Название | The Necromancers |
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Автор произведения | Robert Hugh Benson |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664643957 |
This had been a terrible affair altogether; Laurie, as is the custom of a certain kind of young male, had met, spoken to, and ultimately kissed this Amy Nugent, on a certain summer evening as the stars came out; but, with a chivalry not so common in such cases, had also sincerely and simply fallen in love with her, with a romance usually reserved for better-matched affections. It seemed, from Laurie's conversation, that Amy was possessed of every grace of body, mind, and soul required in one who was to be mistress of the great house; it was not, so Laurie explained, at all a milkmaid kind of affair; he was not the man, he said, to make a fool of himself over a pretty face. No, Amy was a rare soul, a flower growing on stony soil—sandy perhaps would be the better word—and it was his deliberate intention to make her his wife.
Then had followed every argument known to mothers, for it was not likely that even Mrs. Baxter would accept without a struggle a daughter-in-law who, five years before, had bobbed to her, wearing a pinafore, and carrying in a pair of rather large hands a basket of eggs to her back door. Then she had consented to see the girl, and the interview in the garden had left her more distressed than ever. (It was there that the aitch incident had taken place.) And so the struggle had gone on; Laurie had protested, stormed, sulked, taken refuge in rhetoric and dignity alternately; and his mother had with gentle persistence objected, held her peace, argued, and resisted, conflicting step by step against the inevitable, seeking to reconcile her son by pathos and her God by petition; and then in an instant, only four days ago, it seemed that the latter had prevailed; and today Laurie, in a black suit, rent by sorrow, at this very hour at which the two ladies sat and talked in the drawing-room, was standing by an open grave in the village churchyard, seeing the last of his love, under a pile of blossoms as pink and white as her own complexion, within four elm-boards with a brass plate upon the cover.
Now, therefore, there was a new situation to face, and Mrs. Baxter was regarding it with apprehension.
It is true that mothers know sometimes more of their sons than their sons know of themselves, but there are certain elements of character that sometimes neither mothers nor sons appreciate. It was one or two of those elements that Maggie Deronnais, with her hands behind her head, was now considering. It seemed to her very odd that neither the boy himself nor Mrs. Baxter in the least seemed to realize the astonishing selfishness of this very boy's actions.
She had known him now for three years, though owing to her own absence in France a part of the time, and his absence in London for the rest, she had seen nothing of this last affair. At first she had liked him exceedingly; he had seemed to her ardent, natural, and generous. She had liked his affection for his mother and his demonstrativeness in showing it; she had liked his well-bred swagger, his manner with servants, his impulsive courtesy to herself. It was a real pleasure to her to see him, morning by morning, in his knickerbockers and Norfolk jacket, or his tweed suit; and evening by evening in his swallow-tail coat and white shirt, and the knee breeches and buckled shoes that he wore by reason of the touch of picturesque and defiant romanticism that was so obvious a part of his nature. Then she had begun, little by little, to perceive the egotism that was even more apparent; his self-will, his moodiness, and his persistence.
Though, naturally, she had approved of his conversion to Catholicism, yet she was not sure that his motives were pure. She had hoped indeed that the Church, with its astonishing peremptoriness, might do something towards a moral conversion, as well as an artistic and intellectual change of view. But this, it seemed, had not happened; and this final mad episode of Amy Nugent had fanned her criticism to indignation. She did not disapprove of romance—in fact she largely lived by it—but there were things even more important, and she was as angry as she could be, with decency, at this last manifestation of selfishness.
For the worst of it was that, as she knew perfectly well, Laurie was rather an exceptional person. He was not at all the Young Fool of Fiction. There was a remarkable virility about him, he was tender-hearted to a degree, he had more than his share of brains. It was intolerable that such a person should be so silly.
She wondered what sorrow would do for him. She had come down from Scotland the night before, and down here to Herefordshire this morning; she had not then yet seen him; and he was now at the funeral. …
Well, sorrow would be his test. How would he take it?
Mrs. Baxter broke in on her meditations.
"Maggy, darling … do you think you can do anything? You know I once hoped. … "
The girl looked up suddenly, with so vivid an air that it was an interruption. The old lady broke off.
"Well, well," she said. "But is it quite impossible that—"
"Please, don't. I—I can't talk about that. It's impossible—utterly impossible."
The old lady sighed; then she said suddenly, looking at the clock above the oak mantelshelf, "It is half-past. I expect—"
She broke off as the front door was heard to open and close beyond the hall, and waited, paling a little, as steps sounded on the flags; but the steps went up the stairs outside, and there was silence again.
"He has come back," she said. "Oh! my dear."
"How shall you treat him?" asked the girl curiously.
The old lady bent again over her embroidery.
"I think I shall just say nothing. I hope he will ride this afternoon. Will you go with him?"
"I think not. He won't want anyone. I know Laurie."
The other looked up at her sideways in a questioning way, and Maggie went on with a kind of slow decisiveness.
"He will be queer at lunch. Then he will probably ride alone and be late for tea. Then tomorrow—"
"Oh! my dear, Mrs. Stapleton is coming to lunch tomorrow. Do you think he'll mind?"
"Who is Mrs. Stapleton?"
The old lady hesitated.
"She's—she's the wife of Colonel Stapleton. She goes in for what I think is called New Thought; at least, so somebody told me last month. I'm afraid she's not a very steady person. She was a vegetarian last year; now I believe she's given that up again."
Maggie smiled slowly, showing a row of very white, strong teeth.
"I know, auntie," she said. "No; I shouldn't think Laurie'll mind much. Perhaps he'll go back to town in the morning, too."
"No, my dear, he's staying till Thursday."
There fell again one of those pleasant silences that are possible in the country. Outside the garden, with the meadows beyond the village road, lay in that sweet September hush of sunlight and mellow color that seemed to embalm the house in peace. From the farm beyond the stable-yard came the crowing of a cock, followed by the liquid chuckle of a pigeon perched somewhere overhead among the twisted chimneys. And within this room all was equally at peace. The sunshine lay on table and polished floor, barred by the mullions of the windows, and stained here and there by the little Flemish emblems and coats that hung across the glass; while those two figures, so perfectly in place in their serenity and leisure, sat before the open fire-place and contemplated the very unpeaceful element that had just walked upstairs incarnate in a pale, drawn-eyed young man in black.
The house, in fact, was one of those that have a personality as marked and as mysterious as of a human character. It affected people in quite an extraordinary way. It took charge of the casual guest, entertained and soothed and sometimes silenced him; and it cast upon all who lived in it an enchantment