Witch, Warlock, and Magician. W. H. Davenport Adams

to maintain their hold upon their victims. Sometimes they made use of crucibles with false bottoms—at the real bottom they concealed a portion of oxide of gold or silver covered with powdered sulphur, which had been rendered adhesive by a little gummed water or wax. When heat was applied the false bottom melted away, and the oxide of gold or silver eventually appeared as the product of the operation at the bottom of the crucible. Sometimes they made a hole in a lump of charcoal, and filling it with oxide of gold or silver, stopped up the orifice with wax; or they soaked charcoal in a solution of these metals; or they stirred the mixture in the crucible with hollow rods, containing oxide of gold or silver, closed up at the bottom with wax. A faithful representation of the stratagems to which the pseudo-alchemist resorted, that his dupes might not recover too soon from their delusion, is furnished by Ben Jonson in his comedy of ‘The Alchemist,’ and his masque of ‘Mercury vindicated from the Alchemists.’ The dramatist was thoroughly conversant with the technicalities of the pretended science, and also with the deceptions of its professors. In the masque he puts into the mouth of Mercury an indignant protest:

      ‘The mischief a secret any of them knows, above the consuming of coals and drawing of usquebagh; howsoever they may pretend, under the specious names of Gebir, Arnold, Lully, or Bombast of Hohenheim, to commit miracles in art, and treason against nature! As if the title of philosopher, that creature of glory, were to be fetched out of a furnace!’

      But while the world is full of fools, it is too much to expect there shall be any lack of knaves to prey upon them!

      IN THE MIDDLE AGES.

      The first of the great European alchemists I take to have been Albertus Magnus or Albertus Teutonicus (Frater Albertus de Colonia and Albertus Grotus, as he is also called), a man of remarkable intellectual energy and exceptional force of character, who has sometimes, and not without justice, been termed the founder of the Schoolmen. Neither the place nor the date of his birth is authentically known, but he was still in his young manhood when, about 1222, he was appointed to the chair of theology at Padua, and became a member of the Dominican Order. He did not long retain the professorship, and, departing from Padua, taught with great success in Ratisbon, Köln, Strassburg, and Paris, residing in the last-named city for three years, together with his illustrious disciple, Thomas Aquinas. In 1260 he was appointed to the See of Ratisbon, though he had not previously held any ecclesiastical dignity, but soon resigned, on the ground that its duties interfered vexatiously with his studies. Twenty years later, at a ripe old age, he died, leaving behind him, as monuments of his persistent industry and intellectual subtlety, one-and-twenty ponderous folios, which include commentaries on Aristotle, on the Scriptures, and on Dionysius the Areopagite. Among his minor works occurs a treatise on alchemy, which seems to show that he was a devout believer in the science.

      From the marvellous stories of his thaumaturgic exploits which have come down to us, we may infer that he had attained a considerable amount of skill in experimental chemistry. The brazen statue which he animated, and the garrulity of which was so offensive that Thomas Aquinas one day seized a hammer, and, provoked beyond all endurance, smashed it to pieces, may be a reminiscence of his powers as a ventriloquist. And the following story may hint at an effective manipulation of the camera obscura: Count William of Holland and King of the Romans happening to pass through Köln, Albertus invited him and his courtiers to his house to partake of refreshment. It was mid-winter; but on arriving at the philosopher’s residence they found the tables spread in the open garden, where snowdrifts lay several feet in depth. Indignant at so frugal a reception, they were on the point of leaving, when Albertus appeared, and by his courtesies induced them to remain. Immediately the scene was lighted up with the sunshine of summer, a warm and balmy air stole through the whispering boughs, the frost and snow vanished, the melodies of the lark dropped from the sky like golden rain. But as soon as the feast came to an end the sunshine faded, the birds ceased their song, clouds gathered darkling over the firmament, an icy blast shrieked through the gibbering branches, and the snow fell in blinding showers, so that the philosopher’s guests were glad to fold their cloaks about them and retreat into the kitchen to grow warm before its blazing fire.

