Coleridge and Wordsworth: Lyrical Ballads & Other Poems. William Wordsworth

metre and metrical experiments; notes for lectures on Shakspere and other dramatists; quotations from books of travel, from Greek, Latin, German and Italian classics, with and without critical comments; innumerable fragments of metaphysical and theological speculation; and commingled with this unassorted medley of facts and thoughts and fancies, an occasional and intermitted record of personal feeling, of love and friendship, of disappointment and regret, of penitence and resolve, of faith and hope in the Unseen.

      Hitherto, but little use has been made of this life-long accumulation of literary material. A few specimens, "Curiosities of Literature" they might have been called, were contributed by Coleridge himself to Southey's Omniana of 1812, and a further selection of some fifty fragments, gleaned from note-books 21-1/2 and 22, and from a third unnumbered MS. book now in my possession, were printed by H. N. Coleridge in the first volume of the Literary Remains under the heading Omniana 1809-1816. The Omniana of 1812 were, in many instances, re-written by Coleridge before they were included in Southey's volumes, and in the later issue, here and there, the editor has given shape and articulation to an unfinished or half-formed sentence. The earlier and later Omniana, together with the fragments which were published by Allsop in his Letters, Conversations and Recollections of S. T. Coleridge, in 1836, were included by the late Thomas Ashe in his reprint of the Table Talk, Bell & Co., 1884.

      Some fourteen or fifteen notes of singular interest and beauty, which belong to the years 1804, 1812, 1826, 1829, etc., were printed by James Gillman in his unfinished "Life of Coleridge," and it is evident that he contemplated a more extended use of the note-books in the construction of his second volume, or, possibly, the publication of a supplementary volume of notes or Omniana. Transcripts which were made for this purpose are extant, and have been placed at my disposal by the kindness of Mrs. Henry Watson, who inherited them from her grandmother, Mrs. Gillman.

      I may add that a few quotations from diaries of tours in the Lake Country and on the Continent are to be found in the foot-notes appended to the two volumes of Letters of Samuel Taylor Coleridge which were issued in the spring of the present year.

      To publish the note-books in extenso would be impracticable, if even after the lapse of sixty years since the death of the writer it were permissible. They are private memoranda-books, and rightly and properly have been regarded as a sacred trust by their several custodians. But it is none the less certain that in disburthening himself of the ideas and imaginations which pressed upon his consciousness, in committing them to writing and carefully preserving them through all his wanderings, Coleridge had no mind that they should perish utterly. The invisible pageantry of thought and passion which for ever floated into his spiritual ken, the perpetual hope, the half-belief that the veil of the senses would be rent in twain, and that he and not another would be the first to lay bare the mysteries of being, and to solve the problem of the ages—of these was the breath of his soul. It was his fate to wrestle from night to morn with the Angel of the Vision, and of that unequal combat he has left, by way of warning or encouragement, a broken but an inspired and inspiring record. "Hints and first thoughts" he bade us regard the contents of his memorandum-books—"cogitabilia rather than cogitata a me, not fixed opinions," and yet acts of obedience to the apostolic command of "Try all things: hold fast that which is good"—say, rather, acts of obedience to the compulsion of his own genius to "take a pen and write in a book all the words of the vision."

      The aim of the present work, however imperfectly accomplished, has been to present in a compendious shape a collection of unpublished aphorisms and sentences, and at the same time to enable the reader to form some estimate of those strange self-communings to which Coleridge devoted so much of his intellectual energies, and by means of which he hoped to pass through the mists and shadows of words and thoughts to a steadier contemplation, to the apprehension if not the comprehension of the mysteries of Truth and Being.

      The various excerpts which I have selected for publication are arranged, as far as possible, in chronological order. They begin with the beginning of Coleridge's literary career, and are carried down to the summer of 1828, when he accompanied Wordsworth and his daughter Dora on a six months' tour on the Continent. The series of note-books which belong to the remaining years of his life (1828-1834) were devoted for the most part to a commentary on the Old and New Testament, to theological controversy, and to metaphysical disquisition. Whatever interest they may have possessed, or still possess, appeals to the student, not to the general reader. With his inveterate love of humorous or facetious titles, Coleridge was pleased to designate these serious and abstruse dissertations as "The Flycatchers."

      My especial thanks are due to Amy, Lady Coleridge, who, in accordance with the known wishes of the late Lord Coleridge, has afforded me every facility for collating my own transcripts of the note-books, and those which were made by my father and other members of my family, with the original MSS. now in her possession.

      I have to also thank Miss Edith Coleridge for valuable assistance in the preparation of the present work for the press.

      The death of my friend, Mr. James Dykes Campbell, has deprived me of aid which he alone could give.

      It was due to his suggestion and encouragement that I began to compile these pages, and only a few days before his death he promised me (it was all he could undertake) to "run through the proofs with my pencil in my hand." He has passed away multis flebilis, but he lived to accomplish his own work both as critic and biographer, and to leave to all who follow in his footsteps a type and example of honest workmanship and of literary excellence.

      Ernest Hartley Coleridge.

      CHAPTER I

       Table of Contents

       1797-1801

      "O Youth! for years so many and sweet,

       'Tis known, that Thou and I were one."

      S. T. C.

      PAST AND PRESENT

      "We should judge of absent things by the absent. Objects which are present are apt to produce perceptions too strong to be impartially compared with those recalled only by the memory." Sir J. Stewart.

      True! and O how often the very opposite is true likewise, namely, that the objects of memory are, often, so dear and vivid, that present things are injured by being compared with them, vivid from dearness!

      LOVE

      Love, a myrtle wand, is transformed by the Aaron touch of jealousy into a serpent so vast as to swallow up every other stinging woe, and makes us mourn the exchange.

      Love that soothes misfortune and buoys up to virtue—the pillow of sorrows, the wings of virtue.

      Disappointed love not uncommonly causes misogyny, even as extreme thirst is supposed to be the cause of hydrophobia.

      Love transforms the soul into a conformity with the object loved.

      DUTY AND EXPERIENCE

      From the narrow path of virtue Pleasure leads us to more flowery fields, and there Pain meets and chides our wandering. Of how many pleasures, of what lasting happiness, is Pain the parent and Woe the womb!

      Real pain can alone cure us of imaginary ills. We feel a thousand miseries till we are lucky enough to feel misery.

      Misfortunes prepare the heart for the enjoyment of happiness in a better state. The life of a religious benevolent man is an April day. His pains and sorrows [what are they but] the fertilising rain? The sunshine blends with every shower, and look! how full and lovely it lies on yonder hill!

      Our quaint metaphysical opinions, in an hour of anguish, are like playthings by the bedside of a child deadly sick.

      Human happiness, like the aloe, is a flower of slow growth.

      What we must do let us love to do. It is a noble chymistry that turns necessity into pleasure.

      INFANCY