Coleridge and Wordsworth: Lyrical Ballads & Other Poems. William Wordsworth

and rain, the sky calm and white, by blue vapour thinning into formlessness instead of clouds, the mountains of height covered with snow, the secondary mountains black. The moon descending aslant the ∨^A, through the midst of which the great road winds, set exactly behind Whinlatter Point, marked A. She being an egg, somewhat uncouthly shaped, perhaps, but an ostrich's egg rather than any other (she is two nights more than a half-moon), she set behind the black point, fitted herself on to it like a cap of fire, then became a crescent, then a mountain of fire in the distance, then the peak itself on fire, one steady flame; then stars of the first, second and third magnitude, and vanishing, upboiled a swell of light, and in the next second the whole sky, which had been sable blue around the yellow moon, whitened and brightened for as large a space as would take the moon half an hour to descend through.

      THE DEATH OF ADAM A DREAM Dec. 6, 1803

      Adam travelling in his old age came to a set of the descendants of Cain, ignorant of the origin of the world, and treating him as a madman, killed him. A sort of dream which I had this night.

      A MAN'S A MAN FOR ALL THAT

      We ought to suspect reasoning founded wholly on the difference of man from man, not on their commonnesses, which are infinitely greater. So I doubt the wisdom of the treatment of sailors and criminals, because it is wholly grounded on their vices, as if the vices formed the whole or major part of their being.

      A DEFENCE OF METAPHYSIC

      Abstruse reasoning is to the inductions of common sense what reaping is to delving. But the implements with which we reap, how are they gained? by delving. Besides, what is common sense now was abstract reasoning with earlier ages.

      A SUNSET

      A beautiful sunset, the sun setting behind Newlands across the foot of the lake. The sky is cloudless, save that there is a cloud on Skiddaw, one on the highest mountains in Borrowdale, some on Helvellyn, and that the sun sets in a glorious cloud. These clouds are of various shapes, various colours, and belong to their mountains and have nothing to do with the sky. N.B.—There is something metallic, silver playfully and imperfectly gilt and highly polished, or, rather, something mother-of-pearlish, in the sun-gleams on ice, thin ice.

      EXTREMES MEET

      I have repeatedly said that I could make a volume if only I had noted down, as they occurred to my recollection, the instances of the proverb "Extremes Meet." This night, Sunday, December 11, 1803, half-past eleven, I have determined to devote the last nine pages of my pocket-book to a collection of the same.

      1.

      The parching air

       Burns frore and cold performs the effect of fire.

      Paradise Lost, ii. 594.

      2. Insects by their smallness, the mammoth by its hugeness, terrible.

      3. In the foam-islands in a fiercely boiling pool, at the bottom of a waterfall, there is sameness from infinite change.

      4. The excess of humanity and disinterestedness in polite society, the desire not to give pain, for example, not to talk of your own diseases and misfortunes, and to introduce nothing but what will give pleasure, destroy all humanity and disinterestedness, by making it intolerable, through desuetude, to listen to the complaints of our equals, or of any, where the listening does not gratify or excite some vicious pride and sense of superiority.

      5. It is difficult to say whether a perfectly unheard-of subject or a crambe bis cocta, if chosen by a man of genius, would excite in the higher degree the sense of novelty. Take, as an instance of the latter, the "Orestes" of Sotheby.

      6. Dark with excess of light.

      7. Self-absorption and worldly-mindedness (N.B.—The latter a most philosophical word).

      8. The dim intellect sees an absolute oneness, the perfectly clear intellect knowingly perceives it. Distinction and plurality lie in the betwixt.

      9. The naked savage and the gymnosophist.

      10. Nothing and intensest absolute being.

      11. Despotism and ochlocracy.

      ABSTRUSE RESEARCH

      A dirty business! "How," said I, with a great effort to conquer my laziness and a great wish to rest in the generality, "what do you include under the words 'dirty business'"? I note this in order to remember the reluctance the mind has in general to analysis.

      The soul within the body—can I, any way, compare this to the reflection of the fire seen through my window on the solid wall, seeming, of course, within the solid wall, as deep within as the distance of the fire from the wall. I fear I can make nothing out of it; but why do I always hurry away from any interesting thought to do something uninteresting? As, for instance, when this thought struck me, I turned off my attention suddenly and went to look for the copy of Wolff which I had missed. Is it a cowardice of all deep feeling, even though pleasurable? or is it laziness? or is it something less obvious than either? Is it connected with my epistolary embarrassments?

      ["The window of my library at Keswick is opposite to the fireplace. At the coming on of evening, it was my frequent amusement to watch the image or reflection of the fire that seemed burning in the bushes or between the trees in different parts of the garden."—The Friend. Coleridge's Works, ii. 135.]

      As I was sitting at the foot of my bed, reading with my face downwards, I saw a phantom of my face upon the nightcap which lay just on the middle of my pillow—it was indistinct but of bright colours, and came only as my head bent low. Was it the action of the rays of my face upon my eyes? that is, did my eyes see my face, and from the sidelong and faint action of the rays place the image in that situation? But I moved the nightcap and I lost it.

      Dec. 19, 1803, morning

      I have only to shut my eyes to feel how ignorant I am whence these forms and coloured forms, and colours distinguishable beyond what I can distinguish, derive their birth. These varying and infinite co-present colours, what are they? I ask, to what do they belong in my waking remembrance? and almost never receive an answer. Only I perceive and know that whatever I change, in any part of me, produces some change in these eye-spectra; as, for instance, if I press my legs or change sides.

      OF STREAMY ASSOCIATION

      I will at least make the attempt to explain to myself the origin of moral evil from the streamy nature of association, which thinking curbs and rudders. Do not the bad passions in dreams throw light and show of proof upon this hypothesis? If I can but explain those passions I shall gain light, I am sure. A clue! a clue! a Hecatomb à la Pythagoras, if it unlabyrinth me.

      December 28, 1803, 11 o'clock

      I note the beautiful luminous shadow of my pencil-point which follows it from the candle, or rather goes before it and illuminates the word I am writing. But, to resume, take in the blessedness of innocent children, the blessedness of sweet sleep, do they or do they not contradict the argument of evil from streamy associations? I hope not, but all is to be thought over and into. And what is the height and ideal of mere association? Delirium. But how far is this state produced by pain and denaturalisation? And what are these? In short, as far as I can see anything in this total mist, vice is imperfect yet existing volition, giving diseased currents of association, because it yields on all sides and yet is—so, too, think of madness!

      A DOUBTFUL EXPERIMENT

      December 30th, half-past one o'clock, or, rather, Saturday morning, December 31st, put rolled bits of paper, many tiny bits of wick, some tallow, and the soap together. The whole flame, equal in size to half-a-dozen candles, did not give the light of one, and the letters of the book looked by the unsteady flare just as through tears or in dizziness—every line of every letter dislocated into angles, or like the mica in crumbly stones.

      THE PSYCHOLOGY OF MOTION

      The experiment over leaf illustrates my idea of motion, namely, that it is a presence and absence rapidly alternating, so that the fits of absence exist continuously