The Brothers Karamazov. Fyodor Dostoevsky

with him about an important matter of more concern to Dmitri than himself. What that business was the reader will learn fully in due time. Yet even when I did know of this special circumstance I still felt Ivan Fyodorovitch to be an enigmatic figure, and thought his visit rather mysterious.

      I may add that Ivan appeared at the time in the light of a mediator between his father and his elder brother Dmitri, who was in open quarrel with his father and even planning to bring an action against him.

      The family, I repeat, was now united for the first time, and some of its members met for the first time in their lives. The younger brother, Alexey, had been a year already among us, having been the first of the three to arrive. It is of that brother Alexey I find it most difficult to speak in this introduction. Yet I must give some preliminary account of him, if only to explain one queer fact, which is that I have to introduce my hero to the reader wearing the cassock of a novice. Yes, he had been for the last year in our monastery, and seemed willing to be cloistered there for the rest of his life.

      Chapter 4 The Third Son, Alyosha

      HE was only twenty, his brother Ivan was in his twenty-fourth year at the time, while their elder brother Dmitri was twenty-seven. First of all, I must explain that this young man, Alyosha, was not a fanatic, and, in my opinion at least, was not even a mystic. I may as well give my full opinion from the beginning. He was simply an early lover of humanity, and that he adopted the monastic life was simply because at that time it struck him, so to say, as the ideal escape for his soul struggling from the darkness of worldly wickedness to the light of love. And the reason this life struck him in this way was that he found in it at that time, as he thought an extrordinary being, our celebrated elder, Zossima, to whom he became attached with all the warm first love of his ardent heart. But I do not dispute that he was very strange even at that time, and had been so indeed from his cradle. I have mentioned already, by the way, that though he lost his mother in his fourth year he remembered her all his life her face, her caresses, "as though she stood living before me." Such memories may persist, as everyone knows, from an even earlier age, even from two years old, but scarcely standing out through a whole lifetime like spots of light out of darkness, like a corner torn out of a huge picture, which has all faded and disappeared except that fragment. That is how it was with him. He remembered one still summer evening, an open window, the slanting rays of the setting sun (that he recalled most vividly of all); in a corner of the room the holy image, before it a lighted lamp, and on her knees before the image his mother, sobbing hysterically with cries and moans, snatching him up in both arms, squeezing him close till it hurt, and praying for him to the Mother of God, holding him out in both arms to the image as though to put him under the Mother's protection… and suddenly a nurse runs in and snatches him from her in terror. That was the picture! And Alyosha remembered his mother's face at that minute. He used to say that it was frenzied but beautiful as he remembered. But he rarely cared to speak of this memory to anyone. In his childhood and youth he was by no means expansive, and talked little indeed, but not from shyness or a sullen unsociability; quite the contrary, from something different, from a sort of inner preoccupation entirely personal and unconcerned with other people, but so important to him that he seemed, as it were, to forget others on account of it. But he was fond of people: he seemed throughout his life to put implicit trust in people: yet no one ever looked on him as a simpleton or naive person. There was something about him which made one feel at once (and it was so all his life afterwards) that he did not care to be a judge of others that he would never take it upon himself to criticise and would never condemn anyone for anything. He seemed, indeed, to accept everything without the least condemnation though often grieving bitterly: and this was so much so that no one could surprise or frighten him even in his earliest youth. Coming at twenty to his father's house, which was a very sink of filthy debauchery, he, chaste and pure as he was, simply withdrew in silence when to look on was unbearable, but without the slightest sign of contempt or condemnation. His father, who had once been in a dependent position, and so was sensitive and ready to take offence, met him at first with distrust and sullenness. "He does not say much," he used to say, "and thinks the more." But soon, within a fortnight indeed, he took to embracing him and kissing him terribly often, with drunken tears, with sottish sentimentality, yet he evidently felt a real and deep affection for him, such as he had never been capable of feeling for anyone before.

      Everyone, indeed, loved this young man wherever he went, and it was so from his earliest childhood. When he entered the household of his patron and benefactor, Yefim Petrovitch Polenov, he gained the hearts of all the family, so that they looked on him quite as their own child. Yet he entered the house at such a tender age that he could not have acted from design nor artfulness in winning affection. So that the gift of making himself loved directly and unconsciously was inherent in him, in his very nature, so to speak. It was the same at school, though he seemed to be just one of those children who are distrusted, sometimes ridiculed, and even disliked by their schoolfellows. He was dreamy, for instance, and rather solitary. From his earliest childhood he was fond of creeping into a corner to read, and yet he was a general favourite all the while he was at school. He was rarely playful or merry, but anyone could see at the first glance that this was not from any sullenness. On the contrary he was bright and good-tempered. He never tried to show off among his schoolfellows. Perhaps because of this, he was never afraid of anyone, yet the boys immediately understood that he was not proud of his fearlessness and seemed to be unaware that he was bold and courageous. He never resented an insult. It would happen that an hour after the offence he would address the offender or answer some question with as trustful and candid an expression as though nothing had happened between them. And it was not that he seemed to have forgotten or intentionally forgiven the affront, but simply that he did not regard it as an affront, and this completely conquered and captivated the boys. He had one characteristic which made all his schoolfellows from the bottom class to the top want to mock at him, not from malice but because it amused them. This characteristic was a wild fanatical modesty and chastity. He could not bear to hear certain words and certain conversations about women. There are "certain" words and conversations unhappily impossible to eradicate in schools. Boys pure in mind and heart, almost children, are fond of talking in school among themselves, and even aloud, of things, pictures, and images of which even soldiers would sometimes hesitate to speak. More than that, much that soldiers have no knowledge or conception of is familiar to quite young children of our intellectual and higher classes. There is no moral depravity, no real corrupt inner cynicism in it, but there is the appearance of it, and it is often looked upon among them as something refined, subtle, daring, and worthy of imitation. Seeing that Alyosha Karamazov put his fingers in his ears when they talked of "that," they used sometimes to crowd round him, pull his hands away, and shout nastiness into both ears, while he struggled, slipped to the floor, tried to hide himself without uttering one word of abuse, enduring their insults in silence. But at last they left him alone and gave up taunting him with being a "regular girl," and what's more they looked upon it with compassion as a weakness. He was always one of the best in the class but was never first.

      At the time of Yefim Petrovitch's death Alyosha had two more years to complete at the provincial gymnasium. The inconsolable widow went almost immediately after his death for a long visit to Italy with her whole family, which consisted only of women and girls. Alyosha went to live in the house of two distant relations of Yefim Petrovitch, ladies whom he had never seen before. On what terms she lived with them he did not know himself. It was very characteristic of him, indeed, that he never cared at whose expense he was living. In that respect he was a striking contrast to his elder brother Ivan, who struggled with poverty for his first two years in the university, maintained himself by his own efforts, and had from childhood been bitterly conscious of living at the expense of his benefactor. But this strange trait in Alyosha's character must not, I think, criticised too severely, for at the slightest acquaintance with him anyone would have perceived that Alyosha was one of those youths, almost of the type of religious enthusiast, who, if they were suddenly to come into possession of a large fortune, would not hesitate to give it away for the asking, either for good works or perhaps to a clever rogue. In general he seemed scarcely to know the value of money, not, of course, in a literal sense. When he was given pocket-money, which he never asked for, he was either terribly careless of it so that it was gone in a moment, or he kept it for weeks together, not knowing what to do with it.