The Captain of the Guard. James Grant

the abbot gently.

      "Assuredly not."

      "Then how came Livingstone to have the regency?"

      "'Twas given by parliament and the nation."

      "Hence his right," said the abbot, smiling at obtaining the very reply he wished; but the petulant young earl rasped the rowels of his gold spurs furiously on the hearth, for these quiet answers from the "keeper of his conscience" galled and fretted him.

      "Well, the time is come for the nobles, the barons, and others to reconsider that too-hastily given right," said the countess; "for what is he, or what is this Lord Chancellor, that earls and chiefs are to veil their bonnets in their presence?"

      The abbot, who dreaded the violence of the young countess more than the temper of her husband (who was not exactly a lamb), was prudently silent; but she was determined to force an answer from him, and said bluntly, "Speak, abbot, you are silent!"

      "Pardon me, lady, I was thinking of Plutarch. Know you what he said?"

      "How should I know, Lord Abbot," said Margaret, while her black eyes sparkled with annoyance; "was he a heretic like Paul Crawer, or a magician like Michael Scott, with an urchin or prickly hedgehog for a familiar?"

      "Why ask you all this?" "Because the name sounds cabalistic to a Scottish ear," said Margaret, crossing and fanning herself.

      "He was a scholar—and yet an unfortunate pagan, for he knew not of St. Nicholas, the patron of scholars."

      "But what said he?"

      "That 'love and hatred corrupt the truth of everything,' and he thought profoundly, madam, for verily they do. Yet if our holy father at Rome will but listen to my prayer, ere long hatred and evil shall exist on earth no more; but all men shall live and die in peace and goodwill one with another—even unto the end of time."

      The young earl smiled disdainfully, and relapsed into gloomy silence, for he knew that his father confessor referred to a strange project which he had long cherished, and concerning which he had seriously pestered the late Roman Legate, Æneas Sylvius—that the Pope Eugene IV., as head of the Church and "vicegerent of heaven upon earth," would intercede for the fallen angel, to have him forgiven and received once more into divine favour, to the sublime end that all evil in the world would henceforth cease; for the good old clergyman, in his largeness of heart, like his poetic countryman in after years, felt that he could even forgive the devil, when he thought

      Auld Nickey Ben,

       Maybe ye'll tak a thocht and mend.

      But poor Pope Eugene was too much bothered and embroiled by the untractable council of Basle, to attend at that time to the mighty crotchets of the abbot of Tongland.

      "Patience yet awhile, my son," said the benevolent abbot, crossing to the young earl and caressing his curly black hair; "when I have the Master of Evil forgiven, and restored to the place from whence he fell, the lusts of the flesh will be effectually prevented from warring against the spirit of grace. Sit nomen Domini benedictum!"

      But the earl remained obstinately silent, with his dark eyes fixed on the fire, as if the gloomy future might be traced amid its glowing embers.

      His kinsman, John of Abercorn, smiled coldly, for by his secret connivance many said this visit to the court had been planned; while the grim and turbulent lairds of Biggar and the Bass grasped their long swords with an air that seemed to say, the peaceful and holy days of the abbot's hopes were yet a long way off, and that the devil was likely, as he has ever done, to poke his nose for a long time in Scottish affairs; but a sad and sombre frown was in their eyes, for this journey of their chief to Edinburgh had been undertaken in direct opposition to all their entreaties, advice, and forebodings.

CHAPTER VI.

       MURIELLE.

       Table of Contents

      Sweet love! sweet lines! sweet life!

       Here is her hand, the agent of her heart;

       Here is her oath for love, her honour's power:

       Oh that our fathers would applaud our loves,

       To seal our happiness with their consents.

       Two Gentlemen of Verona.

      An hour passed without Gray finding an opportunity for addressing more than the merest commonplaces to Murielle, yet his mind, even when conversing with others, was so full of her image, that the very rustle of her dress made his heart beat quicker; and he could see her form, face, and expression as distinctly as he heard her voice in fancy for ever, when she was absent; and the ribbon she had taken from her breast, and given him to wear in his bonnet, was a gift more prized than a royal crown.

      Their eyes were eloquent although their tongues were mute, for "their natures had so gradually blended into each other that, like two tints of the rainbow, the lines between them would soon become so extinct, that a separation would be the destruction of both."

      But the Countess Margaret had a secret grudge at our captain of the guard, and it arose from this circumstance.

      Prior to her marriage, and almost from her childhood, she had been a practised coquette, who had won many a brave and noble heart with a facility which her rank increased—but won only to cast them from her when tired of them, as she had done her dolls and toys when a girl, or her jewels, dresses, flowers, and baubles in riper years. They had served to beguile a day, a week, a month, those human playthings, and that was all she cared for.

      Sir Patrick Gray had proved rebelliously insensible to her beauty of form, her gaiety, and brilliance of conversation, for he loved little Murielle, and hence the more gorgeous Margaret had an additional cause to treasure a pique at him; and having other views regarding her sister, she now, in revenge, permitted him to fan his love with hope, ere it would be crushed for ever, by her marriage to one as yet unnamed. Hence the malicious smile, which curled her beautiful lip, as she looked at them from time to time, on the night we are describing.

      Gray and MacLellan confessed to each other that two sisters more charming could scarcely be met.

      Murielle's face was pale, her features were delicate, and her eyes of that deep hue, alternating between hazel and violet, which seemed black at night. Her hands and arms were lovely in their form and delicacy.

      Then Margaret was so stately and queen-like, pure and cold as marble, save when excited (which was not unfrequent), distant and proudly reserved at one time—full of fire and passion at another. Tall and beautifully formed, her hair and eyes were of the deepest jet, to which the purity of her complexion formed a singular contrast; while a softness was imparted at times to her otherwise haughty expression by her long and thick eye-lashes, which she could drop with the most skilful coquetry.

      The face and eyes of Murielle, though less striking, had a strange charm, as they brightened, deepened, and seemed to grow in beauty, one knew not why or how; but it was the indescribable charm of expression.

      The old abbot, finding his efforts to amuse his fiery and feudal friends a somewhat arduous task (as they were all inspired by jealous, ambitious, or angry thoughts), came in despair to Murielle, who was his favourite, and who loved him as a daughter would have done.

      "Your harp is here; sing us something, my lady daughter," said he; "a song of our wild Galloway hills—or a Lowland ballad, if you prefer it; but do so, I pray you, for clouds are gathering in your kinsmen's faces, and I know that your sweet voice can best dispel them."

      Murielle assented with a kind smile, and in a moment, Gray, anticipating Lord David Douglas, handed the harp to her, and in doing so, contrived, quick as lightning, to touch and press her hand, which made her colour slightly, as she bent over the instrument, and ran her rapid little fingers among the strings.

      It was a clairsach, or harp of the old Scottish form,