John Muir: Wilderness Essays, Environmental Studies, Memoirs & Letters (Illustrated Edition). John Muir

which I began to climb, intending to follow it as far as possible, and at least obtain some fine wild views for my pains. Its general course is oblique to the plane of the mountain-face, and the metamorphic slates of which the mountain is built are cut by cleavage planes in such a way that they weather off in angular blocks, giving rise to irregular steps that greatly facilitate climbing on the sheer places. I thus made my way into a wilderness of crumbling spires and battlements, built together in bewildering combinations, and glazed in many places with a thin coating of ice, which I had to hammer off with stones. The situation was becoming gradually more perilous; but, having passed several dangerous spots, I dared not think of descending; for, so steep was the entire ascent, one would inevitably fall to the glacier in case a single misstep were made. Knowing, therefore, the tried danger beneath, I became all the more anxious concerning the developments to be made above, and began to be conscious of a vague foreboding of what actually befell; not that I was given to fear, but rather because my instincts, usually so positive and true, seemed vitiated in some way, and were leading me astray. At length, after attaining an elevation of about 12,800 feet, I found myself at the foot of a sheer drop in the bed of the avalanche channel I was tracing, which seemed absolutely to bar further progress. It was only about forty-five or fifty feet high, and somewhat roughened by fissures and projections; but these seemed so slight and insecure, as footholds, that I tried hard to avoid the precipice altogether, by scaling the wall of the channel on either side. But, though less steep, the walls were smoother than the obstructing rock, and repeated efforts only showed that I must either go right ahead or turn back. The tried dangers beneath seemed even greater than that of the cliff in front; therefore, after scanning its face again and again, I began to scale it, picking my holds with intense caution. After gaining a point about halfway to the top, I was suddenly brought to a dead stop, with arms outspread, clinging close to the face of the rock, unable to move hand or foot either up or down. My doom appeared fixed. I must fall. There would be a moment of bewilderment, and then a lifeless rumble down the one general precipice to the glacier below.

      When this final danger flashed upon me, I became nerve-shaken for the first time since setting foot on the mountains, and my mind seemed to fill with a stifling smoke. But this terrible eclipse lasted only a moment, when life blazed forth again with preternatural clearness. I seemed suddenly to become possessed of a new sense. The other self, bygone experiences, Instinct, or Guardian Angel,--call it what you will,--came forward and assumed control. Then my trembling muscles became firm again, every rift and flaw in the rock was seen as through a microscope, and my limbs moved with a positiveness and precision with which I seemed to have nothing at all to do. Had I been borne aloft upon wings, my deliverance could not have been more complete.

      Above this memorable spot, the face of the mountain is still more savagely hacked and torn. It is a maze of yawning chasms and gullies, in the angles of which rise beetling crags and piles of detached boulders that seem to have been gotten ready to be launched below. But the strange influx of strength I had received seemed inexhaustible. I found a way without effort, and soon stood upon the topmost crag in the blessed light.

      How truly glorious the landscape circled around this noble summit!--giant mountains, valleys innumerable, glaciers and meadows, rivers and lakes, with the wide blue sky bent tenderly over them all. But in my first hour of freedom from that terrible shadow, the sunlight in which I was laving seemed all in all.

      Looking southward along the axis of the range, the eye is first caught by a row of exceedingly sharp and slender spires, which rise openly to a height of about a thousand feet, above a series of short, residual glaciers that lean back against their bases; their fantastic sculpture and the unrelieved sharpness with which they spring out of the ice rendering them peculiarly wild and striking. These are "The Minarets." Beyond them you behold a sublime wilderness of mountains, their snowy summits towering together in crowded abundance, peak beyond peak, swelling higher, higher as they sweep on southward, until the culminating point of the range is reached on Mount Whitney, near the head of the Kern River, at an elevation of nearly 14,700 feet above the level of the sea.

