The Essential Writings of Jean-Jacques Rousseau. Jean-Jacques Rousseau

their superiority over us than ashamed by the consciousness of their weakness, and among the good things they really possess, they are too wise to pride themselves on a gift which is none of their getting. The good man may be proud of his virtue for it is his own, but what cause for pride has the man of intellect? What has Racine done that he is not Pradon, and Boileau that he is not Cotin?

      The circumstances with which we are concerned are quite different. Let us keep to the common level. I assumed that my pupil had neither surpassing genius nor a defective understanding. I chose him of an ordinary mind to show what education could do for man. Exceptions defy all rules. If, therefore, as a result of my care, Emile prefers his way of living, seeing, and feeling to that of others, he is right; but if he thinks because of this that he is nobler and better born than they, he is wrong; he is deceiving himself; he must be undeceived, or rather let us prevent the mistake, lest it be too late to correct it.

Provided a man is not mad, he can be cured of any folly but vanity; there is no cure for this but experience, if indeed there is any cure for it at all; when it first appears we can at least prevent its further growth. But do not on this account waste your breath on empty arguments to prove to the youth that he is like other men and subject to the same weaknesses. Make him feel it or he will never know it. This is another instance of an exception to my own rules; I must voluntarily expose my pupil to every accident which may convince him that he is no wiser than we. The adventure with the conjurer will be repeated again and again in different ways; I shall let flatterers take advantage of him; if rash comrades draw him into some perilous adventure, I will let him run the risk; if he falls into the hands of sharpers at the card-table, I will abandon him to them as their dupe.59 I will let them flatter him, pluck him, and rob him; and when having sucked him dry they turn and mock him, I will even thank them to his face for the lessons they have been good enough to give him. The only snares from which I will guard him with my utmost care are the wiles of wanton women. The only precaution I shall take will be to share all the dangers I let him run, and all the insults I let him receive. I will bear everything in silence, without a murmur or reproach, without a word to him, and be sure that if this wise conduct is faithfully adhered to, what he sees me endure on his account will make more impression on his heart than what he himself suffers.

      I cannot refrain at this point from drawing attention to the sham dignity of tutors, who foolishly pretend to be wise, who discourage their pupils by always professing to treat them as children, and by emphasising the difference between themselves and their scholars in everything they do. Far from damping their youthful spirits in this fashion, spare no effort to stimulate their courage; that they may become your equals, treat them as such already, and if they cannot rise to your level, do not scruple to come down to theirs without being ashamed of it. Remember that your honour is no longer in your own keeping but in your pupil's. Share his faults that you may correct them, bear his disgrace that you may wipe it out; follow the example of that brave Roman who, unable to rally his fleeing soldiers, placed himself at their head, exclaiming, "They do not flee, they follow their captain!" Did this dishonour him? Not so; by sacrificing his glory he increased it. The power of duty, the beauty of virtue, compel our respect in spite of all our foolish prejudices. If I received a blow in the course of my duties to Emile, far from avenging it I would boast of it; and I doubt whether there is in the whole world a man so vile as to respect me any the less on this account.

      I do not intend the pupil to suppose his master to be as ignorant, or as liable to be led astray, as he is himself. This idea is all very well for a child who can neither see nor compare things, who thinks everything is within his reach, and only bestows his confidence on those who know how to come down to his level. But a youth of Emile's age and sense is no longer so foolish as to make this mistake, and it would not be desirable that he should. The confidence he ought to have in his tutor is of another kind; it should rest on the authority of reason, and on superior knowledge, advantages which the young man is capable of appreciating while he perceives how useful they are to himself. Long experience has convinced him that his tutor loves him, that he is a wise and good man who desires his happiness and knows how to procure it. He ought to know that it is to his own advantage to listen to his advice. But if the master lets himself be taken in like the disciple, he will lose his right to expect deference from him, and to give him instruction. Still less should the pupil suppose that his master is purposely letting him fall into snares or preparing pitfalls for his inexperience. How can we avoid these two difficulties? Choose the best and most natural means; be frank and straightforward like himself; warn him of the dangers to which he is exposed, point them out plainly and sensibly, without exaggeration, without temper, without pedantic display, and above all without giving your opinions in the form of orders, until they have become such, and until this imperious tone is absolutely necessary. Should he still be obstinate as he often will be, leave him free to follow his own choice, follow him, copy his example, and that cheerfully and frankly; if possible fling yourself into things, amuse yourself as much as he does. If the consequences become too serious, you are at hand to prevent them; and yet when this young man has beheld your foresight and your kindliness, will he not be at once struck by the one and touched by the other? All his faults are but so many hands with which he himself provides you to restrain him at need. Now under these circumstances the great art of the master consists in controlling events and directing his exhortations so that he may know beforehand when the youth will give in, and when he will refuse to do so, so that all around him he may encompass him with the lessons of experience, and yet never let him run too great a risk.

      Warn him of his faults before he commits them; do not blame him when once they are committed; you would only stir his self-love to mutiny. We learn nothing from a lesson we detest. I know nothing more foolish than the phrase, "I told you so." The best way to make him remember what you told him is to seem to have forgotten it. Go further than this, and when you find him ashamed of having refused to believe you, gently smooth away the shame with kindly words. He will indeed hold you dear when he sees how you forget yourself on his account, and how you console him instead of reproaching him. But if you increase his annoyance by your reproaches he will hate you, and will make it a rule never to heed you, as if to show you that he does not agree with you as to the value of your opinion.

      The turn you give to your consolation may itself be a lesson to him, and all the more because he does not suspect it. When you tell him, for example, that many other people have made the same mistakes, this is not what he was expecting; you are administering correction under the guise of pity; for when one thinks oneself better than other people it is a very mortifying excuse to console oneself by their example; it means that we must realise that the most we can say is that they are no better than we.

      The time of faults is the time for fables. When we blame the guilty under the cover of a story we instruct without offending him; and he then understands that the story is not untrue by means of the truth he finds in its application to himself. The child who has never been deceived by flattery understands nothing of the fable I recently examined; but the rash youth who has just become the dupe of a flatterer perceives only too readily that the crow was a fool. Thus he acquires a maxim from the fact, and the experience he would soon have forgotten is engraved on his mind by means of the fable. There is no knowledge of morals which cannot be acquired through our own experience or that of others. When there is danger, instead of letting him try the experiment himself, we have recourse to history. When the risk is comparatively slight, it is just as well that the youth should be exposed to it; then by means of the apologue the special cases with which the young man is now acquainted are transformed into maxims.

      It is not, however, my intention that these maxims should be explained, nor even formulated. Nothing is so foolish and unwise as the moral at the end of most of the fables; as if the moral was not, or ought not to be so clear in the fable itself that the reader cannot fail to perceive it. Why then add the moral at the end, and go deprive him of the pleasure of discovering it for himself. The art of teaching consists in making the pupil wish to learn. But if the pupil is to wish to learn, his mind must not remain in such a passive state with regard to what you tell him that there is really nothing for him to do but listen to you. The master's vanity must always give way to the scholars; he must be able to say, I understand, I see it, I am getting at it, I am learning something. One of the things which makes the Pantaloon in the Italian