The Vintage Mysteries for the Holidays. Эдгар Аллан По

In fact I have a little idea as to that. No, the worst indictment against him is again psychological—heredity, mon ami, heredity! Like father, like son—Jack Renauld, when all is said or done, is the son of Georges Conneau.”

      His tone was grave and earnest, and I was impressed in spite of myself.

      “What is your little idea that you mentioned just now?” I asked.

      For answer, Poirot consulted his turnip-faced watch, and then asked:

      “What time is the afternoon boat from Calais?”

      “About five, I believe.”

      “That will do very well. We shall just have time.”

      “You are going to England?”

      “Yes, my friend.”

      “Why?”

      “To find a possible—witness.”

      “Who?”

      With a rather peculiar smile upon his face, Poirot replied:

      “Miss Bella Duveen.”

      “But how will you find her—what do you know about her?”

      “I know nothing about her—but I can guess a good deal. We may take it for granted that her name is Bella Duveen, and since that name was faintly familiar to M. Stonor, though evidently not in connection with the Renauld family, it is probable that she is on the stage. Jack Renauld was a young man with plenty of money, and twenty years of age. The stage is sure to have been the home of his first love. It tallies, too, with M. Renauld’s attempt to placate her with a cheque. I think I shall find her all right—especially with the help of this.”

      And he brought out the photograph I had seen him take from Jack Renauld’s drawer. “With love from Bella,” was scrawled across the corner, but it was not that which held my eyes fascinated. The likeness was not first rate—but for all that it was unmistakable to me. I felt a cold sinking, as though some unutterable calamity had befallen me.

      It was the face of Cinderella.

      22. I Find Love

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      For a moment or two I sat as though frozen, the photograph still in my hand. Then, summoning all my courage to appear unmoved, I handed it back. At the same time, I stole a quick glance at Poirot. Had he noticed anything? But to my relief he did not seem to be observing me. Anything unusual in my manner had certainly escaped him.

      He rose briskly to his feet.

      “We have no time to lose. We must make our departure with all despatch. All is well—the sea it will be calm!”

      In the bustle of departure, I had no time for thinking, but once on board the boat, secure from Poirot’s observation (he, as usual, was “practising the method most excellent of Laverguier”) I pulled myself together, and attacked the facts dispassionately. How much did Poirot know? Was he aware that my acquaintance of the train and Bella Duveen were one and the same? Why had he gone to the Hôtel du Phare? On my behalf as I had believed? Or had I only fatuously thought so, and was this visit undertaken with a deeper and more sinister purpose?

      But in any case, why was he bent on finding this girl? Did he suspect her of having seen Jack Renauld commit the crime? Or did he suspect—but that was impossible! The girl had no grudge against the elder Renauld, no possible motive for wishing his death. What had brought her back to the scene of the murder? I went over the facts carefully. She must have left the train at Calais where I parted from her that day. No wonder I had been unable to find her on the boat. If she had dined in Calais, and then taken a train out to Merlinville, she would have arrived at the Villa Geneviève just about the time that Françoise said. What had she done when she left the house just after ten? Presumably either gone to an hotel, or returned to Calais. And then? The crime had been committed on Tuesday night. On Thursday morning, she was once more in Merlinville. Had she ever left France at all? I doubted it very much. What kept her there—the hope of seeing Jack Renauld? I had told her (as at the time we believed) that he was on the high seas en route to Buenos Ayres. Possibly she was aware that the Anzora had not sailed. But to know that she must have seen Jack. Was that what Poirot was after? Had Jack Renauld, returning to see Marthe Daubreuil, come face to face instead with Bella Duveen, the girl he had heartlessly thrown over?

      I began to see daylight. If that were indeed the case, it might furnish Jack with the alibi he needed. Yet under those circumstances his silence seemed difficult to explain. Why could he not have spoken out boldly? Did he fear for this former entanglement of his to come to the ears of Marthe Daubreuil? I shook my head, dissatisfied. The thing had been harmless enough, a foolish boy and girl affair, and I reflected cynically that the son of a millionaire was not likely to be thrown over by a penniless French girl, who moreover loved him devotedly, without a much graver cause.

      Altogether I found the affair puzzling and unsatisfactory. I disliked intensely being associated with Poirot in hunting this girl down, but I could not see any way of avoiding it, without revealing everything to him, and this, for some reason, I was loath to do.

      Poirot reappeared brisk and smiling at Dover, and our journey to London was uneventful. It was past nine o’clock when we arrived, and I supposed that we should return straight away to our rooms and do nothing till the morning. But Poirot had other plans.

      “We must lose no time, mon ami. The news of the arrest will not be in the English papers until the day after tomorrow, but still we must lose no time.”

      I did not quite follow his reasoning, but I merely asked how he proposed to find the girl.

      “You remember Joseph Aarons, the theatrical agent? No? I assisted him in a little matter of a Japanese wrestler. A pretty little problem, I must recount it to you one day. He, without doubt, will be able to put us in the way of finding out what we want to know.”

      It took us some time to run Mr. Aarons to earth, and it was after midnight when we finally managed it. He greeted Poirot with every evidence of warmth, and professed himself ready to be of service to us in any way.

      “There’s not much about the profession I don’t know,” he said, beaming genially.

      “Eh bien, M. Aarons, I desire to find a young girl called Bella Duveen.”

      “Bella Duveen. I know the name, but for the moment I can’t place it. What’s her line?”

      “That I do not know—but here is her photograph.”

      Mr. Aarons studied it for a moment, then his face lighted.

      “Got it!” He slapped his thigh. “The Dulcibella Kids, by the Lord!”

      “The Dulcibella Kids?”

      “That’s it. They’re sisters. Acrobats, dancers and singers. Give quite a good little turn. They’re in the provinces somewhere, I believe—if they’re not resting. They’ve been on in Paris for the last two or three weeks.”

      “Can you find out for me exactly where they are?”

      “Easy as a bird. You go home, and I’ll send you round the dope in the morning.”

      With this promise we took leave of him. He was as good as his word. About eleven o’clock the following day, a scribbled note reached us.

      “The Dulcibella Sisters are on at the Palace in Coventry. Good luck to you.”

      Without more ado, we started for Coventry. Poirot made no inquiries at the theatre, but contented himself with booking stalls for the variety performance that evening.

      The show was wearisome beyond words—or perhaps it was only my mood that made it seem so. Japanese families balanced themselves precariously, would-be fashionable men, in greenish evening dress and exquisitely slicked