A Thorny Path. Georg Ebers

do not understand. What is it you ask?”

      “I only asked whether we should be allowed to see the portrait,” she answered timidly. “I was wrong to interrupt you. But how hot your head is! Drink again before you go on. Had you really finished by sundown?”

      Alexander shook his head, drank, and then went on more calmly: “No, no! It is a pity you spoke. In fancy I was painting her still. There is the moon rising already. I must make haste. I have told you all this for Philip’s sake, not for my own.”

      “I will not interrupt you again, I assure you,” said Melissa. “Well, well,” said her brother. “There is not much that is pleasant left to tell. Where was I?”

      “Painting, so long as it was light—”

      “To be sure—I remember. It began to grow dark. Then lamps were brought in, large ones, and as many as I wished for. Just before sunset Seleukus, Korinna’s father, came in to look upon his daughter once more. He bore his grief with dignified composure; yet by his child’s bier he found it hard to be calm. But you can imagine all that. He invited me to eat, and the food they brought might have tempted a full man to excess, but I could only swallow a few mouthfuls. Berenike—the mother—did not even moisten her lips, but Seleukus did duty for us both, and this I could see displeased his wife. During supper the merchant made many inquiries about me and my father; for he had heard Philip’s praises from his brother Theophilus, the high-priest. I learned from him that Korinna had caught her sickness from a slave girl she had nursed, and had died of the fever in three days. But while I sat listening to him, as he talked and ate, I could not keep my eyes off his wife who reclined opposite to me silent and motionless, for the gods had created Korinna in her very image. The lady Berenike’s eyes indeed sparkle with a lurid, I might almost say an alarming, fire, but they are shaped like Korinna’s. I said so, and asked whether they were of the same color; I wanted to know for my portrait. On this Seleukus referred me to a picture painted by old Sosibius, who has lately gone to Rome to work in Caesar’s new baths. He last year painted the wall of a room in the mer chant’s country house at Kanopus. In the center of the picture stands Galatea, and I know it now to be a good and true likeness.

      “The picture I finished that evening is to be placed at the head of the young girl’s sarcophagus; but I am to keep it two days longer, to reproduce a second likeness more at my leisure, with the help of the Galatea, which is to remain in Seleukus’s town house.

      “Then he left me alone with his wife.

      “What a delightful commission! I set to work with renewed pleasure, and more composure than at first. I had no need to hurry, for the first picture is to be hidden in the tomb, and I could give all my care to the second. Besides, Korinna’s features were indelibly impressed on my eye.

      “I generally can not paint at all by lamp-light; but this time I found no difficulty, and I soon recovered that blissful, solemn mood which I had felt in the presence of the dead. Only now and then it was clouded by a sigh, or a faint moan from Berenike: ‘Gone, gone! There is no comfort—none, none!’

      “And what could I answer? When did Death ever give back what he has snatched away?

      “ ’ I can not even picture her as she was,’ she murmured sadly to herself—but this I might remedy by the help of my art, so I painted on with increasing zeal; and at last her lamentations ceased to trouble me, for she fell asleep, and her handsome head sank on her breast. The watchers, too, had dropped asleep, and only their deep breathing broke the stillness.

      “Suddenly it flashed upon me that I was alone with Korinna, and the feeling grew stronger and stronger; I fancied her lovely lips had moved, that a smile gently parted them, inviting me to kiss them. As often as I looked at them—and they bewitched me—I saw and felt the same, and at last every impulse within me drove me toward her, and I could no longer resist: my lips pressed hers in a kiss!”

      Melissa softly sighed, but the artist did not hear; he went on: “And in that kiss I became hers; she took the heart and soul of me. I can no longer escape from her; awake or asleep, her image is before my eyes, and my spirit is in her power.”

      Again he drank, emptying the cup at one deep gulp. Then he went on: “So be it! Who sees a god, they say, must die. And it is well, for he has known something more glorious than other men. Our brother Philip, too, lives with his heart in bonds to that one alone, unless a demon has cheated his senses. I am troubled about him, and you must help me.”

      He sprang up, pacing the room again with long strides, but his sister clung to his arm and besought him to shake off the bewitching vision. How earnest was her prayer, what eager tenderness rang in her every word, as she entreated him to tell her when and where her elder brother, too, had met the daughter of Seleukus!

      The artist’s soft heart was easily moved. Stroking the hair of the loving creature at his side—so helpful as a rule, but now bewildered—he tried to calm her by affecting a lighter mood than he really felt, assuring her that he should soon recover his usual good spirits. She knew full well, he said, that his living loves changed in frequent succession, and it would be strange indeed if a dead one could bind him any longer. And his adventure, so far as it concerned the house of Seleukus, ended with that kiss; for the lady Berenike had presently waked, and urged him to finish the portrait at his own house.

      Next morning he had completed it with the help of the Galatea in the villa at Kanopus, and he had heard a great deal about the dead maiden. A young woman who was left in charge of the villa had supplied him with whatever he needed. Her pretty face was swollen with weeping, and it was in a voice choked with tears that she had told him that her husband, who was a centurion in Caesar’s pretorian guard, would arrive to-morrow or next day at Alexandria, with his imperial master. She had not seen him for a long time, and had an infant to show him which he had not yet seen; and yet she could not be glad, for her young mistress’s death had extinguished all her joy.

      “The affection which breathed in every word of the centurion’s wife,” Alexander said, “helped me in my work. I could be satisfied with the result.

      “The picture is so successful that I finished that for Seleukus in all confidence, and for the sarcophagus I will copy it as well or as ill as time will allow. It will hardly be seen in the half-dark tomb, and how few will ever go to see it! None but a Seleukus can afford to employ so costly a brush as your brother’s is—thank the Muses! But the second portrait is quite another thing, for that may chance to be hung next a picture by Apelles; and it must restore to the parents so much of their lost child as it lies in my power to give them. So, on my way, I made up my mind to begin the copy at once by lamp-light, for it must be ready by to-morrow night at latest.

      “I hurried to my work-room, and my slave placed the picture on an easel, while I welcomed my brother Philip who had come to see me, and who had lighted a lamp, and of course had brought a book. He was so absorbed in it that he did not observe that I had come in till I addressed him. Then I told him whence I came and what had happened, and he thought it all very strange and interesting.

      “He was as usual rather hurried and hesitating, not quite clear, but understanding it all. Then he began telling me something about a philosopher who has just come to the front, a porter by trade, from whom he had heard sundry wonders, and it was not till Syrus brought me in a supper of oysters—for I could still eat nothing more solid—that he asked to see the portrait.

      “I pointed to the easel, and watched him; for the harder he is to please, the more I value his opinion. This time I felt confident of praise, or even of some admiration, if only for the beauty of the model.

      “He threw off the veil from the picture with a hasty movement, but, instead of gazing at it calmly, as he is wont, and snapping out his sharp criticisms, he staggered backward, as though the noonday sun had dazzled his sight. Then, bending forward, he stared at the painting, panting as he might after racing for a wager. He stood in perfect silence, for I know not how long, as though it were Medusa he was gazing on, and when at last he clasped his hand to his brow, I called him by name. He made no reply, but an impatient ‘Leave me alone!’ and then he still gazed at the face as though to devour it with his eyes, and without a sound.