      Westward, the general flank of the range is seen flowing sublimely away from the sharp summits, in smooth undulations; a sea of huge gray granite waves dotted with lakes and meadows, and fluted with stupendous cañons that grow steadily deeper as they recede in the distance. Below this gray region lies the dark forest zone, broken here and there by upswelling ridges and domes; and yet beyond lies a yellow, hazy belt, marking the broad plain of the San Joaquin, bounded on its farther side by the blue mountains of the coast.

      Turning now to the northward, there in the immediate foreground is the glorious Sierra Crown, with Cathedral Peak, a temple of marvelous architecture, a few degrees to the left of it; the gray, massive form of Mammoth Mountain to the right; while Mounts Ord, Gibbs, Dana, Conness, Tower Peak, Castle Peak, Silver Mountain, and a host of noble companions, as yet nameless, make a sublime show along the axis of the range.

      Eastward, the whole region seems a land of desolation covered with beautiful light. The torrid volcanic basin of Mono, with its one bare lake fourteen miles long; Owen's Valley and the broad lava table-land at its head, dotted with craters, and the massive Inyo Range, rivaling even the Sierra in height; these are spread, map-like, beneath you, with countless ranges beyond, passing and overlapping one another and fading on the glowing horizon.

      At a distance of less than 3,000 feet below the summit of Mount Ritter you may find tributaries of the San Joaquin and Owen's rivers, bursting forth from the ice and snow of the glaciers that load its flanks; while a little to the north of here are found the highest affluents of the Tuolumne and Merced. Thus, the fountains of four of the principal rivers of California are within a radius of four or five miles.

      Lakes are seen gleaming in all sorts of places,--round, or oval, or square, like very mirrors; others narrow and sinuous, drawn close around the peaks like silver zones, the highest reflecting only rocks, snow, and the sky. But neither these nor the glaciers, nor the bits of brown meadow and moorland that occur here and there, are large enough to make any marked impression upon the mighty wilderness of mountains. The eye, rejoicing in its freedom, roves about the vast expanse, yet returns again and again to the fountain peaks. Perhaps some one of the multitude excites special attention, some gigantic castle with turret and battlement, or some Gothic cathedral more abundantly spired than Milan's. But, generally, when looking for the first time from an all-embracing standpoint like this, the inexperienced observer is oppressed by the incomprehensible grandeur, variety, and abundance of the mountains rising shoulder to shoulder beyond the reach of vision; and it is only after they have been studied one by one, long and lovingly, that their far-reaching harmonies become manifest. Then, penetrate the wilderness where you may, the main telling features, to which all the surrounding topography is subordinate, are quickly perceived, and the most complicated clusters of peaks stand revealed harmoniously correlated and fashioned like works of art--eloquent monuments of the ancient ice-rivers that brought them into relief from the general mass of the range. The cañons, too, some of them a mile deep, mazing wildly through the mighty host of mountains, however lawless and ungovernable at first sight they appear, are at length recognized as the necessary effects of causes which followed each other in harmonious sequence--Nature's poems carved on tables of stone--the simplest and most emphatic of her glacial compositions.

      Could we have been here to observe during the glacial period, we should have overlooked a wrinkled ocean of ice as continuous as that now covering the landscapes of Greenland; filling every valley and cañon with only the tops of the fountain peaks rising darkly above the rock-encumbered ice-waves like islets in a stormy sea--those islets the only hints of the glorious landscapes now smiling in the sun. Standing here in the deep, brooding silence all the wilderness seems motionless, as if the work of creation were done. But in the midst of this outer steadfastness we know there is incessant motion and change. Ever and anon, avalanches are falling from yonder peaks. These cliff-bound glaciers, seemingly wedged and immovable, are flowing like water and grinding the rocks beneath them. The lakes are lapping their granite shores and wearing them away, and every one of these rills and young rivers is fretting the air into music, and carrying the mountains to the plains. Here are the roots of all the life of the valleys, and here more simply than elsewhere is the eternal flux