Unleavened Bread. Grant Robert

and undemocratic proposition to take away the laying out of the new city park from the easy going but ignorant mercies of the so-called city forester, who had been first a plumber and later an alderman, prevailed. An enlightened civic spirit triumphed and special knowledge was invoked.

      That was twenty-five years later. Mrs. Hallett Taylor had found herself almost single-handed at the outset in her purpose to build the new church on artistic lines. Or rather the case should be stated thus: Everyone agreed that it was to be the most beautiful church in the country, consistent with the money, and no one doubted that it would be, especially as everyone except Mrs. Taylor felt that in confiding the matter to the leading architect in Benham the committee would be exercising a wise and intelligent discretion. Mr. Pierce, the individual suggested, had never, until recently, employed the word architect in speaking of himself, and he pronounced it, as did some of the committee, "arshitect," shying a little at the word, as though it were caviare and anything but American. He was a builder, practised by a brief but rushing career in erecting houses, banks, schools, and warehouses speedily and boldly. He had been on the spot when the new growth of Benham began, and his handiwork was writ large all over the city. The city was proud of him, and had, as it were, sniffed when Joel Flagg went elsewhere for a man to build his new house. Surely, if it were necessary to pay extra for that sort of thing, was not home talent good enough? Yet it must be confessed that the ugly splendor of the Flagg mediæval castle had so far dazed the eye of Benham that its "arshitect" had felt constrained, in order to keep up with the times, to try fancy flights of his own. He had silenced any doubting Thomases by his latest effort, a new school-house, rich in rampant angles and scrolls, on the brown-stone front of which the name Flagg School appeared in ambitious, distorted hieroglyphics.

      Think what a wealth of imagery in the tossing of the second O on top of the L. If artistic novelty and genius were sought for the new church, here it was ready to be invoked. Besides, Mr. Pierce was a brother-in-law of one of the members of the committee, and, though the committee had the fear of God in their hearts in the erection of his sanctuary, it was not easy to protest against the near relative of a fellow member, especially one so competent.

      The committee numbered seven. Selma had been chosen to fill a vacancy caused by death, but at the time of her selection the matter was still in embryo, and the question of an architect had not been mooted. At the next meeting discussion arose as to whether Mr. Pierce should be given the job, under the eagle eyes of a sub-committee, or Mrs. Taylor's project of inviting competitive designs should be adopted. It was known that Mr. Glynn, without meaning disrespect to Mr. Pierce, favored the latter plan as more progressive, a word always attractive to Benham ears when they had time to listen. Its potency, coupled with veneration, for the pastor's opinion, had secured the vote of Mr. Clyme, a banker. Another member of the committee, a lawyer, favored Mrs. Taylor's idea because of a grudge against Mr. Pierce. The chairman and brother-in-law, and a hard-headed stove dealer, were opposed to the competitive plan as highfalutin and unnecessary. Thus the deciding vote lay with Selma.

      Now that they were on the same committee, Mrs. Taylor could not altogether make her out. She remembered that Mr. Glynn had said the same thing. Mrs. Taylor was accustomed to conquests. Without actual premeditation, she was agreeably conscious of being able to convert and sweep most opponents off their feet by the force of her pleasant personality. In this case the effect was not so obvious. She was conscious that Selma's eyes were constantly fixed upon her, but as to what she was thinking Mrs. Taylor felt less certain. Clearly she was mesmerized, but was the tribute admiration or hostility? Mrs. Taylor was piqued, and put upon her metal. Besides she needed Selma's vote. Not being skilled in psychological analyses, she had to resort to practical methods, and invited her to afternoon tea.

      Selma had never been present at afternoon tea as a domestic function in her life. Nor had she seen a home like Mrs. Taylor's. The house was no larger than her own, and had cost less. Medicine had not been so lucrative as the manufacture of varnish. Externally the house displayed stern lines of unadorned brick—the custom-made style of Benham in the first throes of expansion before Mr. Pierce's imagination had been stirred. Mr. Taylor had bought it as it stood, and his wife had made no attempt to alter the outside, which was, after all, inoffensively homely. But the interior was bewildering to Selma's gaze in its suggestion of cosey comfort. Pretty, tasteful things, many of them inexpensive knick-knacks of foreign origin—a small picture, a bit of china, a mediæval relic—were cleverly placed as a relief to the conventional furniture. Selma had been used to formalism in household garniture—to a best room little used and precise with the rigor of wax flowers and black horse-hair, and to a living room where the effect sought was purely utilitarian. Her new home, in spite of its colored glass and iron stag, was arranged in much this fashion, as were the houses of her neighbors which she had entered.

      Selma managed to seat herself on the one straight-backed chair in the room. From this she was promptly driven by Mrs. Taylor and established in one corner of a lounge with a soft silk cushion behind her, and further propitiated by the proffer of a cup of tea in a dainty cup and saucer. All this, including Mrs. Taylor's musical voice, easy speech, and ingratiating friendliness, alternately thrilled and irritated her. She would have liked to discard her hostess from her thought as a light creature unworthy of intellectual seriousness, but she found herself fascinated and even thawed in spite of herself.

      "I'm glad to have the opportunity really to talk to you," said Mrs. Taylor. "At the church reunions one is so liable to interruptions. If I'm not mistaken, you taught school before you were married?"

      "For a short time."

      "That must have been interesting. It is so practical and definite. My life," she added deprecatingly, "has been a thing of threads and patches—a bit here and a bit there."

      She paused, but without forcing a response, proceeded blithely to touch on her past by way of illustration. The war had come just when she was grown up, and her kin in Maryland were divided on the issue. Her father had taken his family abroad, but her heart was in the keeping of a young officer on the Northern side—now her husband. Loss of property and bitterness of spirit had kept her parents expatriated, and she, with them, had journeyed from place to place in Europe. She had seen many beautiful places and beautiful things. At last Major Taylor had come for her and carried her off as his bride to take up again her life as an American.

      "I am interested in Benham," she continued, "and I count on you, Mrs. Babcock, to help make the new church what it ought to be artistically—worthy of all the energy and independence there is in this place."

      Selma's eye kindled. The allusion to foreign lands had aroused her distrust, but this patriotic avowal warmed her pulses.

      "Every one is so busy with private affairs here, owing to the rapid growth of the city," pursued Mrs. Taylor, "that there is danger of our doing inconsiderately things which cannot easily be set right hereafter. An ugly or tawdry-looking building may be an eyesore for a generation. I know that we have honest and skilful mechanics in Benham, but as trustees of the church funds, shouldn't we at least make the effort to get the best talent there is? If we have the cleverest architect here, so much the better. An open competition will enable us to find out. After all Benham is only one city among many, and a very new city. Why shouldn't we take advantage of the ideas of the rest of the country—the older portion of the country?"

      "Mr. Pierce built our house, and we think it very satisfactory and pretty."

      Selma's tone was firm, but she eyed her hostess narrowly. She had begun of late to distrust the æsthetic worth of the colored glass and metal stag, and, though she was on her guard against effrontery, she wished to know the truth. She knew that Mr. Pierce, with fine business instinct, had already conveyed to her husband the promise that he should furnish the varnish for the new church in case of his own selection, which, as Babcock had remarked, would be a nice thing all round.

      Mrs. Taylor underwent the scrutiny without flinching. "I have nothing to say against Mr. Pierce. He is capable within his lights. Indeed I think it quite possible that we shall get nothing more satisfactory elsewhere. Mr. Flagg's grim pile is anything but encouraging. That may sound like an argument against my plan, but in the case of the Flagg house there was no competition; merely unenlightened choice on the one side and ignorant experimenting on the other."