William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean Howells

set up a pitiful whimper, and tried to possess herself of his hand; she kissed his coat-sleeve instead. "That you will return with me," she besought him.

      "Oh, I'll go!" groaned the painter. "I might as well go first as last," he added in English. "There, stop that! Enough, enough, I tell you! Didn't I say I was going with you?" he cried to the old woman.

      "God bless you!" she mumbled, and set off before him down the stairs and out of the door. She looked so miserably old and weary that he called a gondola to his landing and made her get into it with him.

      It tormented Don Ippolito's idle neighborhood to see Veneranda arrive in such state, and a passionate excitement arose at the caffè, where the person of the consul was known, when Ferris entered the priest's house with her.

      He had not often visited Don Ippolito, but the quaintness of the place had been so vividly impressed upon him, that he had a certain familiarity with the grape-arbor of the anteroom, the paintings of the parlor, and the puerile arrangement of the piano and melodeon. Veneranda led him through these rooms to the chamber where Don Ippolito had first shown him his inventions. They were all removed now, and on a bed, set against the wall opposite the door, lay the priest, with his hands on his breast, and a faint smile on his lips, so peaceful, so serene, that the painter stopped with a sudden awe, as if he had unawares come into the presence of death.

      "Advance, advance," whispered the old woman.

      Near the head of the bed sat a white-haired priest wearing the red stockings of a canonico; his face was fanatically stern; but he rose, and bowed courteously to Ferris.

      The stir of his robes roused Don Ippolito. He slowly and weakly turned his head, and his eyes fell upon the painter. He made a helpless gesture of salutation with his thin hand, and began to excuse himself, for the trouble he had given, with a gentle politeness that touched the painter's heart through all the complex resentments that divided them. It was indeed a strange ground on which the two men met. Ferris could not have described Don Ippolito as his enemy, for the priest had wittingly done him no wrong; he could not have logically hated him as a rival, for till it was too late he had not confessed to his own heart the love that was in it; he knew no evil of Don Ippolito, he could not accuse him of any betrayal of trust, or violation of confidence. He felt merely that this hapless creature, lying so deathlike before him, had profaned, however involuntarily, what was sacredest in the world to him; beyond this all was chaos. He had heard of the priest's sickness with a fierce hardening of the heart; yet as he beheld him now, he began to remember things that moved him to a sort of remorse. He recalled again the simple loyalty with which Don Ippolito had first spoken to him of Miss Vervain and tried to learn his own feeling toward her; he thought how trustfully at their last meeting the priest had declared his love and hope, and how, when he had coldly received his confession, Don Ippolito had solemnly adjured him to be frank with him; and Ferris could not. That pity for himself as the prey of fantastically cruel chances, which he had already vaguely felt, began now also to include the priest; ignoring all but that compassion, he went up to the bed and took the weak, chill, nerveless hand in his own.

      The canonico rose and placed his chair for Ferris beside the pillow, on which lay a brass crucifix, and then softly left the room, exchanging a glance of affectionate intelligence with the sick man.

      "I might have waited a little while," said Don Ippolito weakly, speaking in a hollow voice that was the shadow of his old deep tones, "but you will know how to forgive the impatience of a man not yet quite master of himself. I thank you for coming. I have been very sick, as you see; I did not think to live; I did not care.... I am very weak, now; let me say to you quickly what I want to say. Dear friend," continued Don Ippolito, fixing his eyes upon the painter's face, "I spoke to her that night after I had parted from you."

      The priest's voice was now firm; the painter turned his face away.

      "I spoke without hope," proceeded Don Ippolito, "and because I must. I spoke in vain; all was lost, all was past in a moment."

      The coil of suspicions and misgivings and fears in which Ferris had lived was suddenly without a clew; he could not look upon the pallid visage of the priest lest he should now at last find there that subtle expression of deceit; the whirl of his thoughts kept him silent; Don Ippolito went on.

      "Even if I had never been a priest, I would still have been impossible to her. She"....

      He stopped as if for want of strength to go on. All at once he cried, "Listen!" and he rapidly recounted the story of his life, ending with the fatal tragedy of his love. When it was told, he said calmly, "But now everything is over with me on earth. I thank the Infinite Compassion for the sorrows through which I have passed. I, also, have proved the miraculous power of the church, potent to save in all ages." He gathered the crucifix in his spectral grasp, and pressed it to his lips. "Many merciful things have befallen me on this bed of sickness. My uncle, whom the long years of my darkness divided from me, is once more at peace with me. Even that poor old woman whom I sent to call you, and who had served me as I believed with hate for me as a false priest in her heart, has devoted herself day and night to my helplessness; she has grown decrepit with her cares and vigils. Yes, I have had many and signal marks of the divine pity to be grateful for." He paused, breathing quickly, and then added, "They tell me that the danger of this sickness is past. But none the less I have died in it. When I rise from this bed it shall be to take the vows of a Carmelite friar."

      Ferris made no answer, and Don Ippolito resumed:—

      "I have told you how when I first owned to her the falsehood in which I lived, she besought me to try if I might not find consolation in the holy life to which I had been devoted. When you see her, dear friend, will you not tell her that I came to understand that this comfort, this refuge, awaited me in the cell of the Carmelite? I have brought so much trouble into her life that I would fain have her know I have found peace where she bade me seek it, that I have mastered my affliction by reconciling myself to it. Tell her that but for her pity and fear for me, I believe that I must have died in my sins."

      It was perhaps inevitable from Ferris's Protestant association of monks and convents and penances chiefly with the machinery of fiction, that all this affected him as unreally as talk in a stage-play. His heart was cold, as he answered: "I am glad that your mind is at rest concerning the doubts which so long troubled you. Not all men are so easily pacified; but, as you say, it is the privilege of your church to work miracles. As to Miss Vervain, I am sorry that I cannot promise to give her your message. I shall never see her again. Excuse me," he continued, "but your servant said there was something you wished to say that concerned me?"

      "You will never see her again!" cried the priest, struggling to lift himself upon his elbow and falling back upon the pillow. "Oh, bereft! Oh, deaf and blind! It was you that she loved! She confessed it to me that night."

      "Wait!" said Ferris, trying to steady his voice, and failing; "I was with Mrs. Vervain that night; she sent me into the garden to call her daughter, and I saw how Miss Vervain parted from the man she did not love! I saw"....

      It was a horrible thing to have said it, he felt now that he had spoken; a sense of the indelicacy, the shamefulness, seemed to alienate him from all high concern in the matter, and to leave him a mere self-convicted eavesdropper. His face flamed; the wavering hopes, the wavering doubts alike died in his heart. He had fallen below the dignity of his own trouble.

      "You saw, you saw," softly repeated the priest, without looking at him, and without any show of emotion; apparently, the convalescence that had brought him perfect clearness of reason had left his sensibilities still somewhat dulled. He closed his lips and lay silent. At last, he asked very gently, "And how shall I make you believe that what you saw was not a woman's love, but an angel's heavenly pity for me? Does it seem hard to believe this of her?"

      "Yes," answered the painter doggedly, "it is hard."

      "And yet it is the very truth. Oh, you do not know her, you never knew her! In the same moment that she denied me her love, she divined the anguish of my soul, and with that embrace she sought to console me for the friendlessness of a whole life, past and to come. But I know that I waste my words on you," he cried bitterly. "You never would see me as I was;