Aaron's Rod. Дэвид Герберт Лоуренс

you buy us some, Father? Shall you?"

      "Candles!" he repeated, putting the piccolo to his mouth and blowing a few piercing, preparatory notes.

      "Yes, little Christmas-tree candles—blue ones and red ones, in boxes—Shall you, Father?"

      "We'll see—if I see any—"

      "But shall you?" she insisted desperately. She wisely mistrusted his vagueness.

      But he was looking unheeding at the music. Then suddenly the piccolo broke forth, wild, shrill, brilliant. He was playing Mozart. The child's face went pale with anger at the sound. She turned, and went out, closing both doors behind her to shut out the noise.

      The shrill, rapid movement of the piccolo music seemed to possess the air, it was useless to try to shut it out. The man went on playing to himself, measured and insistent. In the frosty evening the sound carried. People passing down the street hesitated, listening. The neighbours knew it was Aaron practising his piccolo. He was esteemed a good player: was in request at concerts and dances, also at swell balls. So the vivid piping sound tickled the darkness.

      He played on till about seven o'clock; he did not want to go out too soon, in spite of the early closing of the public houses. He never went with the stream, but made a side current of his own. His wife said he was contrary. When he went into the middle room to put on his collar and tie, the two little girls were having their hair brushed, the baby was in bed, there was a hot smell of mince-pies baking in the oven.

      "You won't forget our candles, will you, Father?" asked Millicent, with assurance now.

      "I'll see," he answered.

      His wife watched him as he put on his overcoat and hat. He was well-dressed, handsome-looking. She felt there was a curious glamour about him. It made her feel bitter. He had an unfair advantage—he was free to go off, while she must stay at home with the children.

      ​"There's no knowing what time you'll be home," she said.

      "I shan't be late," he answered.

      "It's easy to say so," she retorted, with some contempt. He took his stick, and turned towards the door.

      "Bring the children some candles for their tree, and don't be so selfish," she said.

      "All right," he said, going out.

      "Don't say All right if you never mean to do it," she cried, with sudden anger, following him to the door.

      His figure stood large and shadowy in the darkness.

      "How many do you want?" he said.

      "A dozen," she said. "And holders too, if you can get them," she added, with barren bitterness.

      "Yes—all right," he turned and melted into the darkness. She went indoors, worn with a strange and bitter flame.

      He crossed the fields towards the little town, which once more fumed its lights under the night. The country ran away, rising on his right hand. It was no longer a great bank of darkness. Lights twinkled freely here and there, though forlornly, now that the war-time restrictions were removed. It was no glitter of pre-war nights, pit-heads glittering far-off with electricity. Neither was it the black gulf of the war darkness: instead, this forlorn sporadic twinkling.

      Everybody seemed to be out of doors. The hollow dark countryside re-echoed like a shell with shouts and calls and excited voices. Restlessness and nervous excitement, nervous hilarity were in the air. There was a sense of electric surcharge everywhere, frictional, a neurasthenic haste for excitement.

      Every moment Aaron Sisson was greeted with Good-night—Good-night, Aaron—Good-night, Mr. Sisson. People carrying parcels, children, women, thronged home on the dark paths. They were all talking loudly, declaiming loudly about what they could and could not get, and what this or the other had lost.

      When he got into the main street, the only street of shops, it was crowded. There seemed to have been some violent but quiet contest, a subdued fight, going on all the afternoon and evening: people struggling to buy things, to get things. Money ​was spent like water, there was a frenzy of money-spending. Though the necessities of life were in abundance, still the people struggled in frenzy for cheese, sweets, raisins, pork-stuff, even for flowers and holly, all of which were scarce, and for toys and knick-knacks, which were sold out. There was a wild grumbling, but a deep satisfaction in the fight, the struggle. The same fight and the same satisfaction in the fight was witnessed whenever a tram-car stopped, or when it heaved its way into sight. Then the struggle to mount on board became desperate and savage, but stimulating. Souls surcharged with hostility found now some outlet for their feelings.

      As he came near the little market-place he bethought himself of the Christmas-tree candles. He did not intend to trouble himself. And yet, when he glanced in passing into the sweet-shop window, and saw it bare as a board, the very fact that he probably could not buy the things made him hesitate, and try.

      "Have you got any Christmas-tree candles?" he asked as he entered the shop.

      "How many do you want?"

      "A dozen."

      "Can't let you have a dozen. You can have two boxes—four in a box—eight. Six-pence a box."

      "Got any holders?"

      "Holders? Don't ask. Haven't seen one this year."

      "Got any toffee—?"

      "Cough-drops—two-pence an ounce—nothing else left."

      "Give me four ounces."

      He watched her weighing them in the little brass scales.

      "You've not got much of a Christmas show," he said.

      "Don't talk about Christmas, as far as sweets is concerned. They ought to have allowed us six times the quantity—there's plenty of sugar, why didn't they? We s'll have to enjoy ourselves with what we've got. We mean to, anyhow."

      "Ay," he said.

      "Time we had a bit of enjoyment, this Christmas. They ought to have made things more plentiful."

      "Yes," he said, stuffing his package in his pocket.

      ​

      Royal Oak

       Table of Contents

      CHAPTER II

      ROYAL OAK

      The war had killed the little market of the town. As he passed the market place on the brow, Aaron noticed that there were only two miserable stalls. But people crowded just the same. There was a loud sound of voices, men's voices. Men pressed round the doorways of the public-houses.

      But he was going to a pub out of town. He descended the dark hill. A street-lamp here and there shed parsimonious light. In the bottoms, under the trees, it was very dark. But a lamp glimmered in front of the "Royal Oak." This was a low white house sunk three steps below the highway. It was darkened, but sounded crowded.

      Opening the door, Sisson found himself in the stone passage. Old Bob, carrying three cans, stopped to see who had entered—then went on into the public bar on the left. The bar itself was a sort of little window-sill on the right: the pub was a small one. In this window-opening stood the landlady, drawing and serving to her husband. Behind the bar was a tiny parlour or den, the landlady's preserve.

      "Oh, it's you," she said, bobbing down to look at the newcomer. None entered her bar-parlour unless invited.

      "Come in," said the landlady. There was a peculiar intonation in her complacent voice, which showed she had been expecting him, a little irritably.

      He went across into her bar-parlour. It would not hold more than