Hawthorne and His Circle. Julian Hawthorne

      A fair-sized city drawing-room of these sumptuous contemporary days could stow away in a corner the entire structure which then became our habitation, and retain space enough outside it for the exploitation of social functions. Nevertheless, by the simple expedient of making the interior divisions small enough, this liliputian edifice managed to contain eight rooms on its two floors (including the kitchen). One of the rooms was, in fact, the entrance-hall; you stepped into it across the threshold of the outer door, and the staircase ascended from it. It was used as an extension of the drawing-room, which opened out of it. The drawing-room adjoined the dining-room, with windows facing the west, with a view of the mountains across the lake, and the dining-room communicated with the kitchen. One of the western-looking up-stairs rooms served as my father's study; my sister Una had her chamber, I mine (which was employed as the guest-chamber upon occasion), and our parents the other. What more could be asked? for when Rose was born, her crib stood beside her mother's bedstead.

      When we were not asleep—that is, during twelve hours out of the twenty-four—Una's existence and mine were passed mainly in the outer sitting-room and in the dining-room. There was plenty to entertain us. I had my rocking-horse, which I bestrode with perfect fearlessness; my porcelain lion, which still survives unscathed after the cataclysms of half a century; my toy sloop, made for me by Uncle Nat; and a jack-knife, all but the edge and point, which had been removed out of deference to my youth. Una had a doll, a miniature mahogany centre-table and bureau, and other things in which I felt no interest. In common, we possessed the box of wooden bricks, and the big portfolio containing tracings by my mother, exquisitely done, of Flaxman's "Outlines of the Iliad and Odyssey" and other classic subjects. We knew by heart the story of all these mythological personages, and they formed a large part of our life. They also served the important use of suggesting to my father his Wonder-Book and Tanglewood Tales stories, and, together with the figures of Gothic fairy-lore, they were the only playmates, with the exception of our father and mother, that we had or desired.

      But our father and mother were, of course, the main thing, after all. She was with us all day long; he, from the time he stopped writing, early in the afternoon, till our bed-time. They answered all our questions about things animate and inanimate, physical and metaphysical; and that must have taken time, for our curiosity was magnificent; and "The Old Boy," my father records, "asked me today what were sensible questions—I suppose with a view to asking me some." They superintended our projections of creation on the black-board—a great, old-fashioned black-board, the like of which I have not since beheld; they read to us and told us stories. Many of these stories were of incidents of their own child-life; and there was also the narrative of our mother's voyage to Cuba and back, and residence there when she was about eighteen or twenty—a fascinating chronicle. Meal-times were delectable festivals, not only because the bread-and-milk, the boiled rice and tapioca pudding, and eggs and fruit tasted so good, but by reason of the broad outlook out of window over the field, the wood, the lake, and the mountains; supper-time, with the declining sun pouring light into the little room and making the landscape glorious, was especially exhilarating. Ambrosial was the bread baked by Mrs. Peters, the taciturn and serious religious person of color who attended to our cooking; the prize morsels were the ends, golden brown in hue, crunching so crisply between our teeth. I used to wonder how a being with hands so dark as those of Mrs. Peters managed to turn out dough so immaculate. She would plunge them right into the ivory-hued substance, yet it became only whiter than before. But the life of life was, of course, out-doors. There was a barn containing a hay-mow and a large hen-coop, soon populous with hens and chickens, with an heroic snow-white rooster to keep them in order. Hens are the most audacious and presuming of pets, and they have strong individuality.

