Hawthorne and His Circle. Julian Hawthorne

IV

       Table of Contents

      A transfigured cattle-pen—Emerson the hub of Concord—His

       incorrigible modesty—Grocery-store sages—To make common

       men feel more like Emerson than he did—His personal

       appearance—His favorite gesture—A glance like the reveille

       of a trumpet—The creaking boots—"The muses are in the

       woods"—Emerson could not read Hawthorne—Typical versus

       individual—Benefit from child-prattle—Concord-grape Bull—

       Sounds of distant battle—Politics, sociology, and grape-

       culture—The great white fence—Richard Henry Stoddard—A

       country youth of genius—Whipple's Attic salt—An unwritten

       romance—The consulship retires literature—Louisa's

       tragedy—Hard hit—The spiritual sphere of good men—Nearer

       than in the world—The return of the pilgrim.

      My father's first look at "The Wayside" had been while snow was still on the ground, and he had reported to his wife that it resembled a cattle-pen.

      But the family advent was effected in June, and although a heavy rain had fallen while the domestic impedimenta were in transit, wetting the mattresses and other exposed furniture, yet when the summer sun came out things began to mend. My mother and Una came a day ahead of the others, and with the help of carpenters and upholsterers, and a neighboring Irishman and his wife for cleaning and moving purposes, they soon got human order into the place of savage chaos. The new carpet was down in the study, the walls had been already papered and the wood-work grained, the pictures were hung in their places, and the books placed on their shelves. By the time the father, the boy, the baby, and the nurse drove up in the hot afternoon a home had been created for their reception.

      Mr. Emerson was, and he always remained, the hub round which the wheel of Concord's fortunes slowly and contentedly revolved. He was at this time between forty-five and fifty years old, in the prime of his beneficent powers. He had fulfilled the promise of his unique youth—obeyed the voice at eve, obeyed at prime. The sweet austerity of his nature had been mellowed by human sorrows—the loss of his brothers and of his eldest son; he had the breadth and poise that are given by knowledge of foreign lands, and friendships with the best men in them; he had the unstained and indomitable independence of a man who has always avowed his belief, and never failed to be true to each occasion for truth; he had the tranquillity of faith and insight, and he was alert with that immortal curiosity for noble knowledge the fruit of which enriches his writings. Upon his modestly deprecating brows was already set the wreath of a world-wide fame, and yet every village farmer and store-keeper, and every child, found in his conversation the wisdom and companionship suited to his needs, and was made to feel that his own companionship was a valued gift. Emerson becomes more extraordinary the further we get away from him in years; illustrating the truth which Landor puts into the mouth of Barrow in one of his Imaginary Conversations, that "No very great man ever reached the standard of his greatness in the crowd of his contemporaries: this hath always been reserved for the secondary." The wealth contained in his essays has only begun to be put in general circulation, and the harvest of his poetry is still more remote; while the sincere humility of the man himself, who was the best incarnate example of many of his ideals, still puzzles those critics who believe every one must needs be inferior to his professions.

      "Though I am fond of writing and of public speaking," said Emerson, "I am a very poor talker, and for the most part prefer silence"; and he went on to compare himself in this respect with Alcott, "the prince of conversers." Alcott was undoubtedly the prince of fluency, and Emerson rarely, in private dialogue, ventured to string together many consecutive sentences; but the things he did say, on small occasion or great, always hit the gold. On being appealed to, or when his turn came, he would hang a moment in the wind, and then pay off before the breeze of thought with an accuracy and force that gave delight with enlightenment. The form was often epigrammatic, but the air with which it was said beautifully disclaimed any epigrammatic consciousness or intention. It was, rather, "I am little qualified to speak adequately, but this, at least, does seem to me to be true." In the end, therefore, as the interlocutor thought it all over, he was perhaps surprised to discover that, little in quantity as Emerson may have said during the talk, he had yet said more than any one else in substance. But it may be admitted that he was even better in listening than in speech; his look, averted but attentive, with a smile which seemed to postpone full development to the moment when his companion should have uttered the expected apple of gold in the picture of silver, was subtly stimulating to the latter's intellect, and prompted him to outdo himself. His questions were often revelations, discovering truth which the other only then perceived, and thus beguiling him into admiration of his own supposed intelligence. In this, as in other things, he acted upon the precept that it is more blessed to give than to receive gratification; he never seemed to need any other happiness than that of imparting it. And so selflessly and insensibly were the riches of his mind and nature communicated to the community that innocent little Concord could not quite help believing that its wealth and renown were somehow a creation of its own. The loafers in Walcott & Holden's grocery store were, in their own estimation, of heroic stature, because of the unegoistic citizen who dwelt over yonder among the pines. Emerson was a great man, no doubt; but then he was no more than their own confessed equal, or inferior!

      This will and power to secularize himself is perhaps Emerson's unique attribute. It is comparatively easy to stand on mountain-tops and to ride Pegasus; but how many of those competent to such feats could at the same time sit cheek by jowl with hucksters and teamsters without a trace of condescension, and while rubbing shoulders with the rabble of the street in town-meeting, speak without arrogance the illuminating and deciding word? This, at last, is the true democracy that levels up instead of down. An Emerson who can make common men feel more like Emerson than he himself did is the kind of man we need to bring America up to her ideals.

      Emerson was ungainly in build, with narrow, sloping shoulders, large feet and hands, and a projecting carriage of the head, which enhanced the eagle-like expression of his glance and features. His head was small; it was covered (in 1852) with light brown hair, fine and straight; he was cleanshaven save for a short whisker; the peaked ends of an uncomfortable collar appeared above the folds of a high, black silk stock. His long-skirted black coat was commonly buttoned up; he wore, on different occasions, a soft felt hat or a high silk one, the latter, from use, having become in a manner humanized. On the street he kept his face up as he walked along, and perceived the approach of an acquaintance afar off, and the wise, slow smile gleamed about his mouth as he drew near. "How do you do?" was sometimes his greeting; but more often, "Good-bye!" or "Good-night!"—an original and more sensible greeting. Though ungainly in formation, he was not ungraceful in bearing and action; there was a fitness and harmony in his manifestations even on the physical plan. On the lecture platform he stood erect and unadorned, his hands hanging folded in front, save when he changed the leaf of his manuscript, or emphasized his words with a gesture: his customary one, simple but effective, was to clinch his right fist, knuckles upward, the arm bent at the elbow, then a downward blow of the forearm, full of power bridled. It was accompanied by such a glance of the eyes as no one ever saw except from Emerson: a glance like the reveille of a trumpet. Yet his eyes were not noticeably large, and their color was greenish-gray; but they were well set and outlined in his head, and, more than is the case with most men, they were the windows of his soul. Wendell Phillips had an eloquent and intrepid eye, but it possessed nothing approaching the eloquence and spiritual influence of Emerson's. In every Lyceum course in Concord, Emerson lectured once or twice, and the hall was always filled. One night he had the misfortune to wear a pair of abominably creaking boots; every slightest change of posture would be followed by an outcry from the sole-leather, and the audience soon became nervously preoccupied in expecting them. The sublimest thoughts were mingled with these base material accompaniments. But there was nothing to be done, unless the