The Street Called Straight. Basil King

speechless. There was a sense of terror too in the thought that his nerve, the nerve on which he had counted so much, was going to fail him.

      "Olivia!"

      His voice was so sharp that she hurried back to the top of the stairs.

      "What is it, papa? Aren't you well?"

      It was the sight of her face, anxious and suddenly white, peering down through the half-light of the hall that finally unmanned him. With a heart-sick feeling he turned away from the stairway.

      "Yes; I'm all right. I only wanted you to know that … that … I shall be working rather late. You mustn't be disturbed … if you hear me moving about."

      He would have upbraided himself more bitterly for his cowardice had he not found an excuse in the thought that, after all, there would be time in the morning. It was best that she should have the refreshment of the night. The one thing important was that she should not have the shock of learning from others on the morrow that he was not coming back—that he was going to Singville. Should he go there at all, he was determined to stay. Since he had no fight to put up, it was better that his going should be once for all. The thought of weeks, of months, perhaps, of quasi-freedom, during which he should be parading himself "on bail," was far more terrible to him than that of prison. He must prepare her for the beginning of his doom at all costs to himself; but, he reasoned, she would be more capable of taking the information calmly in the daylight of the morning than now, at a few minutes of midnight.

      It was another short reprieve, enabling him to give all his attention to the tasks before him. If he was not to come back to Tory Hill he must leave his private papers there, his more intimate treasures, in good order. Certain things would have to be put away, others rearranged, others destroyed. For the most part they were in the library, the room he specially claimed as his own. Before setting himself to the work there he walked through some of the other rooms, turning out the lights.

      In doing so he was consciously taking a farewell. He had been born in this house; in it he had spent his boyhood; to it he had come back as a young married man. He had lived in it till his wife and he had set up their more ambitious establishment in Boston, an extravagance from which, perhaps, all the subsequent misfortunes could be dated. He had known at the time that his father, had he lived, would have condemned the step; but he himself was a believer in fortunate chances. Besides, it was preposterous for a young couple of fashion to continue living in a rambling old house that belonged to neither town nor country, at a time when the whole trend of life was cityward. They had discussed the move, with its large increase of expenditure, from every point of view, and found it one from which, in their social position, there was no escape. It was a matter about which they had hardly any choice.

      So, too, a few years later, with the taking of the cottage at Newport. It was forced on them. When all their friends were doing something of the sort it seemed absurd to hesitate because of a mere matter of means—especially when by hook or by crook the means could be procured. Similar reasoning had attended their various residences abroad—in London, Paris, Rome. Country-houses in England or villas on the Riviera became matters of necessity, according to the demands of Olivia's entry into the world of fashion or Mrs. Guion's health.

      It was not till the death of the latter, some seven years ago, that Guion, obliged to pause, was able to take cognizance of the degree to which he had imperiled himself in the years of effort to maintain their way of life. It could not be said that at the time he regretted what he had done, but he allowed it to frighten him into some ineffectual economies. He exchanged the cottage at Newport for one at Lenox, and, giving up the house in Boston, withdrew to Tory Hill. Ceasing himself to go into society, he sent his daughter abroad for a large portion of her time, either in the care of Madame de Melcourt or, in London, under the wing of some of the American ladies prominent in English life.

      Having taken these steps, with no small pride in his capacity for sacrifice, Guion set himself seriously to reconstruct his own fortune and to repair the inroads he had made on those in his trust. It was a matter in which he had but few misgivings as to his capacity. The making of money, he often said, was an easy thing, as could be proved by the intellectual grade of the men who made it. One had only to look about one to see that they were men in whom the average of ability was by no means high, men who achieved their successes largely by a kind of rule of thumb. They got the knack of investment—and they invested. He preferred the word investment to another which might have challenged comment. They bought in a low market and sold in a high one—and the trick was done. Some instinct—a flair, he called it—was required in order to recognize, more or less at sight, those properties which would quickly and surely appreciate in value; and he believed he possessed it. Given the control of a few thousands as a point of departure, and the financial ebb and flow, a man must be a born fool, he said, not to be able to make a reasonable fortune with reasonable speed.

      Within the office of Guion, Maxwell & Guion circumstances favored the accession to power of the younger partner, who had hitherto played an acquiescent rather than an active part. Mr. Maxwell was old and ailing, though neither so ailing nor so old as to be blind to the need of new blood, new money, and new influence in the fine old firm. His weakness was that he hated beginning all over again with new men; so that when Smith and Jones were proposed as possible partners he easily admitted whatever objections Guion raised to them, and the matter was postponed. It was postponed again. It slipped into a chronic condition of postponement; and Mr. Maxwell died.

      The situation calling then for adroitness on Guion's part, the fact that he was able to meet it to the satisfaction of all the parties concerned, increased his confidence in his own astuteness. True, it required some manipulation, some throwing of dust into people's eyes, some making of explanations to one person that could not be reconciled with those made to another; but here again the circumstances helped him. His clients were for the most part widows and old maids, many of them resident abroad, for whom Guion, Maxwell & Guion had so long stood, in the matter of income, for the embodiment of paternal care that they were ready to believe anything and say anything and sign anything they were told to. With the legal authorities to whom he owed account he had the advantage of the house's high repute, making it possible to cover with formalities anything that might, strictly speaking, have called for investigation. Whatever had to be considered shifty he excused to himself on the ground of its being temporary; while it was clearly, in his opinion, to the ultimate advantage of the Clay heirs and the Rodman heirs and the Compton heirs and all the other heirs for whom Guion, Maxwell & Guion were in loco parentis, that he should have a free hand.

      The sequel astonished rather than disillusioned him. It wrought in him disappointment with the human race, especially as represented by the Stock Exchange, without diminishing his confidence in his own judgment. Through all his wild efforts not to sink he was upborne by the knowledge that it was not his calculations that were wrong, but the workings of a system more obscure than that of chance and more capricious than the weather. He grew to consider it the fault of the blind forces that make up the social, financial, and commercial worlds, and not his own, when he was reduced to a frantic flinging of good money after bad as offering the sole chance of working out his redemption.

      And, now that it was all over, he was glad his wife had not lived to see the end. That, at least, had been spared him. He stood before her portrait in the drawing-room—the much-admired portrait by Carolus Duran—and told her so. She was so living as she looked down on him—a suggestion of refined irony about the lips and eyes giving personality to the delicate oval of the face—that he felt himself talking to her as they had been wont to talk together ever since their youth. In his way he had stood in awe of her. The assumption of prerogative—an endowment of manner or of temperament, he was never quite sure which—inherited by Olivia in turn, had been the dominating influence in their domestic life. He had not been ruled by her—the term would have been grotesque—he had only made it his pleasure to carry out her wishes. That her wishes led him on to spending money not his own was due to the fact, ever to be regretted, that his father had not bequeathed him money so much as the means of earning it. She could not be held responsible for that, while she was the type of woman to whom it was something like an outrage not to offer the things befitting to her station. There was no reproach in the look he lifted on her now—nothing