      Was this some clever scenic deception, or is the whole a fiction?

      A knowledge of the secret of the Elixir Vitæ was possessed (it is said) by Alain de l’Isle, or Alanus de Insulis; but either he did not avail himself of it, or failed to compound a sufficient quantity of the magic potion, for he died under the sacred roof of Citeaux, in 1298, at the advanced age of 110.

      Arnold de Villeneuve, who attained, in the thirteenth century, some distinction as a physician, an astronomer, an astrologer, and an alchemist—and was really a capable man of science, as science was then understood—formulates an elaborate recipe for rejuvenating one’s self, which, however, does not seem to have been very successful in his own case, since he died before he was 70. Perhaps he was as disgusted with the compound as (in the well-known epitaph) the infant was with this mundane sphere—he ‘liked it not, and died.’ I think there are many who would forfeit longevity rather than partake of it.

      ‘Twice or thrice a week you must anoint your body thoroughly with the manna of cassia; and every night, before going to bed, you must place over your heart a plaster, composed of a certain quantity (or, rather, uncertain, for definite and precise proportions are never particularized) of Oriental saffron, red rose-leaves, sandal-wood, aloes, and amber, liquefied in oil of roses and the best white wax. During the day this must be kept in a leaden casket. You must next pen up in a court, where the water is sweet and the air pure, sixteen chickens, if you are of a sanguine temperament; twenty-five, if phlegmatic; and thirty, if melancholic. Of these you are to eat one a day, after they have been fattened in such a manner as to have absorbed into their system the qualities which will ensure your longevity; for which purpose they are first to be kept without food until almost starved, and then gorged with a broth of serpents and vinegar, thickened with wheat and beans, for at least two months. When they are served at your table you will drink a moderate quantity of white wine or claret to assist digestion.’

      I should think it would be needed!

      Among the alchemists must be included Pietro d’Apono. He was an eminent physician; but, being accused of heresy, was thrown into prison and died there. His ecclesiastical persecutors, however, burned his bones rather than be entirely disappointed of their auto da fé. Like most of the mediæval physicians, he indulged in alchemical and astrological speculations; but they proved to Pietro d’Apono neither pleasurable nor profitable. It was reputed of him that he had summoned a number of evil spirits; and, on their obeying his call, had shut them up in seven crystal vases, where he detained them until he had occasion for their services. In his selection of them he seems to have displayed a commendably catholic taste and love of knowledge; for one was an expert in poetry, another in painting, a third in philosophy, a fourth in physic, a fifth in astrology, a sixth in music, and a seventh in alchemy. So that when he required instruction in either of these arts or sciences, he simply tapped the proper crystal vase and laid on a spirit.

      The story seems to be a fanciful allusion to the various acquirements of Pietro d’Apono; but if intended at first as a kind of allegory, it came in due time to be accepted literally.

      I pass on to the great Spanish alchemist and magician, Raymond Lully, or Lulli, who was scarcely inferior in fame, or the qualities which merited fame, even to Albertus Magnus. He was a man, not only of wide, but of accurate scholarship; and the two or three hundred treatises which proceeded from his pen traversed the entire circle of the learning of his age, dealing with almost every conceivable subject from medicine to morals, from astronomy to theology, and from alchemy to civil and canon law. His life had its romantic aspects, and his death (in 1315?) was invested with something of the glory of martyrdom; for while he was preaching to the Moslems at Bona, the mob fell upon him with a storm of stones, and though he was still alive when rescued by some Genoese merchants, and conveyed on board their vessel, he died of the injuries he had received before it arrived in a Spanish port.

      There seems little reason to believe that Lulli visited England about 1312, on the invitation of Edward II. Dickenson, in his work on ‘The Quintessences of the Philosophers,’ asserts that his