Without Prejudice. Israel Zangwill

conceals a doll's house or whitewashes a sepulchre. Marriage is misery in two syllables. How can people be happy chained together like galley-slaves? It contradicts all we know of human nature.

      Love, free as air, at sight of human ties

       Spreads his light wings and in a moment flies.

      Away with this effete Pharisaism! Let us realise the infinite

       possibilities of happiness latent in the blessing of existence. The

       world is longing for freedom to love truly, nobly, wisely, many.

      I am, Sir,

       Yours obediently,

       AGATHA P. ROBINS.

      1891.

      SIR—I can testify by personal experience to the fact that the manners of our children are deteriorating. Coming up to the Metropolis for a day's excursion last Bank Holiday, I could not walk anywhere without overhearing ribald remarks—and, what was worse, at my own expense—even from respectably dressed children. Let those look to it who

      Teach the young idea how to shoot.

      I thank Heaven my lot has always been cast in a sweet Devonshire

       village, where the contagion of ill-conduct has not yet spread among

       the juvenile population.

      I am, Sir,

       Yours obediently,

       AGATHA P. ROBINS.

      1892.

      SIR—Have your flippant correspondents, "Polygamist" and "Illegal Brother-in-Law," any conception of the thousands (ay, tens of thousands) of hearts that are, languishing in misery because they cannot marry their deceased sisters' husbands? And all because of a text which is not to be found in the Bible! Fie upon you, ye so-called Bishops,

      Dressed in a little brief authority.

      Abolish this unrighteous law, I say, and let floods of sunshine and

       happiness into a million darkened homes.

      I am, Sir,

       Yours obediently,

       AGATHA P. ROBINS.

      But, after all, is it fair to juxtaposit Agatha's letters? What if one were to collect the leaders of any newspaper on any given subject, before or after any event? I have met Agatha P. Robins in many other places at many other times. Sometimes she is interested in the best substitute for shirt-buttons or for Christianity, sometimes in the problem of living on a thousand a year, sometimes in the abolition of stag-hunting.

      SIGNS OF THE SILLY SEASON.

      A gooseberry that groweth green and great,

       A serpent round the sea serenely curled,

       A lonely soul that fails to find a mate,

       A boy redundant in a teeming world,

      A sister yearning for dead sisters' shoes,

       A life that longs for death, or after-life,

       A ghost, a mistress whom her maids abuse,

       An erring judge, a French or German wife,

      A child's long ear or holiday, a slum,

       A man gone bald, or drunk, a coin's design—

       Should things like these across your paper come,

       Conclude the Silly Season will be fine.

      It is difficult to trace exactly when "The Season" ends and "The Silly Season" begins. It needs the finest discrimination to know when the adjective comes in—without a worldly training, indeed, you cannot tell the one from the other. But the past masters of the social art proclaim that "The Season" is dead, and we bow our heads in reverence. Yes, it is vanished, that focus of futilities, that wonderful Season, that phantasmagoria of absurdities, of abortive ambitions, over which a hundred humourists have made merry: it is dead, with its splendours and jubilations and processions—dead as the ropes of roses in St. James's street. Often have I debated the potency of satire, again and again have I suggested to learned friends a scientific and historical investigation of the popular belief that satire moves mountains or even molehills. But they agree only in shrinking from the task. To take only the last half-century: we have had one supreme satirist who harped eternally on the failings of fashion and the vanity of things. In his novels society saw itself reflected in all its attitudes and postures and posings. Not one meanness or folly escaped. What Professor Huxley has done for the crayfish, that Thackeray did for the Snob. He studied him lovingly, he dissected him, he classified every variety of him. A thousand disciples, less gifted but equally remorseless, followed in the Master's footsteps. "Punch" took up the tale, and week by week repeated the joke. It was heard in drawing-room recitations to the accompaniment of pianos; it even went on the stage. Ladies rushed into print to expose foibles men never guessed, and to say of the sex at large what less gifted women say only of their personal friends. For years we have never ceased for a moment to hear the lash of the whip, the swish of the birch, the whizz of the arrow, the ping of the bullet, the thwack of the flail, the thud of the hammer, the buzzing of the hornet. And what does it all amount to? How much execution has been done? Is society purer or nobler? Have less daughters been sold at Vanity Fair, or more invitations been sent to poor relatives? Has Jones got better manners or champagne? Is Mrs. Ponsonby de Tomkins more distant to duchesses? Did my Lady Clara Vere de Vere consider whether Hood's seamstress was at work on her court gown? Is any one wiser or kinder or honester for all the literary pother? Are the diplomatic corps less maculate than in the days of Grenville Murray? Have we not, on the contrary, cast on our own imperfections the complaisance of an eye educated in the superior imperfections of our neighbours?

      Lo, here is a new satirist arisen, Sarah Jeannette Duncan, who, in "The Simple Adventures of a Memsahib," sketches Anglo-Indian society in a manner that would not discredit Thackeray—and with something, too, of Thackeray's haunting sense of the pathos of the dead Past and the flying Present. But will the memsahib of to-morrow take warning by the fate of Helen Peachey, who went out to India in all her bridal bravery, in all her youth and freshness? Will she escape exchanging the placidity of Fra Angelico's piping cherubim for the petulance and ring-shadowed eyes of the seasoned matron? Will she be on her guard against shrinking to the prejudices and flirtations of a coterie, dying to all finer and higher issues? Will she worship virtue more and viceroys less? Alas, I fear me not—no more than Pagett, M. P., will leave off talking solar myths, or foolish things cease to be done under the deodars. Will Hogarth keep wine-bibbers from the bottle, or can you make men sober by acts of "L'Assommoir"? Will "Madame Bovary" stay a sister's fall, or "Sapho" repel an eligible young man? Will "The Dunciad" keep one dunce from scribbling, or "Le Tartufe" elevate a single ecclesiastic? As well expect "long firms" to run short, and the moths to avoid the footlights, and the fool to cease from the land. "How gay they were, and how luxurious, and how important in their little day! How gorgeous were the attendants of their circumstances, on the box with a crest upon their turbans!—there is a firm in Calcutta that supplies beautiful crests. And now, let me think! some of them in the Circular Road Cemetery—cholera, fever, heat-apoplexy; some of them under the Christian daisies of England—probably abscess of the liver." Yes, madam, we know it all, we recognize the Thackeray touch. "And soon, very soon, our brief day, too, will have died in a red sunset behind clustering palms, and all its little doings and graspings and pushings, all its petty scandals and surmises and sensations, will echo further and further back into the night." True, most true, and pity 't is 't is true. But meantime we will go on with our little doings and graspings and pushings—yes, madam, even you and I who have realised the vanity of all things; for the knowledge thereof—this, too, is vanity. "And it was all a striving and a striving, and an ending in nothing, and no one knew what they had lived and worked for." Yea, so it is, Frau Schreiner. And still we are living on—and oh! how hard we work (on African farms or otherwhere) to express artistically our sense of the futility of life!

      VANITAS VANITATUM.

      A rich voluptuous languor