The Man with Two Left Feet, and Other Stories. P. G. Wodehouse

voice thrilled with earnestness.

      'My boy, I can go down the Strand and pick up a hundred fellows who can sing and act. I don't want them. I turn them away. But a seventh son of a seventh son like you, a human horseshoe like you, a king of mascots like you—they don't make them nowadays. They've lost the pattern. If you like to come with me I'll give you a contract for any number of years you suggest. I need you in my business.' He rose. 'Think it over, laddie, and let me know tomorrow. Look here upon this picture, and on that. As a sleuth you are poor. You couldn't detect a bass-drum in a telephone-booth. You have no future. You are merely among those present. But as a mascot—my boy, you're the only thing in sight. You can't help succeeding on the stage. You don't have to know how to act. Look at the dozens of good actors who are out of jobs. Why? Unlucky. No other reason. With your luck and a little experience you'll be a star before you know you've begun. Think it over, and let me know in the morning.'

      Before Henry's eyes there rose a sudden vision of Alice: Alice no longer unattainable; Alice walking on his arm down the aisle; Alice mending his socks; Alice with her heavenly hands fingering his salary envelope.

      'Don't go,' he said. 'Don't go. I'll let you know now.'

      The scene is the Strand, hard by Bedford Street; the time, that restful hour of the afternoon when they of the gnarled faces and the bright clothing gather together in groups to tell each other how good they are.

      Hark! A voice.

      'Rather! Courtneidge and the Guv'nor keep on trying to get me, but I turn them down every time. "No," I said to Malone only yesterday, "not for me! I'm going with old Wally Jelliffe, the same as usual, and there isn't the money in the Mint that'll get me away." Malone got all worked up. He—'

      It is the voice of Pifield Rice, actor.

EXTRICATING YOUNG GUSSIE

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      She sprang it on me before breakfast. There in seven words you have a complete character sketch of my Aunt Agatha. I could go on indefinitely about brutality and lack of consideration. I merely say that she routed me out of bed to listen to her painful story somewhere in the small hours. It can't have been half past eleven when Jeeves, my man, woke me out of the dreamless and broke the news:

      'Mrs. Gregson to see you, sir.'

      I thought she must be walking in her sleep, but I crawled out of bed and got into a dressing-gown. I knew Aunt Agatha well enough to know that, if she had come to see me, she was going to see me. That's the sort of woman she is.

      She was sitting bolt upright in a chair, staring into space. When I came in she looked at me in that darn critical way that always makes me feel as if I had gelatine where my spine ought to be. Aunt Agatha is one of those strong-minded women. I should think Queen Elizabeth must have been something like her. She bosses her husband, Spencer Gregson, a battered little chappie on the Stock Exchange. She bosses my cousin, Gussie Mannering-Phipps. She bosses her sister-in-law, Gussie's mother. And, worst of all, she bosses me. She has an eye like a man-eating fish, and she has got moral suasion down to a fine point.

      I dare say there are fellows in the world—men of blood and iron, don't you know, and all that sort of thing—whom she couldn't intimidate; but if you're a chappie like me, fond of a quiet life, you simply curl into a ball when you see her coming, and hope for the best. My experience is that when Aunt Agatha wants you to do a thing you do it, or else you find yourself wondering why those fellows in the olden days made such a fuss when they had trouble with the Spanish Inquisition.

      'Halloa, Aunt Agatha!' I said

      'Bertie,' she said, 'you look a sight. You look perfectly dissipated.'

      I was feeling like a badly wrapped brown-paper parcel. I'm never at my best in the early morning. I said so.

      'Early morning! I had breakfast three hours ago, and have been walking in the park ever since, trying to compose my thoughts.'

      If I ever breakfasted at half past eight I should walk on the Embankment, trying to end it all in a watery grave.

      'I am extremely worried, Bertie. That is why I have come to you.'

      And then I saw she was going to start something, and I bleated weakly to Jeeves to bring me tea. But she had begun before I could get it.

      'What are your immediate plans, Bertie?'

      'Well, I rather thought of tottering out for a bite of lunch later on, and then possibly staggering round to the club, and after that, if I felt strong enough, I might trickle off to Walton Heath for a round of golf.'

      I am not interested in your totterings and tricklings. I mean, have you any important engagements in the next week or so?'

      I scented danger.

      'Rather,' I said. 'Heaps! Millions! Booked solid!'

      'What are they?'

      'I—er—well, I don't quite know.'

      'I thought as much. You have no engagements. Very well, then, I want you to start immediately for America.'

      'America!'

      Do not lose sight of the fact that all this was taking place on an empty stomach, shortly after the rising of the lark.

      'Yes, America. I suppose even you have heard of America?'

      'But why America?'

      'Because that is where your Cousin Gussie is. He is in New York, and I can't get at him.'

      'What's Gussie been doing?'

      'Gussie is making a perfect idiot of himself.'

      To one who knew young Gussie as well as I did, the words opened up a wide field for speculation.

      'In what way?'

      'He has lost his head over a creature.'

      On past performances this rang true. Ever since he arrived at man's estate Gussie had been losing his head over creatures. He's that sort of chap. But, as the creatures never seemed to lose their heads over him, it had never amounted to much.

      'I imagine you know perfectly well why Gussie went to America, Bertie. You know how wickedly extravagant your Uncle Cuthbert was.'

      She alluded to Gussie's governor, the late head of the family, and I am bound to say she spoke the truth. Nobody was fonder of old Uncle Cuthbert than I was, but everybody knows that, where money was concerned, he was the most complete chump in the annals of the nation. He had an expensive thirst. He never backed a horse that didn't get housemaid's knee in the middle of the race. He had a system of beating the bank at Monte Carlo which used to make the administration hang out the bunting and ring the joy-bells when he was sighted in the offing. Take him for all in all, dear old Uncle Cuthbert was as willing a spender as ever called the family lawyer a bloodsucking vampire because he wouldn't let Uncle Cuthbert cut down the timber to raise another thousand.

      'He left your Aunt Julia very little money for a woman in her position. Beechwood requires a great deal of keeping up, and poor dear Spencer, though he does his best to help, has not unlimited resources. It was clearly understood why Gussie went to America. He is not clever, but he is very good-looking, and, though he has no title, the Mannering-Phippses are one of the best and oldest families in England. He had some excellent letters of introduction, and when he wrote home to say that he had met the most charming and beautiful girl in the world I felt quite happy. He continued to rave about her for several mails, and then this morning a letter has come from him in which he says, quite casually as a sort of afterthought, that he knows we are broadminded enough not to think any the worse of her because she is on the vaudeville stage.'

      'Oh, I say!'

      'It was like a thunderbolt. The