Marcella. Mrs. Humphry Ward

breath of delight Marcella Boyce threw herself on her knees by the window she had just opened, and, propping her face upon her hands, devoured the scene, before her with that passionate intensity of pleasure which had been her gift and heritage through life.

      She looked out upon a broad and level lawn, smoothed by the care of centuries, flanked on either side by groups of old trees—some Scotch firs, some beeches, a cedar or two—groups where the slow selective hand of time had been at work for generations, developing here the delightful roundness of quiet mass and shade, and there the bold caprice of bare fir trunks and ragged branches, standing black against the sky. Beyond the lawn stretched a green descent indefinitely long, carrying the eye indeed almost to the limit of the view, and becoming from the lawn onwards a wide irregular avenue, bordered by beeches of a splendid maturity, ending at last in a far distant gap where a gate—and a gate of some importance—clearly should have been, yet was not. The size of the trees, the wide uplands of the falling valley to the left of the avenue, now rich in the tints of harvest, the autumn sun pouring steadily through the vanishing mists, the green breadth of the vast lawn, the unbroken peace of wood and cultivated ground, all carried with them a confused general impression of well-being and of dignity. Marcella drew it in—this impression—with avidity. Yet at the same moment she noticed involuntarily the gateless gap at the end of the avenue, the choked condition of the garden paths on either side of the lawn, and the unsightly tufts of grass spotting the broad gravel terrace beneath her window.

      "It is a heavenly place, all said and done," she protested to herself with a little frown. "But no doubt it would have been better still if Uncle Robert had looked after it and we could afford to keep the garden decent. Still—"

      She dropped on a stool beside the open window, and as her eyes steeped themselves afresh in what they saw, the frown disappeared again in the former look of glowing content—that content of youth which is never merely passive, nay, rather, contains an invariable element of covetous eagerness.

      It was but three months or so since Marcella's father, Mr. Richard Boyce, had succeeded to the ownership of Mellor Park the old home of the Boyces, and it was little more than six weeks since Marcella had received her summons home from the students' boarding-house in Kensington, where she had been lately living. She had ardently wished to assist in the June "settling-in," having not been able to apply her mind to the music or painting she was supposed to be studying, nor indeed to any other subject whatever, since the news of their inheritance had reached her. But her mother in a dry little note had let it be known that she preferred to manage the move for herself. Marcella had better go on with her studies as long as possible.

      Yet Marcella was here at last. And as she looked round her large bare room, with its old dilapidated furniture, and then out again to woods and lawns, it seemed to her that all was now well, and that her childhood with its squalors and miseries was blotted out—atoned for by this last kind sudden stroke of fate, which might have been delayed so deplorably!—since no one could have reasonably expected that an apparently sound man of sixty would have succumbed in three days to the sort of common chill a hunter and sportsman must have resisted successfully a score of times before.

      Her great desire now was to put the past—the greater part of it at any rate—behind her altogether. Its shabby worries were surely done with, poor as she and her parents still were, relatively to their present position. At least she was no longer the self-conscious schoolgirl, paid for at a lower rate than her companions, stinted in dress, pocket-money, and education, and fiercely resentful at every turn of some real or fancied slur; she was no longer even the half-Bohemian student of these past two years, enjoying herself in London so far as the iron necessity of keeping her boarding-house expenses down to the lowest possible figure would allow. She was something altogether different. She was Marcella Boyce, a "finished" and grown-up young woman of twenty-one, the only daughter and child of Mr. Boyce of Mellor Park, inheritress of one of the most ancient names in Midland England, and just entering on a life which to her own fancy and will, at any rate, promised the highest possible degree of interest and novelty.

      Yet, in the very act of putting her past away from her, she only succeeded, so it seemed, in inviting it to repossess her.

      For against her will, she fell straightway—in this quiet of the autumn morning—into a riot of memory, setting her past self against her present more consciously than she had done yet, recalling scene after scene and stage after stage with feelings of sarcasm, or amusement, or disgust, which showed themselves freely as they came and went, in the fine plastic face turned to the September woods.

      She had been at school since she was nine years old—there was the dominant fact in these motley uncomfortable years behind her, which, in her young ignorance of the irrevocableness of living, she wished so impatiently to forget. As to the time before her school life, she had a dim memory of seemly and pleasant things, of a house in London, of a large and bright nursery, of a smiling mother who took constant notice of her, of games, little friends, and birthday parties. What had led to the complete disappearance of this earliest "set," to use a theatrical phrase, from the scenery of her childhood, Marcella did not yet adequately know, though she had some theories and many suspicions in the background of her mind. But at any rate this first image of memory was succeeded by another precise as the first was vague—the image of a tall white house, set against a white chalk cliff rising in terraces behind it and alongside it, where she had spent the years from nine to fourteen, and where, if she were set down blindfold, now, at twenty-one, she could have found her way to every room and door and cupboard and stair with a perfect and fascinated familiarity.

      When she entered that house she was a lanky, black-eyed creature, tall for her age, and endowed or, as she herself would have put it, cursed with an abundance of curly unmanageable hair, whereof the brushing and tending soon became to a nervous clumsy child, not long parted from her nurse, one of the worst plagues of her existence. During her home life she had been an average child of the quick and clever type, with average faults. But something in the bare, ugly rooms, the discipline, the teaching, the companionship of Miss Frederick's Cliff House School for Young Ladies, transformed little Marcella Boyce, for the time being, into a demon. She hated her lessons, though, when she chose, she could do them in a hundredth part of the time taken by her companions; she hated getting up in the wintry dark, and her cold ablutions with some dozen others in the comfortless lavatory; she hated the meals in the long schoolroom, where, because twice meat was forbidden and twice pudding allowed, she invariably hungered fiercely for more mutton and scorned her second course, making a sort of dramatic story to herself out of Miss Frederick's tyranny and her own thwarted appetite as she sat black-browed and brooding in her place. She was not a favourite with her companions, and she was a perpetual difficulty and trouble to her perfectly well-intentioned schoolmistress. The whole of her first year was one continual series of sulks, quarrels, and revolts.

      Perhaps her blackest days were the days she spent occasionally in bed, when Miss Frederick, at her wit's end, would take advantage of one of the child's perpetual colds to try the effects of a day's seclusion and solitary confinement, administered in such a form that it could do her charge no harm, and might, she hoped, do her good. "For I do believe a great part of it's liver or nerves! No child in her right senses could behave so," she would declare to the mild and stout French lady who had been her partner for years, and who was more inclined to befriend and excuse Marcella than any one else in the house—no one exactly knew why.

      Now the rule of the house when any girl was ordered to bed with a cold was, in the first place, that she should not put her arms outside the bedclothes—for if you were allowed to read and amuse yourself in bed you might as well be up; that the housemaid should visit the patient in the early morning with a cup of senna-tea, and at long and regular intervals throughout the day with beef-tea and gruel; and that no one should come to see and talk with her, unless, indeed, it were the doctor, quiet being in all cases of sickness the first condition of recovery, and the natural schoolgirl in Miss Frederick's persuasion being more or less inclined to complain without cause if illness were made agreeable.

      For some fourteen hours, therefore, on these days of durance Marcella was left almost wholly alone, nothing but a wild mass of black hair and a pair of roving, defiant eyes in a pale face showing above the bedclothes whenever the housemaid chose to visit