The White Ladies of Worcester (Historical Novel). Florence L. Barclay

I had lost thee, I yet lived faithful to the pure memory of our love. The day thy vows were made, He knew that I was free, and thou, therefore, still pledged to me. Shall a man rob God? Ay, he may. But shall God rob a man? Nay, then, never!"

      She trembled, wavered; then fled to the shrine of the Virgin, kneeling with hands outstretched.

      "Holy Mother of God," she sobbed, "teach him that I dare not do this thing! Shew him that I cannot break my vows. Help him to understand that I would not, if I could."

      He followed, and kneeled beside her; his proud head bent; his voice breaking with emotion.

      "Blessèd Virgin," he said. "Thou who didst dwell in the earthly home at Nazareth, help this woman of mine to understand, that if she break her troth to me, holding herself from me, now when I am come to claim her, she sends me forth to an empty life, to a hearth beside which no woman will sit, to a home forever desolate."

      Together they knelt, before the tender image of Mother and Child; together, yet apart; he, loyally mindful not so much as to brush against a fold of her veil.

      The dark face, and the fair, were lifted, side by side, as they knelt before the Madonna. For a while so motionless they kneeled, they might have been finely-modelled figures; he, bronze; she, marble.

      Then, with a sudden movement, she put out her right hand, and caught his left.

      Firmly his fingers closed over hers; but he drew no nearer.

      Yet as they knelt thus with clasped hands, his pulsing life seemed to flow through her, undoing, in one wild, sweet moment, the work of years of fast and vigil.

      "Ah, Hugh," she cried, suddenly, "spare me! Spare me! Tempt me not!"

      Loosing her hand from his, she clasped both upon her breast.

      The Knight rose, and stood beside her.

      "Mora," he said, and his voice held a new tone, a tone of sadness and solemnity; "far be it from me to tempt you. I will plead with you but once again, in presence of our Lady and of the Holy Child; and, having so done, I will say no more.

      "I ask you to leave this place, which you would never have entered had you known your lover was yours, and needing you. I ask you to keep your plighted word to me, and to become my wife. If you refuse, I go, returning not again. I leave you here, to kneel in peace, by night or day, before the shrine of the Madonna. But—I bid you to remember, day and night, that because of this which you have done, there can be no Madonna in my home. No woman will ever sit beside my hearth, holding a little child upon her knees.

      "You leave to me the crucifix—heart broken, love betrayed; feet and hands nailed to the wood of cruel circumstance; side pierced by spear of treachery—lonely, forsaken. But you take from me all the best, both in life and in religion; all that tells of love, of joy, of hope for the years to come.

      "Oh, my belovèd, weigh it well! There are so many, with a true vocation, serving Heaven in Convent and in Cloister. There is but one woman in the whole world for me. In the sight of Heaven, nothing divides us. Convent walls now stand between—but they were built by man, not God. Vows of celibacy were not meant to sunder loving hearts. Mora? … Come!"

      The Prioress rose and faced him.

      "I cannot come," she said. "That which I have taught to others, I must myself perform. Hugh, I am dead to the world; and if I be dead to the world, how can I live to you? Had I, in very deed, died and been entombed, you would not have gone down into the vaults and forced my resting-place, that you might look upon my face, clasp my cold hand, and pour into deaf ears a tale of love. Yet that is what, by trick and artifice, you now have done. You come to a dead woman, saying; 'Love me, and be my wife.' She must, perforce, make answer: 'How shall I, who am dead to the world, live any longer therein?' Take a wife from among the Living, Hugh. Come not to seek a bride among the Dead."

      "Mother of God!" exclaimed the Knight, "is this religion?"

      He turned to the window, then to the door. "How can I go from here?"

      The stifled horror in his voice chilled the very soul of the woman to whom he spoke. She had, indeed at last made him to understand.

      "I must get you hence unseen," she said. "I dare not pass you out by the Convent gate. I fear me, you must go back the way you came; nor can you go alone. We hold the key to unlock the door leading from our passage into the Cathedral crypt. I will now send all the nuns to the Refectory. Then I myself must take you to the crypt."

      "Can I not walk alone," asked the Knight, brusquely; "returning you the key by messenger?"

      "Nay," said the Prioress, "I dare run no risks. So quickly rumours are afloat. To-morrow, this strange hour must be a dream; and you and I alone, the dreamers. Now, while I go and make safe the way, put you on again the robe and hood. When I return and beckon, follow silently."

      The Prioress passed out, closing the door behind her.

      CHAPTER XIII

      "SEND HER TO ME!"

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      The Prioress stood for a moment outside the closed door. The peaceful silence of the passage helped her to the outward calm which must be hers before she could bring herself to face her nuns.

      Moving slowly to the farther end, she unlocked the cell of Sister Mary Seraphine, feeling a shamed humility that she should have made so sure she had to deal with "Wilfred," and have thought such scorn of him and Seraphine. Alas! The wrong deeds of those they love, oft humble the purest, noblest spirits into the soiling dust.

      Next, the Prioress herself rang the Refectory bell.

      The hour for the evening meal was long passed; the nuns hastened out, readily.

      As they trooped toward the stairs leading down to the Refectory, they saw their Prioress, very pale, very erect, standing with her back to the door of her chamber.

      Each nun made a genuflexion as she passed; and to each, the Prioress slightly inclined her head.

      To Sister Mary Rebecca, who kneeled at once, she spoke: "I come not to the meal this evening. In the absence of Mother Sub-Prioress, you will take my place."

      "Yes, Reverend Mother," said Sister Mary Rebecca, meekly, and kissed the hem of the robe of the Prioress; then rising, hastened on, charmed to have a position of authority, however temporary.

      When all had passed, the Prioress went into the cloisters, walked round them; looked over into the garden, observing every possible place from which prying eyes might have sight of the way from the passage to the crypt entrance. But the garden, already full of purple shadows, was left to the circling swifts. The robin sang an evening song from the bough, of the pieman's tree.

      The Prioress returned along the passage, looking into every cell. Each door stood open wide; each cell was empty. The sick nuns were on a further passage, round the corner, beyond the Refectory stairs. Yet she passed along this also, making sure that the door of each occupied cell was shut.

      Standing motionless at the top of the Refectory steps, she could hear the distant clatter of platters, the shuffling feet of the lay-sisters as they carried the dishes to and from the kitchens; and, above it all, the monotonous voice of Sister Mary Rebecca reading aloud to the nuns while they supped.

      Then the Prioress took down one of the crypt lanterns and lighted it.

      * * * * * *

      Meanwhile the Knight, left alone, stood for a few moments, as if stunned.

      He had played for a big stake and lost; yet he felt more unnerved by the unexpected finality of his own acquiescence in defeat, than by the firm refusal which had brought that defeat about.

      It seemed to him, as he now stood alone, that suddenly he had realised the extraordinary detachment wrought by years of cloistered life. Aflame with love and longing he had come, seeking