THE PORTRAIT OF A LADY. Генри Джеймс

always be in harmony with the most pleasing impression she should produce; she would be what she appeared, and she would appear what she was. Sometimes she went so far as to wish that she might find herself some day in a difficult position, so that she should have the pleasure of being as heroic as the occasion demanded. Altogether, with her meagre knowledge, her inflated ideals, her confidence at once innocent and dogmatic, her temper at once exacting and indulgent, her mixture of curiosity and fastidiousness, of vivacity and indifference, her desire to look very well and to be if possible even better, her determination to see, to try, to know, her combination of the delicate, desultory, flame-like spirit and the eager and personal creature of conditions: she would be an easy victim of scientific criticism if she were not intended to awaken on the reader’s part an impulse more tender and more purely expectant.

      It was one of her theories that Isabel Archer was very fortunate in being independent, and that she ought to make some very enlightened use of that state. She never called it the state of solitude, much less of singleness; she thought such descriptions weak, and, besides, her sister Lily constantly urged her to come and abide. She had a friend whose acquaintance she had made shortly before her father’s death, who offered so high an example of useful activity that Isabel always thought of her as a model. Henrietta Stackpole had the advantage of an admired ability; she was thoroughly launched in journalism, and her letters to the Interviewer, from Washington, Newport, the White Mountains and other places, were universally quoted. Isabel pronounced them with confidence “ephemeral,” but she esteemed the courage, energy and goodhumour of the writer, who, without parents and without property, had adopted three of the children of an infirm and widowed sister and was paying their school-bills out of the proceeds of her literary labour. Henrietta was in the van of progress and had clear-cut views on most subjects; her cherished desire had long been to come to Europe and write a series of letters to the Interviewer from the radical point of view — an enterprise the less difficult as she knew perfectly in advance what her opinions would be and to how many objections most European institutions lay open. When she heard that Isabel was coming she wished to start at once; thinking, naturally, that it would be delightful the two should travel together. She had been obliged, however, to postpone this enterprise. She thought Isabel a glorious creature, and had spoken of her covertly in some of her letters, though she never mentioned the fact to her friend, who would not have taken pleasure in it and was not a regular student of the Interviewer. Henrietta, for Isabel, was chiefly a proof that a woman might suffice to herself and be happy. Her resources were of the obvious kind; but even if one had not the journalistic talent and a genius for guessing, as Henrietta said, what the public was going to want, one was not therefore to conclude that one had no vocation, no beneficent aptitude of any sort, and resign one’s self to being frivolous and hollow. Isabel was stoutly determined not to be hollow. If one should wait with the right patience one would find some happy work to one’s hand. Of course, among her theories, this young lady was not without a collection of views on the subject of marriage. The first on the list was a conviction of the vulgarity of thinking too much of it. From lapsing into eagerness on this point she earnestly prayed she might be delivered; she held that a woman ought to be able to live to herself, in the absence of exceptional flimsiness, and that it was perfectly possible to be happy without the society of a more or less coarse-minded person of another sex. The girl’s prayer was very sufficiently answered; something pure and proud that there was in her — something cold and dry an unappreciated suitor with a taste for analysis might have called it — had hitherto kept her from any great vanity of conjecture on the article of possible husbands. Few of the men she saw seemed worth a ruinous expenditure, and it made her smile to think that one of them should present himself as an incentive to hope and a reward of patience. Deep in her soul — it was the deepest thing there — lay a belief that if a certain light should dawn she could give herself completely; but this image, on the whole, was too formidable to be attractive. Isabel’s thoughts hovered about it, but they seldom rested on it long; after a little it ended in alarms. It often seemed to her that she thought too much about herself; you could have made her colour, any day in the year, by calling her a rank egoist. She was always planning out her development, desiring her perfection, observing her progress. Her nature had, in her conceit, a certain garden-like quality, a suggestion of perfume and murmuring boughs, of shady bowers and lengthening vistas, which made her feel that introspection was, after all, an exercise in the open air, and that a visit to the recesses of one’s spirit was harmless when one returned from it with a lapful of roses. But she was often reminded that there were other gardens in the world than those of her remarkable soul, and that there were moreover a great many places which were not gardens at all — only dusky pestiferous tracts, planted thick with ugliness and misery. In the current of that repaid curiosity on which she had lately been floating, which had conveyed her to this beautiful old England and might carry her much further still, she often checked herself with the thought of the thousands of people who were less happy than herself — a thought which for the moment made her fine, full consciousness appear a kind of immodesty. What should one do with the misery of the world in a scheme of the agreeable for one’s self? It must be confessed that this question never held her long. She was too young, too impatient to live, too unacquainted with pain. She always returned to her theory that a young woman whom after all every one thought clever should begin by getting a general impression of life. This impression was necessary to prevent mistakes, and after it should be secured she might make the unfortunate condition of others a subject of special attention.

      England was a revelation to her, and she found herself as diverted as a child at a pantomime. In her infantine excursions to Europe she had seen only the Continent, and seen it from the nursery window; Paris, not London, was her father’s Mecca, and into many of his interests there his children had naturally not entered. The images of that time moreover had grown faint and remote, and the old-world quality in everything that she now saw had all the charm of strangeness. Her uncle’s house seemed a picture made real; no refinement of the agreeable was lost upon Isabel; the rich perfection of Gardencourt at once revealed a world and gratified a need. The large, low rooms, with brown ceilings and dusky corners, the deep embrasures and curious casements, the quiet light on dark, polished panels, the deep greenness outside, that seemed always peeping in, the sense of well-ordered privacy in the centre of a “property” — a place where sounds were felicitously accidental, where the tread was muffed by the earth itself and in the thick mild air all friction dropped out of contact and all shrillness out of talk — these things were much to the taste of our young lady, whose taste played a considerable part in her emotions. She formed a fast friendship with her uncle, and often sat by his chair when he had had it moved out to the lawn. He passed hours in the open air, sitting with folded hands like a placid, homely household god, a god of service, who had done his work and received his wages and was trying to grow used to weeks and months made up only of off-days. Isabel amused him more than she suspected — the effect she produced upon people was often different from what she supposed — and he frequently gave himself the pleasure of making her chatter. It was by this term that he qualified her conversation, which had much of the “point” observable in that of the young ladies of her country, to whom the ear of the world is more directly presented than to their sisters in other lands. Like the mass of American girls Isabel had been encouraged to express herself; her remarks had been attended to; she had been expected to have emotions and opinions. Many of her opinions had doubtless but a slender value, many of her emotions passed away in the utterance; but they had left a trace in giving her the habit of seeming at least to feel and think, and in imparting moreover to her words when she was really moved that prompt vividness which so many people had regarded as a sign of superiority. Mr. Touchett used to think that she reminded him of his wife when his wife was in her teens. It was because she was fresh and natural and quick to understand, to speak — so many characteristics of her niece — that he had fallen in love with Mrs. Touchett. He never expressed this analogy to the girl herself, however; for if Mrs. Touchett had once been like Isabel, Isabel was not at all like Mrs. Touchett. The old man was full of kindness for her; it was a long time, as he said, since they had had any young life in the house; and our rustling, quickly-moving, clear-voiced heroine was as agreeable to his sense as the sound of flowing water. He wanted to do something for her and wished she would ask it of him. She would ask nothing but questions; it is true that of these she asked a quantity. Her uncle had a great fund of answers, though her pressure sometimes came in forms that puzzled him. She