Christopher and the Clockmakers. Sara Ware Bassett

or a new overcoat; sometimes in a pair of skates or in luncheon; and on a very red-letter day, such as a birthday or anniversary of some sort, in a matinée or moving-picture show.

      Therefore Christopher was no stranger either to the plush-lined cases and their sparkling contents or to the men who presided over them. Everybody knew him by sight—doormen, salesmen, elevator boys, watchmakers, bookkeepers, and messengers. He was the son of the boss, Christopher Mark Antony Burton, fourth.

      There were, alas, times when Christopher wished from the bottom of his heart he had been less well known. To be regarded as the future heir to all this splendor kept those he met in the establishment painfully deferential and created an estranging gulf 'twixt him and all that was human and interesting.

      If, for example, when he bobbed unexpectedly into the elevator, old Joseph, its colored operator, had only kept right on munching an apple instead of whisking it out of sight into his pocket, how much pleasanter it would have been! Then, too, the men all insisted on calling him sir, which embarrassed him and made him feel very young and foolish. He had never desired to be a person of privilege for in spite of his sonorous name, Christopher was very democratic.

      Probably if left to himself he would within twenty-four hours have been on the friendliest of terms with everybody in the shop. But in the background loomed his father of whom every employee stood in awe, and whose imposing presence they never forgot for one instant. You did not forget Mr. Christopher Mark Antony Burton, third, senior partner of the firm; he did not let you.

      It was for this reason that Christopher the fourth made his advent into the great shop with less joy and abandon than he would have done had conditions been otherwise. He was politely welcomed but not cordially. That would not have been fitting.

      "Now what will you do to amuse yourself, son?" inquired Mr. Burton, after Tim had bowed them in the front door and called the elevator. "You are to please yourself. I shall be too busy to give a thought to you."

      "Oh, I don't expect to be entertained," returned Christopher brightly. "Don't have me on your mind at all. I'll look after myself."

      "That's right! That's right!" exclaimed his father, as if relieved by the intelligence. "You are welcome to go anywhere you like. Everybody knows you by sight and understands you are to be around here for a while. Just don't get into mischief. And see you are ready promptly at one to go to luncheon with me."

      "You can count on me for that!"

      "I'll wager I can."

      With these words Mr. Burton opened the door of his office and disappeared.

      Christopher hung up his hat and coat and hesitated uncertainly for a moment. He did not really know what he wanted to do. A general atmosphere of business of which he became instantly aware made him feel like an intruder. The men greeted him, it is true, but with minds focused far less on the salutation than on the various missions that drove them hither and thither.

      There was something almost ludicrous about the seriousness with which they took this matter of rings and necklaces. One would have thought the affairs of a nation occupied them, so anxious and hurried were they.

      He sauntered along the balcony in the wake of a red-cheeked young clerk who had bowed to him pleasantly and looked less as if he were speeding to save a burning ship or warn the king he was about to be blown up than did some of the others; and when this guide turned into a long, brilliantly lighted room, Christopher, having nothing better to do, entered too.

      "You haven't finished that bracket clock yet, have you, McPhearson?" called the salesman, approaching a little old man who with a microscope to one eye was bending over a bench littered with small steel tools.

      "Not yet, Bailey," the clockmaker replied without, however, looking up. "She's a queer piece, that clock—not one for ordinary treatment."

      "But you can put her in shape, can't you?" came a bit anxiously from Bailey.

      At the words a slow smile puckered the Scotchman's lips and for the first time he stole a glance at the speaker.

      "Don't fret, Bailey," he drawled.

      "I'm not fretting, Mr. McPhearson. But the woman who owns that clock won't sleep nights until she gets it home again."

      "I don't blame her," was all McPhearson said.

      "It's a good one, eh?"

      "It's a dandy. I'd give my head for one like it. Genuine from start to finish and listed in the book. It was made by Richard Parsons of Number 15 Goswell Street, London, somewhere about 1720—at least he is down as a member of the Clockmakers' Company right along then. Pity he can't know his handiwork is still doing duty. He'd be proud of it. Two hundred years or more isn't a bad record for a clock."

      "Two hundred years!" gasped Christopher involuntarily.

      McPhearson peeped up over his microscope.

      "This is Mr. Burton's son, McPhearson," put in Bailey.

      "I know, I know. I've seen him round here ever since he could toddle. Good morning, youngster. So you've come to explore the repairing department, have you?"

      The informality of the greeting was delightful to Christopher, and immediately his heart went out to the old Scotchman.

      "I guess so, yes," smiled he. "I didn't know I was going to though. It just happened."

      "It's not a bad happen, perhaps. Make yourself at home, laddie. Here's a stool."

      "I'd rather stand and watch you."

      "But I sha'n't let you. It makes me nervous to have somebody hanging over my shoulder and maybe jogging my elbow. If you're to stay you must sit," was the brusque but not unkindly answer.

      Somewhat crestfallen the boy slipped to the stool and for a few moments remained immovable, watching the workman's busy fingers. How carefully they moved—with what fascinating deftness and rapidity!

      "I see you are not one to keep hitching and twiddling around," the clockmaker presently remarked, with a twinkle. "We shall get on famously together. I detest nervous people."

      "Are you fixing the clock Mr. Bailey was asking about?" Christopher ventured.

      "Not just now, sonny. I am finishing up a simpler job. I shall go back to her in a minute, however. You can't just tinker her at will as you do common clocks. She has to be dreamed over."

      "Dreamed over!" repeated Christopher, not a little puzzled.

      "Aye, dreamed over! Well-nigh prayed over—if it comes to that," continued the old man gravely. "She isn't the sort that was turned out in a factory, you see, along with hundreds of others of her kind. She's an aristocrat and must be treated accordingly."

      "Do you mean it—she—was made by hand?"

      "Every wheel and rivet of her!"

      "But I thought the works of all clocks were alike," asserted Christopher.

      "Bless your heart, no. Nowadays most of them are; and there are advantages in it too, for when a part gives out, you can easily get another to replace it. But years ago in the days of the clockmakers' guilds, clocks were made by hand and were frequently entirely the work of one man—except perhaps the case, which was sometimes made by a joiner."

      "Oh!"

      "This old bracket clock, for instance, that I was speaking of—a fellow named Richard Parsons, who belonged to the London Clockmakers' Company between 1690 and 1730, made her from start to finish. You will see his name painted on the dial, and engraved on the works is his address. The jealous old clockmakers kept their eye on those who were manufacturing clocks, I can tell you. They weren't going to have a lot of cheap, poorly made articles shunted off on the public to ruin their trade. No, indeed. A man must serve a long apprenticeship before he could be admitted to the Clockmakers' Company and once enrolled must put his address in all his clocks so everybody would know he had a right to make and sell them."

      "It