The Price of Love. Arnold Bennett

      And now she had asked him.

      "Certainly!" Louis jumped to his feet, and off he went upstairs. Most probably, if the sudden delicious thought had not skipped into Rachel's brain, he would never have made that critical ascent to the first floor.

      A gas-jet burned low on the landing.

      "Let's have a little light on the subject," he cheerfully muttered to himself, as he turned on the gas to the full.

      Then in the noisy blaze of yellow and blue light he went to the window and with a single fierce wrench he succeeded in pulling the catch into position. He was proud of his strength. It pleased him to think of the weakness of women; it pleased him to anticipate the impressed thanks of the weak women for this exertion of his power on their behalf. "Have you managed it so soon?" his aunt would exclaim, and he would answer in a carefully offhand way, "Of course. Why not?"

      He was about to descend, but he remembered that he must not leave the gas at full. With his hand on the tap, he glanced perfunctorily around the little landing. The door of Mrs. Maldon's bedroom was in front of him, at right angles to the window. By the door, which was ajar, stood a cane-seated chair. Underneath the chair he perceived a whitish package or roll that seemed to be out of place there on the floor. He stooped and picked it up. And as the paper rustled peculiarly in his hand, he could feel his heart give a swift bound. He opened the roll. It consisted of nothing whatever but bank-notes. He listened intently, with ear cocked and rigid limbs, and he could just catch the soothing murmur of women's voices in the parlour beneath the reverberating, solemn pulse of the lobby clock.

      IV

      Louis Fores had been intoxicated into a condition of poesy. He was deliciously incapable of any precise thinking; he could not formulate any theory to account for the startling phenomenon of a roll of bank-notes loose under a chair on a first-floor landing of his great-aunt's house; he could not even estimate the value of the roll—he felt only that it was indefinitely prodigious. But he had the most sensitive appreciation of the exquisite beauty of those pieces of paper. They were not merely beautiful because they stood for delight and indulgence, raising lovely visions of hosiers' and jewellers' shops and the night interiors of clubs and restaurants—raising one clear vision of himself clasping a watch-bracelet on the soft arm of Rachel who had so excitingly smiled upon him a moment ago. They were beautiful in themselves; the aspect and very texture of them were beautiful—surpassing pictures and fine scenery. They were the most poetic things in the world. They transfigured the narrow, gaslit first-floor landing of his great-aunt's house into a secret and unearthly grove of bliss. He was drunk with quivering emotion.

      And then, as he gazed at the divine characters printed in sable on the rustling whiteness, he was aware of a stab of ugly, coarse pain. Up to the instant of beholding those bank-notes he had been convinced that his operations upon the petty-cash book would be entirely successful and that the immediate future of Horrocleave's was assured of tranquillity; he had been blandly certain that Horrocleave held no horrid suspicion against him, and that even if Horrocleave's pate did conceal a dark thought, it would be conjured at once away by the superficial reasonableness of the falsified accounts. But now his mind was terribly and inexplicably changed, and it seemed to him impossible to gull the acute and mighty Horrocleave. Failure, exposure, disgrace, ruin, seemed inevitable—and also intolerable. It was astonishing that he should have deceived himself into an absurd security. The bank-notes, by some magic virtue which they possessed, had opened his eyes to the truth. And they presented themselves as absolutely indispensable to him. They had sprung from naught, they belonged to nobody, they existed without a creative cause in the material world—and they were indispensable to him! Could it be conceived that he should lose his high and brilliant position in the town, that two policemen should hustle him into the black van, that the gates of a prison should clang behind him? It could not be conceived. It was monstrously inconceivable. … The bank-notes … he saw them wavy, as through a layer of hot air.

      A heavy knock on the front door below shook him and the floor and the walls. He heard the hurried feet of Rachel, the opening of the door, and Julian's harsh, hoarse voice. Julian, then, was not quite an hour late, after all. The stir in the lobby seemed to be enormous, and very close to him; Mrs. Maldon had come forth from the parlour to greet Julian on his birthday. … Louis stuck the bank-notes into the side pocket of his coat. And as it were automatically his mood underwent a change, violent and complete. "I'll teach the old lady to drop notes all over the place," he said to himself. "I'll just teach her!" And he pictured his triumph as a wise male when, during the course of the feast, his great-aunt should stumble on her loss and yield to senile feminine agitation, and he should remark superiorly, with elaborate calm: "Here is your precious money, auntie. A good thing it was I and not burglars who discovered it. Let this be a lesson to you! … Where was it? It was on the landing carpet, if you please! That's where it was!" And the nice old creature's pathetic relief!

      As he went jauntily downstairs there remained nothing of his mood of intoxication except a still thumping heart.

CHAPTER III

       Table of Contents

THE FEAST

       Table of Contents

      I

      The dramatic moment of the birthday feast came nearly at the end of the meal when Mrs. Maldon, having in mysterious silence disappeared for a space to the room behind, returned with due pomp bearing a parcel in her dignified hands. During her brief absence Louis, Rachel, and Julian—hero of the night—had sat mute and somewhat constrained round the debris of the birthday pudding. The constraint was no doubt due partly to Julian's characteristic and notorious grim temper, and partly to mere anticipation of a solemn event.

      Julian Maldon in particular was self-conscious. He hated intensely to be self-conscious, and his feeling towards every witness of his self-consciousness partook always of the homicidal. Were it not that civilization has the means to protect itself, Julian might have murdered defenceless aged ladies and innocent young girls for the simple offence of having seen him blush.

      He was a perfect specimen of a throw-back to original ancestry. He had been born in London, of an American mother, and had spent the greater part of his life in London. Yet London and his mother seemed to count for absolutely nothing at all in his composition. At the age of seventeen his soul, quitting the exile of London, had come to the Five Towns with a sigh of relief as if at the assuagement of a long nostalgia, and had dropped into the district as into a socket. In three months he was more indigenous than a native. Any experienced observer who now chanced at a week-end to see him board the Manchester express at Euston would have been able to predict from his appearance that he would leave the train at Knype. He was an undersized man, with a combative and suspicious face. He regarded the world with crafty pugnacity from beneath frowning eyebrows. His expression said: "Woe betide the being who tries to get the better of me!" His expression said: "Keep off!" His expression said: "I am that I am. Take me or leave me, but preferably leave me. I loathe fuss, pretence, flourishes—any and every form of damned nonsense."

      He had an excellent heart, but his attitude towards it was the attitude of his great-grandmother towards her front parlour—he used it as little as possible, and kept it locked up like a shame. In brief, he was more than a bit of a boor. And boorishness being his chief fault, he was quite naturally proud of it, counted it for the finest of all qualities, and scorned every manifestation of its opposite. To prove his inward sincerity he deemed it right to flout any form of external grace—such as politeness, neatness, elegance, compliments, small-talk, smooth words, and all ceremonial whatever. He would have died in torment sooner than kiss. He was averse even from shaking hands, and when he did shake hands he produced a carpenter's vice, crushed flesh and bone together, and flung the intruding pulp away. His hat was so heavy on his head that only by an exhausting and supreme