      One of our brood was more intellectual and enterprising than the others; she found a way of getting out of the coop, no matter how tightly it was shut up; and she would jump in our laps as we sat eating a piece of bread in the barn doorway and snatch it away from us; but I think we sometimes sat there with the bread on purpose to have her do it. Once or twice—until I was detected and stopped—I enjoyed the poignant delight of fishing for hens out of the barn loft; my tackle consisted of a bent pin at the end of a string tied to a stick. It was baited with a grain of corn, or a bit of rag would do as well, for hens have no hereditary suspicion of anglers, and are much more readily entrapped than fishes. Pulling them up, squawking and fluttering, was thrilling, but, of course, it was wrong, like other thrilling things, and had to be foregone. A less unregenerate experiment was fastening two grains of corn to the ends of a long bit of thread; two hens would seize each a grain and begin swallowing thread until they interfered, with each other, when a disgorgement would take place. It was an economical sport—the one bit of thread and the two corn-grains would last all day—and, in view of the joy afforded to the spectators, did not seem too unkind. My father had mechanical talent, and with an old door-knob and some strips of shingle he would make a figure of a man with a saw; you fixed it to the edge of a table, set the door-knob swinging, and the creature would saw with the most absurd diligence. From the same shingle he would construct a pugilist, who, being set up where the wind played upon him, would swing his arms interminably. It was yacht-building, however, that afforded us most entertainment. A shingle was whittled to a point at one end; a stick with a square paper slipped on it was stuck up in the middle, and a rudder made fast to the stern; such a boat would sail boldly out upon the vastness of the lake, till the eye could no longer follow the diminishing white speck. These days beside the lake were full of good things. The water was clear, with a white sand bottom; we were given swimming-lessons in the hot summer weather; having waded in up to our middles, we faced towards the shore, where sat our father with a long fishing-pole, the end of which he kept within our reach, and bade us lean forward on the water and kick up our feet. But, for my part, I kept one foot on the bottom. It was not till years afterwards that I mustered courage to take it off, and that was in a lake three thousand miles from Stockbridge Bowl, with the towers of the castle of Chillon reflected in its calm surface.

      We also made limited use of a leaky old punt, which one day capsized and emptied its whole crew into the water, luckily close to shore. We fished for gold carp for hours together, and during our two summers we caught a couple of them; there were thousands of them swimming about; but a bent pin with the bait washed off is not a good lure. In winter, the lake had five feet of ice on it, which lasted far into the spring, and once or twice we got aboard this great raft and tracked across it, with as much awe and enthusiasm as ever Kane had felt in his arctic explorations. In all, we became intimate friends with the lake idea, new to us then, but never to grow stale; and our good fortune favored us during after-life with many lovely lakes and ponds, including such gems as Rydal, Walden, and Geneva.

      Water, in another enchanting guise, dashed and gurgled for us in the brook that penetrated like a happy dream the slumber of the forest that bordered on the lake. The wooded declivity through which it went was just enough to keep it ever vocal and animated. Gazing down upon it, it was clear brown, with glancing gleams of interior green, and sparkles diamond white; tiny fishes switched themselves against the current with quivering tails; the shaggy margins were flecked with sunshine, and beautiful with columbines, violets, arbutus, and houstonias. Fragments of rock and large pebbles interrupted its flow and deepened its mellow song; above it brooded the twilight of the tall pines and walnuts, responding to its merriment with solemn murmurings. What playfellow is more inexhaustible than such a brook, so full of life, of motion, of sound and color, of variety and constancy. A child welcomes it as an answer to its own soul, with its mystery and transparency, its bounded lawlessness, its love of earth and its echoes of the sky. In winter our brook had a new charm: it ran beneath a roof of ice, often mounded with snow; its voice sounding cheerful as ever in those inscrutable caverns, as if it discoursed secret wonders of fairy-land, and carried treasures of the elves and gnomes. Zero, with his utmost rigors, could not still its speech for a day or fix his grip upon those elastic limbs. Indeed, the frosty god conspired with it for our delight; building crystal bridges, with tracery of lace delicater than Valenciennes, and spangled string-pieces, and fretted vaultings, whimsical sierras, stalactite and stalagmite. An icicle is one of those careless toys of nature which the decorative art of man imitates in vain. They are among the myriad decorations of children's palaces.

      To Tanglewood, as we called it, at all seasons of the year, came Hawthorne and his wife and children. In spring there was the issuing forth of