Название | Marcella |
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Автор произведения | Mrs. Humphry Ward |
Жанр | Языкознание |
Серия | |
Издательство | Языкознание |
Год выпуска | 0 |
isbn | 4057664570611 |
"Respect and admiration!" said Marcella, wondering, and still scornful. "Pity, perhaps. There might be that. But any way mamma goes with papa. She always has done. She always will. So shall I, of course. But I am sorry—horribly sore and sorry! I was so delighted to come here. I have been very little at home, and understood hardly anything about this worry—not how serious it was, nor what it meant. Oh! I am sorry—there was so much I wanted to do here—if anybody could only understand what it means to me to come to this place!"
They had reached the brow of a little rising ground. Just below them, beyond a stubble field in which there were a few bent forms of gleaners, lay the small scattered Tillage, hardly seen amid its trees, the curls of its blue smoke ascending steadily on this calm September morning against a great belt of distant beechwood which begirt the hamlet and the common along which it lay. The stubble field was a feast of shade and tint, of apricots and golds shot with the subtlest purples and browns; the flame of the wild-cherry leaf and the deeper crimson of the haws made every hedge a wonder; the apples gleamed in the cottage garden; and a cloudless sun poured down on field and hedge, and on the half-hidden medley of tiled roofs, sharp gables, and jutting dormers which made the village.
Instinctively both stopped. Marcella locked her hands behind her in a gesture familiar to her in moments of excitement; the light wind blew back her dress in soft, eddying folds; for the moment, in her tall grace, she had the air of some young Victory poised upon a height, till you looked at her face, which was, indeed, not exultant at all, but tragic, extravagantly tragic, as Aldous Raeburn, in his English reserve, would perhaps have thought in the case of any woman with tamer eyes and a less winning mouth.
"I don't want to talk about myself," she began. "But you know, Mr. Raeburn—you must know—what a state of things there is here—you know what a disgrace that village is. Oh! one reads books, but I never thought people could actually live like that—here in the wide country, with room for all. It makes me lie awake at night. We are not rich—we are very poor—the house is all out of repair, and the estate, as of course you know, is in a wretched condition. But when I see these cottages, and the water, and the children, I ask what right we have to anything we get. I had some friends in London who were Socialists, and I followed and agreed with them, but here one sees! Yes, indeed!—it is too great a risk to let the individual alone when all these lives depend upon him. Uncle Robert was an eccentric and a miser; and look at the death-rate of the village—look at the children; you can see how it has crushed the Hardens already. No, we have no right to it!—it ought to be taken from us; some day it will be taken from us!"
Aldous Raeburn smiled, and was himself again. A woman's speculations were easier to deal with than a woman's distress.
"It is not so hopeless as that, I think," he said kindly. "The Mellor cottages are in a bad state certainly. But you have no idea how soon a little energy and money and thought sets things to rights."
"But we have no money!" cried Marcella. "And if he is miserable here, my father will have no energy to do anything. He will not care what happens. He will defy everybody, and just spend what he has on himself. And it will make me wretched—wretched. Look at that cottage to the right, Mr. Raeburn. It is Jim Hurd's—a man who works mainly on the Church Farm, when he is in work. But he is deformed, and not so strong as others. The farmers too seem to be cutting down labour everywhere—of course I don't understand—I am so new to it. Hurd and his family had an awful winter, last winter—hardly kept body and soul together. And now he is out of work already—the man at the Church Farm turned him off directly after harvest. He sees no prospect of getting work by the winter. He spends his days tramping to look for it; but nothing turns up. Last winter they parted with all they could sell. This winter it must be the workhouse! It's heart-breaking. And he has a mind; he can feel! I lend him the Labour paper I take in, and get him to talk. He has more education than most, and oh! the bitterness at the bottom of him. But not against persons—individuals. It is like a sort of blind patience when you come to that—they make excuses even for Uncle Robert, to whom they have paid rent all these years for a cottage which is a crime—yes, a crime! The woman must have been such a pretty creature—and refined too. She is consumptive, of course—what else could you expect with that cottage and that food? So is the eldest boy—a little white atomy! And the other children. Talk of London—I never saw such sickly objects as there are in this village. Twelve shillings a week, and work about half the year! Oh! they ought to hate us!—I try to make them," cried Marcella, her eyes gleaming. "They ought to hate all of us landowners, and the whole wicked system. It keeps them from the land which they ought to be sharing with us; it makes one man master, instead of all men brothers. And who is fit to be master? Which of us? Everybody is so ready to take the charge of other people's lives, and then look at the result!"
"Well, the result, even in rural England, is not always so bad," said Aldous Raeburn, smiling a little, but more coldly. Marcella, glancing at him, understood in a moment that she had roused a certain family and class pride in him—a pride which was not going to assert itself, but none the less implied the sudden opening of a gulf between herself and him. In an instant her quick imagination realised herself as the daughter and niece of two discredited members of a great class. When she attacked the class, or the system, the man beside her—any man in similar circumstances—must naturally think: "Ah, well, poor girl—Dick Boyce's daughter—what can you expect?" Whereas—Aldous Raeburn!—she thought of the dignity of the Maxwell name, of the width of the Maxwell possessions, balanced only by the high reputation of the family for honourable, just and Christian living, whether as amongst themselves or towards their neighbours and dependents. A shiver of passionate vanity, wrath, and longing passed through her as her tall frame stiffened.
"There are model squires, of course," she said slowly, striving at least for a personal dignity which should match his. "There are plenty of landowners who do their duty as they understand it—no one denies that. But that does not affect the system; the grandson of the best man may be the worst, but his one-man power remains the same. No! the time has come for a wider basis. Paternal government and charity were very well in their way—democratic self-government will manage to do without them!"
She flung him a gay, quivering, defiant look. It delighted her to pit these wide and threatening generalisations against the Maxwell power—to show the heir of it that she at least—father or no father—was no hereditary subject of his, and bound to no blind admiration of the Maxwell methods and position.
Aldous Raeburn took her onslaught very calmly, smiling frankly back at her indeed all the time. Miss Boyce's opinions could hardly matter to him intellectually, whatever charm and stimulus he might find in her talk. This subject of the duties, rights, and prospects of his class went, as it happened, very deep with him—too deep for chance discussion. What she said, if he ever stopped to think of it in itself, seemed to him a compound of elements derived partly from her personal history, partly from the random opinions that young people of a generous type pick up from newspapers and magazines. She had touched his family pride for an instant; but only for an instant. What he was abidingly conscious of, was of a beautiful wild creature struggling with difficulties in which he was somehow himself concerned, and out of which, in some way or other, he was becoming more and more determined—absurdly determined—to help her.
"Oh! no doubt the world will do very well without us some day," he said lightly, in answer to her tirade; "no one is indispensable. But are you so sure, Miss Boyce, you believe in your own creed? I thought I had observed—pardon me for saying it—on the two or three occasions we have met, some degenerate signs of individualism? You take pleasure in the old place, you say; you were delighted to come and live where your ancestors lived before you; you are full of desires to pull these poor people out of the mire in your own way. No! I don't feel that you are thorough-going!"
Marcella paused a frowning moment, then broke suddenly into a delightful laugh—a laugh of humorous confession, which changed her whole look and mood.
"Is that all you have noticed?