The Red and the Black (World's Classics Series). Stendhal

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Название The Red and the Black (World's Classics Series)
Автор произведения Stendhal
Жанр Языкознание
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Издательство Языкознание
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isbn 9788027246946



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on again his shabby little black suit. He mounted his horse again, and in a few moments was at Bray-le-Haut, which was on the summit of a very pretty hill. "Enthusiasm is responsible for these numbers of peasants," thought Julien. It was impossible to move a step at Verrières, and here there were more than ten thousand round this ancient abbey. Half ruined by the vandalism of the Revolution, it had been magnificently restored since the Restoration, and people were already beginning to talk of miracles. Julien rejoined the abbé Chélan, who scolded him roundly and gave him a cassock and a surplice. He dressed quickly and followed M. Chélan, who was going to pay a call on the young bishop of Agde. He was a nephew of M. de la Mole, who had been recently nominated, and had been charged with the duty of showing the relic to the King. But the bishop was not to be found.

      The clergy began to get impatient. It was awaiting its chief in the sombre Gothic cloister of the ancient abbey. Twenty-four curés had been brought together so as to represent the ancient chapter of Bray-le-Haut, which before 1789 consisted of twenty-four canons. The curés, having deplored the bishop's youth for three-quarters of an hour, thought it fitting for their senior to visit Monseigneur to apprise him that the King was on the point of arriving, and that it was time to betake himself to the choir. The great age of M. Chélan gave him the seniority. In spite of the bad temper which he was manifesting to Julien, he signed him to follow. Julien was wearing his surplice with distinction. By means of some trick or other of ecclesiastical dress, he had made his fine curling hair very flat, but by a forgetfulness, which redoubled the anger of M. Chélan, the spurs of the Guard of Honour could be seen below the long folds of his cassock.

      When they arrived at the bishop's apartment, the tall lackeys with their lace-frills scarcely deigned to answer the old curé to the effect that Monseigneur was not receiving. They made fun of him when he tried to explain that in his capacity of senior member of the chapter of Bray-le-Haut, he had the privilege of being admitted at any time to the officiating bishop.

      Julien's haughty temper was shocked by the lackeys' insolence. He started to traverse the corridors of the ancient abbey, and to shake all the doors which he found. A very small one yielded to his efforts, and he found himself in a cell in the midst of Monseigneur's valets, who were dressed in black suits with chains on their necks. His hurried manner made these gentlemen think that he had been sent by the bishop, and they let him pass. He went some steps further on, and found himself in an immense Gothic hall, which was extremely dark, and completely wainscotted in black oak. The ogive windows had all been walled in with brick except one. There was nothing to disguise the coarseness of this masonry, which offered a melancholy contrast to the ancient magnificence of the woodwork. The two great sides of this hall, so celebrated among Burgundian antiquaries, and built by the Duke, Charles the Bold, about 1470 in expiation of some sin, were adorned with richly sculptured wooden stalls. All the mysteries of the Apocalypse were to be seen portrayed in wood of different colours.

      This melancholy magnificence, debased as it was by the sight of the bare bricks and the plaster (which was still quite white) affected Julien. He stopped in silence. He saw at the other extremity of the hall, near the one window which let in the daylight, a movable mahogany mirror. A young man in a violet robe and a lace surplice, but with his head bare, was standing still three paces from the glass. This piece of furniture seemed strange in a place like this, and had doubtless been only brought there on the previous day. Julien thought that the young man had the appearance of being irritated. He was solemnly giving benedictions with his right hand close to the mirror.

      "What can this mean," he thought. "Is this young priest performing some preliminary ceremony? Perhaps he is the bishop's secretary. He will be as insolent as the lackeys. Never mind though! Let us try." He advanced and traversed somewhat slowly the length of the hall, with his gaze fixed all the time on the one window, and looking at the young man who continued without any intermission bestowing slowly an infinite number of blessings.

      The nearer he approached the better he could distinguish his angry manner. The richness of the lace surplice stopped Julien in spite of himself some paces in front of the mirror. "It is my duty to speak," he said to himself at last. But the beauty of the hall had moved him, and he was already upset by the harsh words he anticipated.

      The young man saw him in the mirror, turned round, and suddenly discarding his angry manner, said to him in the gentlest tone,

      "Well, Monsieur, has it been arranged at last?"

      Julien was dumbfounded. As the young man began to turn towards him, Julien saw the pectoral cross on his breast, It was the bishop of Agde. "As young as that," thought Julien. "At most six or eight years older than I am!"

      He was ashamed of his spurs.

      "Monseigneur," he said at last, "I am sent by M. Chélan, the senior of the chapter."

      "Ah, he has been well recommended to me," said the bishop in a polished tone which doubled Julien's delight, "But I beg your pardon, Monsieur, I mistook you for the person who was to bring me my mitre. It was badly packed at Paris. The silver cloth towards the top has been terribly spoiled. It will look awful," ended the young bishop sadly, "And besides, I am being kept waiting."

      "Monseigneur, I will go and fetch the mitre if your grace will let me."

      Julien's fine eyes did their work.

      "Go, Monsieur," answered the bishop, with charming politeness. "I need it immediately. I am grieved to keep the gentlemen of the chapter waiting."

      When Julien reached the centre of the hall, he turned round towards the bishop, and saw that he had again commenced giving benedictions.

      "What can it be?" Julien asked himself. "No doubt it is a necessary ecclesiastical preliminary for the ceremony which is to take place." When he reached the cell in which the valets were congregated, he saw the mitre in their hands. These gentlemen succumbed in spite of themselves to his imperious look, and gave him Monseigneur's mitre.

      He felt proud to carry it. As he crossed the hall he walked slowly. He held it with reverence. He found the bishop seated before the glass, but from time to time, his right hand, although fatigued, still gave a blessing. Julien helped him to adjust his mitre. The bishop shook his head.

      "Ah! it will keep on," he said to Julien with an air of satisfaction. "Do you mind going a little way off?"

      Then the bishop went very quickly to the centre of the room, then approached the mirror, again resumed his angry manner, and gravely began to give blessings.

      Julien was motionless with astonishment. He was tempted to understand, but did not dare. The bishop stopped, and suddenly abandoning his grave manner looked at him and said:

      "What do you think of my mitre, monsieur, is it on right?"

      "Quite right, Monseigneur."

      "It is not too far back? That would look a little silly, but I musn't on the other hand wear it down over the eyes like an officer's shako."

      "It seems to me to be on quite right."

      "The King of —— is accustomed to a venerable clergy who are doubtless very solemn. I should not like to appear lacking in dignity, especially by reason of my youth."

      And the bishop started again to walk about and give benedictions.

      "It is quite clear," said Julien, daring to understand at last, " He is practising giving his benediction."

      "I am ready," the bishop said after a few moments. "Go, Monsieur, and advise the senior and the gentlemen of the chapter."

      Soon M. Chélan, followed by the two oldest curés, entered by a big magnificently sculptured door, which Julien had not previously noticed. But this time he remained in his place quite at the back, and was only able to see the bishop over the shoulders of ecclesiastics who were pressing at the door in crowds.

      The bishop began slowly to traverse the hall. When he reached the threshold, the curés formed themselves into a procession. After a short moment of confusion, the procession began to march intoning the psalm. The bishop, who was between M. Chélan and a very old curé, was the last to advance. Julien being in attendance on the abbé Chélan managed to get quite near Monseigneur.