Peter Ruff and the Double Four. E. Phillips Oppenheim

subject at all. It would be most unprofessional.”

      “I have something definite to say,” Peter Ruff declared, mildly.

      Lady Mary’s eyes flashed with hope—Letty Shaw leaned forward in her chair with white, drawn face.

      “Let it be understood,” Peter Ruff said, with a slight note of gravity creeping into his tone, “that I am here solely as the agent of Lady Mary Sotherst. I am paid and employed by her. My sole object is on her behalf, therefore, to discover proof of the innocence of Captain Sotherst. I take it, however,” he added, turning towards the drooping figure in the easy-chair, “that Miss Shaw is as anxious to have the truth known.”

      “Of course! Of course!” she murmured.

      “In France,” Peter Ruff continued, “there is a somewhat curious custom, which, despite a certain theatricality, yet has its points. The scene of a crime is visited, and its events, so far as may be, reconstructed. Let us suppose for a moment that we are now engaged upon something of the sort.”

      Letty Shaw shrank back in her chair. Her thin white fingers were gripping its sides. Her eyes seemed to look upon terrible things.

      “It is too—awful!” she faltered.

      “Madam,” Peter Ruff said, firmly, “we seek the truth. Be so good as to humour me in this. Dory, will you go to the front door, stand upon the mat—so? You are Captain Sotherst—you have just entered. I am Austen Abbott. You, Miss Shaw, have just ordered me from the room. You see, I move toward the door. I open it—so. Miss Shaw,” he added, turning swiftly towards her, “once more will you assure me that every one who was in the flat that night, with the exception of your domestic servant, is present now?”

      “Yes,” she murmured.

      “Good! Then who,” he asked, suddenly pointing to a door on the left—“who is in that room?”

      They had all crowded after him to the threshold—thronging around him as he stood face to face with John Dory. His finger never wavered—it was pointing steadily towards that closed door a few feet to the left. Suddenly Letty Shaw rushed past them with a loud shriek.

      “You shall not go in!” she cried. “What business is it of his?”

      She stood with her back to the door, her arms outstretched like a cross. Her cheeks were livid. Her eyes seemed starting from her head.

      Peter Ruff and John Dory laid their hands upon the girl’s wrists. She clung to her place frantically. She was dragged from it, screaming. Peter Ruff, as was his right, entered first. Almost immediately he turned round, and his face was very grave.

      “Something has happened in here, I am afraid,” he said. “Please come in quietly.”

      On the bed lay Fluffy Dean, fully dressed—motionless. One hand hung down toward the floor—from the lifeless fingers a little phial had slipped. The room was full of trunks addressed to—

      MISS SMITH,

       Passenger to Melborne.

       S.S. Caroline.

      Peter Ruff moved over toward the bed and took up a piece of paper, upon which were scribbled a few lines in pencil.

      “I think,” he said, “that I must read these aloud. You all have a right to hear them.”

      No one spoke. He continued:

      Forgive me, Letty, but I cannot go to Australia. They would only bring me back. When I remember that awful moment, my brain burns—I feel that I am going mad! Some day I should do this—better now. Give my love to the girls.

      FLUFFY.

      They sent for a doctor, and John Dory rang up Scotland Yard. Letty Shaw had fainted, and had been carried to her room. While they waited about in strange, half-benumbed excitement, Peter Ruff once more spoke to them.

      “The reconstruction is easy enough now,” he remarked. “The partition between this sitting room and that little bedroom is only an artificial one—something almost as flimsy as a screen. You see,” he continued, tapping with his knuckles, “you can almost put your hand through it. If you look a little lower down, you will see where an opening has been made. Fluffy Dean was being taken care of by Miss Shaw—staying with her here, even. Miss Dean hears her lover’s voice in this room—hears him pleading with Miss Shaw on he night of the murder. She has been sent home early from the theatre, and it is just possible that she saw or had been told that Austen Abbott had fetched Miss Shaw after the performance and had taken her to supper. She was mad with anger and jealousy. The revolver was there upon the table, with a silver box of cartridges. She possessed herself of it and waited in her room. What she heard proved, at least, her lover’s infidelity. She stood there at her door, waiting. When Austen Abbott comes out, she shoots, throws the revolver at him, closes her door, and goes off into a faint. Perhaps she hears footsteps—a key in the door. At any rate, Captain Sotherst arrives a few minutes later. He finds, half in the hall, half on the threshold of the sitting room, Austen Abbott dead, and Miss Shaw’s revolver by the side of him. If he had been a wise young man, he would have aroused the household. Why he did not do so, we can perhaps guess. He put two and two together a little too quickly. It is certain that he believed that the dead man had been shot by his fiancee. His first thought was to get rid of the revolver. At any rate, he walked down to the street with it in his hand, and was promptly arrested by the policeman who had heard the shot. Naturally he refused to plead, because he believed that Miss Shaw had killed the man, probably in self-defence. She, at first, believed her lover guilty, and when afterwards Fluffy Dean confessed, she, with feminine lack of common sense, was trying to get the girl out of the country before telling the truth. A visit of hers to the office of the steamship company gave me the clue I required.”

      Lady Mary grasped both his hands.

      “And Scotland Yard,” she exclaimed, with a withering glance at Dory, “have done their best to hang my brother!”

      Peter Ruff raised his eyebrows.

      “Dear Lady Mary,” he said, “remember that it is the business of Scotland Yard to find a man guilty. It is mine, when I am employed for that purpose, to find him innocent. You must not be too hard upon my friend Mr. Dory. He and I seem to come up against each other a little too often, as it is.”

      “A little too often!” John Dory repeated, softly. “But one cannot tell. Don’t believe, Lady Mary,” he added, “that we ever want to kill an innocent man.”

      “It is your profession, though,” she answered, “to find criminals—and his,” she added, touching Peter Ruff on the shoulder, “to look for the truth.”

      Peter Ruff bowed low—the compliment pleased him.

CHAPTER V. DELILAH FROM STREATHAM

       Table of Contents

      It was a favourite theory with Peter Ruff that the morning papers received very insufficient consideration from the majority of the British public. A glance at the headlines and a few of the spiciest paragraphs, a vague look at the leading article, and the sheets were thrown away to make room for more interesting literature. It was not so with Peter Ruff. Novels he very seldom read—he did not, in fact, appreciate the necessity for their existence. The whole epitome of modern life was, he argued, to be found among the columns of the daily press. The police news, perhaps, was his favourite study, but he did not neglect the advertisements. It followed, therefore, as a matter of course, that the appeal of “M” in the personal column of the Daily Mail was read by him on the morning of its appearance—read not once only nor twice—it was a paragraph which had its own peculiar interest for him.

      Mr. Spencer Fitzgerald, if still in England, is requested to communicate with “M,” at Vagali’s Library, Cook’s Alley, Ledham Street, Soho.

      Peter