The Fourth Generation. Walter Besant

town houses and streets; in the surroundings of a city, apart from gardens, lawns, park and lordly trees, it would have been out of place and incongruous. The warm red brick of which it was built had long since mellowed with age; yellow lichen clung to the walls here and there; over one wing, that of the west, ivy grew, covering the whole of that end of the house.

      The gardens were more stately than the house itself. They began with a most noble lawn. On one side grew two cedars of Lebanon, sweeping the bare earth with their drooping branches. On the other side rose three glorious walnut-trees. The space between was a bowling-green, on which no flower-beds had ever been permitted. Beyond the bowling-green, however, were flower-beds in plenty. There were also box-trees cut into the old-fashioned shapes which one only sees in old-fashioned gardens. Beyond these was a narrow plantation of shrubs, mostly evergreen. Then stretched out, in order, the ample kitchen-gardens, the crowded orchard, and the “glass.” Here, also, were ranged the beehives in a row, for the owners of the house were bee-masters as well as gardeners.

      The whole was stately. One was filled with admiration and respect for so noble a house, so richly set, only by walking along the road outside the park and gazing upon the house from a distance. There were, however, certain bounds imposed upon the admiration and respect of the visitor. These were called for, in fact, by the gardens, and the lawns, and the “glass,” as they must have been in the past. As for the garden of the present, it was difficult even to guess when the hand of man, the spade of the gardener, had last touched any part of the place. Everything was overgrown; weeds covered the ground which had once been beds of asparagus and celery; the strawberry plants fought for existence with thistles, and maintained it, by the sacrifice of fruit; couch grass and those thistles, with shepherd’s-purse and all the weeds of the field, covered and concealed the flower-beds. The lanes and walks were covered ways, long since rendered impassable by reason of branches that had shot across them; the artificial shapes of the box-trees, formerly so trim and precise, showed cloudy and mysterious through the branches which had grown up outside them; the bowling-green was covered with coarse grass never mown from year to year. In the glass houses the doors stood open: the glass was broken; the vines grew wild, pushing their way through the broken panes. There could be no respect possible for a garden in such a condition. Yet, the pity of it! the pity of it! So fine a place as it had been, as it might again become, if gardeners were once more ordered to restore it to its ancient splendours!

      If one turned from the garden and walked towards the house, he would notice, first, that the stairs of brick leading to the terrace were a good deal battered and broken; that many bricks had been displaced, that weeds grew between the bricks, that in the balustrade there were places where the square brick pillars were broken away; that if he mounted the stairs, the brick pavement of the terrace showed holes and damaged places here and there; that if he looked at the house itself he would discern there, as well as in the garden, a certain air of neglect and decay. The window-frames wanted painting, the door wanted painting, there were no curtains or blinds visible anywhere; one or two panes of glass were broken, and not even patched. Stately, even in decay, were house and gardens; but the spectator shivered, as one shivers at the sight of age and decay and death hovering over what should still be rejoicing in the strength of manhood.

      On this morning, when the cold of winter ushered in the deceitful spring, a man was walking to and fro on the brick terrace. He was a man very far advanced in life. Cold as he was, he wore no overcoat; he had no wrapper or handkerchief round his neck; he wore no gloves.

      When one looked more closely, he was not only advanced in years: he was full of years—overfull, running over. His great age was apparent in the innumerable lines of his face; not in the loss of his hair, for his abundant white locks fell flowing, uncut and untrimmed, upon his shoulders, while a full white beard lay over his ample chest. His age was shown by the heightening of the cheek-bones and the increased prominence of the nose, in the sunken mouth, and the thin lips, and the deep-set eyes. But though his face had been roughly handled by time, his frame seemed to have escaped any touch. Old as he was, he bore himself upright still; he walked with a firm, if not an elastic, step; he carried a stick, but did not use it. He was still six feet four, or even more, in stature; his shoulders were still broad, his back was not curved, nor was his huge, strong body bowed, nor were his strong legs bent or weakened. Nothing could be more anomalous than the difference between the man’s face, chipped and lined and covered with curves and diagrams, like an Ordnance Survey map, and his figure, still so strong, so erect, so vigorous.

      He walked from one end of the terrace to the other rapidly, and, so to speak, resolutely. Then he turned and walked back. He look neither to one side nor to the other; he was absorbed in some kind of meditation, for his face was set. It was a stern face naturally; the subject of his thoughts made it, perhaps, still harder and more stern. He wore a kind of shooting-jacket, a broad-brimmed felt hat, stout boots fit for the fields, and leggings, as if he were going to take out his gun, and he carried his stick as if it had been a gun. A masterful man—that was apparent at the outset; aggressive—that was also apparent at the moment; defiant—of what? of whom? Evidently a man built originally as a fighting man, endowed with great courage and enormous strength; probably, also, with a quick temper; retaining still the courage, though some of the strength had gone, and the fighting temperament, though his fighting days were done.

      There was no sound about the place—no clatter of servants over their work, no footsteps in the house or outside it, no trampling of horses from the stables, or sight of gardeners working quietly among the forlorn flower-beds: all was silent. And the cold wind whistled, and the old man, without the common protection from the wintry wind, walked methodically and rapidly from east to west and from west to east.

      So he went on all the morning, hour after hour, untiring over this meaningless exercise. He began it at nine, and at half-past twelve he was still marching in this aimless manner, turning neither to the right nor to the left, and preserving unchanged that fixed expression which might have meant patience—a very old man has to be patient—or it might have been, as I have called it, defiance: a man who has known misfortunes sometimes acquires this expression of defiance, as one who bids Fortune do her very worst, and, when she can do no more, still repeats with courage, ‘Come what may.’

      In the distance, half a mile or so away, was a clock in a church-tower. If one listened from the garden, one might hear the striking of the hours; without waiting for it and expecting it, one would not hear the clock at all. A melodious clock at a distance falls in with the general whisper of the atmosphere. We call it silence, but, indeed, there is no such thing in Nature. Silence would drive us mad. In the country we hear a gentle whisper, tuneful and soothing, and we say it is the sweet silence of the country; but it is not—it is the blend of all the country sounds.

      The morning dragged on slowly. The beat of the old man’s footstep on the terrace was as regular as the ticking of a clock. Neither in his carriage, nor in his pace, nor in his face was there the least change. He walked like a machine, and his face was as expressionless as any face of idol or of an image.

      It was about eleven o’clock that another step might have been heard. The step of a man on dry branches and among dead leaves. The old man on the terrace paid no attention: he made as if he heard nothing: when the figure of a rustic emerged from the orchard and stood under the walnut-trees, the old man of the terrace made as if he saw nothing.

      The rustic was also well advanced in age, though far short of the tale of years which belonged to the other. He was dressed as one who goes afield: he walked as one who has spent his life in the ridges and furrows of the ploughed field: he carried a spade over his shoulder.

      Standing under the walnut-trees, he lowered his spade and laid his hands upon the handle as if to support himself. And then he gazed upon the old man of the terrace. He did not, after the wont of some men, pretend to be at work and cast a furtive glance of curiosity. On the contrary, he made no pretence at all: he leaned upon his spade, and he gazed boldly and without any shame. He marked the steady and firm step of the man: his own step was not half so firm or half so steady: he marked the bearing of the man: his own back was bent and his shoulders lowered: he marked the health and strength that still lay in his face: his own cheeks were wrinkled and his eyes were dim. Presently he lifted his spade to his shoulder and he turned away. “If