The Greatest Novellas & Short Stories of Anton Chekhov. Anton Chekhov

old lady of his acquaintance, a landowner of the neighbourhood, drove past him in a light, elegant landau. He bowed to her, and smiled all over his face. And at once he caught himself in that smile, which was so out of keeping with his gloomy mood. Where did it come from if his whole heart was full of vexation and misery? And he thought nature itself had given man this capacity for lying, that even in difficult moments of spiritual strain he might be able to hide the secrets of his nest as the fox and the wild duck do. Every family has its joys and its horrors, but however great they may be, it’s hard for an outsider’s eye to see them; they are a secret. The father of the old lady who had just driven by, for instance, had for some offence lain for half his lifetime under the ban of the wrath of Tsar Nicolas I.; her husband had been a gambler; of her four sons, not one had turned out well. One could imagine how many terrible scenes there must have been in her life, how many tears must have been shed. And yet the old lady seemed happy and satisfied, and she had answered his smile by smiling too. The student thought of his comrades, who did not like talking about their families; he thought of his mother, who almost always lied when she had to speak of her husband and children….

      Pyotr walked about the roads far from home till dusk, abandoning himself to dreary thoughts. When it began to drizzle with rain he turned homewards. As he walked back he made up his mind at all costs to talk to his father, to explain to him, once and for all, that it was dreadful and oppressive to live with him.

      He found perfect stillness in the house. His sister Varvara was lying behind a screen with a headache, moaning faintly. His mother, with a look of amazement and guilt upon her face, was sitting beside her on a box, mending Arhipka’s trousers. Yevgraf Ivanovitch was pacing from one window to another, scowling at the weather. From his walk, from the way he cleared his throat, and even from the back of his head, it was evident he felt himself to blame.

      “I suppose you have changed your mind about going today?” he asked.

      The student felt sorry for him, but immediately suppressing that feeling, he said:

      “Listen… I must speak to you seriously… yes, seriously. I have always respected you, and… and have never brought myself to speak to you in such a tone, but your behaviour… your last action …”

      The father looked out of the window and did not speak. The student, as though considering his words, rubbed his forehead and went on in great excitement:

      “Not a dinner or tea passes without your making an uproar. Your bread sticks in our throat… nothing is more bitter, more humiliating, than bread that sticks in one’s throat…. Though you are my father, no one, neither God nor nature, has given you the right to insult and humiliate us so horribly, to vent your ill-humour on the weak. You have worn my mother out and made a slave of her, my sister is hopelessly crushed, while I …”

      “It’s not your business to teach me,” said his father.

      “Yes, it is my business! You can quarrel with me as much as you like, but leave my mother in peace! I will not allow you to torment my mother!” the student went on, with flashing eyes. “You are spoilt because no one has yet dared to oppose you. They tremble and are mute towards you, but now that is over! Coarse, ill-bred man! You are coarse… do you understand? You are coarse, ill-humoured, unfeeling. And the peasants can’t endure you!”

      The student had by now lost his thread, and was not so much speaking as firing off detached words. Yevgraf Ivanovitch listened in silence, as though stunned; but suddenly his neck turned crimson, the colour crept up his face, and he made a movement.

      “Hold your tongue!” he shouted.

      “That’s right!” the son persisted; “you don’t like to hear the truth! Excellent! Very good! begin shouting! Excellent!”

      “Hold your tongue, I tell you!” roared Yevgraf Ivanovitch.

      Fedosya Semyonovna appeared in the doorway, very pale, with an astonished face; she tried to say something, but she could not, and could only move her fingers.

      “It’s all your fault!” Shiryaev shouted at her. “You have brought him up like this!”

      “I don’t want to go on living in this house!” shouted the student, crying, and looking angrily at his mother. “I don’t want to live with you!”

      Varvara uttered a shriek behind the screen and broke into loud sobs. With a wave of his hand, Shiryaev ran out of the house.

      The student went to his own room and quietly lay down. He lay till midnight without moving or opening his eyes. He felt neither anger nor shame, but a vague ache in his soul. He neither blamed his father nor pitied his mother, nor was he tormented by stings of conscience; he realized that every one in the house was feeling the same ache, and God only knew which was most to blame, which was suffering most….

      At midnight he woke the labourer, and told him to have the horse ready at five o’clock in the morning for him to drive to the station; he undressed and got into bed, but could not get to sleep. He heard how his father, still awake, paced slowly from window to window, sighing, till early morning. No one was asleep; they spoke rarely, and only in whispers. Twice his mother came to him behind the screen. Always with the same look of vacant wonder, she slowly made the cross over him, shaking nervously.

      At five o’clock in the morning he said goodbye to them all affectionately, and even shed tears. As he passed his father’s room, he glanced in at the door. Yevgraf Ivanovitch, who had not taken off his clothes or gone to bed, was standing by the window, drumming on the panes.

      “Goodbye; I am going,” said his son.

      “Goodbye… the money is on the round table …” his father answered, without turning round.

      A cold, hateful rain was falling as the labourer drove him to the station. The sunflowers were drooping their heads still lower, and the grass seemed darker than ever.

      IN THE COURT

       Table of Contents

      Translation By Constance Garnett

      AT the district town of N. in the cinnamon-coloured government house in which the Zemstvo, the sessional meetings of the justices of the peace, the Rural Board, the Liquor Board, the Military Board, and many others sit by turns, the Circuit Court was in session on one of the dull days of autumn. Of the above-mentioned cinnamon-coloured house a local official had wittily observed:

      “Here is Justitia, here is Policia, here is Militia — a regular boarding school of high-born young ladies.”

      But, as the saying is, “Too many cooks spoil the broth,” and probably that is why the house strikes, oppresses, and overwhelms a fresh unofficial visitor with its dismal barrack-like appearance, its decrepit condition, and the complete absence of any kind of comfort, external or internal. Even on the brightest spring days it seems wrapped in a dense shade, and on clear moonlight nights, when the trees and the little dwelling-houses merged in one blur of shadow seem plunged in quiet slumber, it alone absurdly and inappropriately towers, an oppressive mass of stone, above the modest landscape, spoils the general harmony, and keeps sleepless vigil as though it could not escape from burdensome memories of past unforgiven sins. Inside it is like a barn and extremely unattractive. It is strange to see how readily these elegant lawyers, members of committees, and marshals of nobility, who in their own homes will make a scene over the slightest fume from the stove, or stain on the floor, resign themselves here to whirring ventilation wheels, the disgusting smell of fumigating candles, and the filthy, forever perspiring walls.

      The sitting of the circuit court began between nine and ten. The programme of the day was promptly entered upon, with noticeable haste. The cases came on one after another and ended quickly, like a church service without a choir, so that no mind could form a complete picture of all this parti-coloured mass of faces, movements, words, misfortunes, true sayings and lies,