The Rabbinic traditions elaborate this story with much splendor of imagery. According to them, Abraham being obliged by famine to sojourn in Egypt, rested some days by the river Nile; and as he and Sarah walked by the banks of the river, and he beheld her wonderful beauty reflected in the water, he was overwhelmed with fear lest she should be taken from him, or that he should be slain for her sake. So he persuaded her to pass as his sister; for, as he says, "she was the daughter of my father, but not of my mother." The legend goes on to say, that, as a further precaution, he had her placed in a chest to cross the frontier; and when the custom-house officers met them, he offered to pay for the box whatever they might ask, to pass it free.

      "Does it contain silks?" asked the officers.

      "I will pay the tenth as of silk," he replied.

      "Does it contain silver?" they inquired.

      "I will pay for it as silver," answered Abraham.

      "Nay, then, it must contain gold."

      "I will pay for it as gold."

      "May be it contains most costly gems."

      "I will pay for it as gems," he persisted.

      In the struggle the box was broken open, and in it was seated a beautiful woman whose countenance illumined all Egypt. The news reached the ears of Pharaoh, and he sent and took her.

      In comparing these Rabinnic traditions with the Bible, one is immediately struck with the difference in quality—the dignified simplicity of the sacred narrative contrasts forcibly with the fantastic elaborations of tradition.

      The Rabbinic and Alcoranic stories are valuable, however, as showing how profound an impression the personality of these characters had left on mankind. The great characters of the Biblical story, though in themselves simple, seemed, like the sun, to raise around them many-colored and vaporous clouds of myth and story. The warmth of their humanity kept them enwreathed in a changing mist of human sympathies.

      The falsehoods which Abraham tells are to be estimated not by the modern, but by the ancient standard. In the earlier days of the world, when physical force ruled, when the earth was covered with warring tribes, skill in deception was counted as one of the forms of wisdom. "The crafty Ulysses" is spoken of with honor through the "Odyssey" for his skill in dissembling; and the Lacedemonian youth were punished, not for stealing or lying, but for performing these necessary operations in a bungling, unskillful manner.

      In a day when it was rather a matter of course for a prince to help himself to a handsome woman wherever he could find her, and kill her husband if he made any objections, a weaker party entering the dominions of a powerful prince was under the laws of war.

      In our nineteenth century we have not yet grown to such maturity as not to consider false statements and stratagem as legitimate war policy in dealing with an enemy. Abraham's ruse is not, therefore, so very far behind even the practice of modern Christians. That he should have employed the same fruitless stratagem twice, seems to show that species of infatuation on the one subject of a beloved woman, which has been the "last infirmity" of some otherwise strong and noble men—wise everywhere else, but weak there.

      The Rabbinic legends represent Sarah as being an object of ardent admiration to Pharaoh, who pressed his suit with such vehemence that she cried to God for deliverance, and told the king that she was a married woman. Then—according to this representation—he sent her away with gifts, and even extended his complacency so far as to present her with his daughter Hagar as a handmaid—a legend savoring more of national pride than of probability.

      In the few incidents related of Sarah she does not impress us as anything more than the beautiful princess of a nomadic tribe, with many virtues and the failings that usually attend beauty and power.

      With all her advantages of person and station, Sarah still wanted what every woman of antiquity considered the crowning glory of womanhood. She was childless. By an expedient common in those early days, she gives her slave as second wife to her husband, whose child shall be her own. The Rabbinic tradition says that up to this time Hagar had been tenderly beloved by Sarah. The prospect, however, of being mother to the heir of the family seems to have turned the head of the handmaid, and broken the bonds of friendship between them.

      In its usual naïve way, the Bible narrative represents Sarah as scolding her patient husband for the results which came from following her own advice. Thus she complains, in view of Hagar's insolence: "My wrong be upon thee. I have given my maid unto thy bosom, and when she saw that she had conceived, I was despised in her eyes. The Lord judge between thee and me."

      We see here the eager, impulsive, hot-hearted woman, accustomed to indulgence, impatient of trouble, and perfectly certain that she is in the right, and that the Lord himself must think so. Abraham, as a well-bred husband, answers pacifically: "Behold, thy maid is in thy hand, to do as pleaseth thee." And so it pleased Sarah to deal so hardly with her maid that she fled to the wilderness.

      Finally, the domestic broil adjusts itself. The Divine Father, who watches alike over all his creatures, sends back the impetuous slave from the wilderness, exhorted to patience, and comforted with a promise of a future for her son.

      Then comes the beautiful idyl of the three angels, who announce the future birth of the long-desired heir. We could wish all our readers, who may have fallen out of the way of reading the Old Testament, to turn again to the eighteenth chapter of Genesis, and see the simple picture of those olden days. Notice the beautiful hospitality of reception. The Emir rushes himself to his herd to choose the fatted calf, and commands the princess to make ready the meal, and knead the cakes. Then comes the repast. The announcement of the promised blessing, at which Sarah laughs in incredulous surprise; the grave rebuke of the angels, and Sarah's white lie, with the angel's steady answer—are all so many characteristic points of the story. Sarah, in all these incidents, is, with a few touches, made as real flesh and blood as any woman in the pages of Shakespeare—not a saint,