William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean Howells

one," answered Don Ippolito, with tears in his eyes, "has already been very good to me. I thought it was you, but I will call it God!"

      "Hush! You mustn't say such things. But you must go, now. Take time to think, but not too much time. Only,—be true to yourself."

      They rose, and she laid her hand on his arm with an instinctive gesture of appeal. He stood bewildered. Then, "Thanks, madamigella, thanks!" he said, and caught her fragrant hand to his lips. He loosed it and lifted both his arms by a blind impulse in which he arrested himself with a burning blush, and turned away. He did not take leave of her with his wonted formalities, but hurried abruptly toward the gate.

      A panic seemed to seize her as she saw him open it. She ran after him. "Don Ippolito, Don Ippolito," she said, coming up to him; and stammered and faltered. "I don't know; I am frightened. You must do nothing from me; I cannot let you; I'm not fit to advise you. It must be wholly from your own conscience. Oh no, don't look so! I will be your friend, whatever happens. But if what you think of doing has seemed so terrible to you, perhaps it is more terrible than I can understand. If it is the only way, it is right. But is there no other? What I mean is, have you no one to talk all this over with? I mean, can't you speak of it to—to Mr. Ferris? He is so true and honest and just."

      "I was going to him," said Don Ippolito, with a dim trouble in his face.

      "Oh, I am so glad of that! Remember, I don't take anything back. No matter what happens, I will be your friend. But he will tell you just what to do."

      Don Ippolito bowed and opened the gate.

      Florida went back to her mother, who asked her, "What in the world have you and Don Ippolito been talking about so earnestly? What makes you so pale and out of breath?"

      "I have been wanting to tell you, mother," said Florida. She drew her chair in front of the elder lady, and sat down.

XIV

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      Don Ippolito did not go directly to the painter's. He walked toward his house at first, and then turned aside, and wandered out through the noisy and populous district of Canaregio to the Campo di Marte. A squad of cavalry which had been going through some exercises there was moving off the parade ground; a few infantry soldiers were strolling about under the trees. Don Ippolito walked across the field to the border of the lagoon, where he began to pace to and fro, with his head sunk in deep thought. He moved rapidly, but sometimes he stopped and stood still in the sun, whose heat he did not seem to feel, though a perspiration bathed his pale face and stood in drops on his forehead under the shadow of his nicchio. Some little dirty children of the poor, with which this region swarms, looked at him from the sloping shore of the Campo di Giustizia, where the executions used to take place, and a small boy began to mock his movements and pauses, but was arrested by one of the girls, who shook him and gesticulated warningly.

      At this point the long railroad bridge which connects Venice with the mainland is in full sight, and now from the reverie in which he continued, whether he walked or stood still, Don Ippolito was roused by the whistle of an outward train. He followed it with his eye as it streamed along over the far-stretching arches, and struck out into the flat, salt marshes beyond. When the distance hid it, he put on his hat, which he had unknowingly removed, and turned his rapid steps toward the railroad station. Arrived there, he lingered in the vestibule for half an hour, watching the people as they bought their tickets for departure, and had their baggage examined by the customs officers, and weighed and registered by the railroad porters, who passed it through the wicket shutting out the train, while the passengers gathered up their smaller parcels and took their way to the waiting-rooms. He followed a group of English people some paces in this direction, and then returned to the wicket, through which he looked long and wistfully at the train. The baggage was all passed through; the doors of the waiting-rooms were thrown open with harsh proclamation by the guards, and the passengers flocked into the carriages. Whistles and bells were sounded, and the train crept out of the station.

      A man in the company's uniform approached the unconscious priest, and striking his hands softly together, said with a pleasant smile, "Your servant, Don Ippolito. Are you expecting some one?"

      "Ah, good day!" answered the priest, with a little start. "No," he added, "I was not looking for any one."

      "I see," said the other. "Amusing yourself as usual with the machinery. Excuse the freedom, Don Ippolito; but you ought to have been of our profession,—ha, ha! When you have the leisure, I should like to show you the drawing of an American locomotive which a friend of mine has sent me from Nuova York. It is very different from ours, very curious. But monstrous in size, you know, prodigious! May I come with it to your house, some evening?"

      "You will do me a great pleasure," said Don Ippolito. He gazed dreamily in the direction of the vanished train. "Was that the train for Milan?" he asked presently.

      "Exactly," said the man.

      "Does it go all the way to Milan?"

      "Oh, no! it stops at Peschiera, where the passengers have their passports examined; and then another train backs down from Desenzano and takes them on to Milan. And after that," continued the man with animation, "if you are on the way to England, for example, another train carries you to Susa, and there you get the diligence over the mountain to St. Michel, where you take railroad again, and so on up through Paris to Boulogne-sur-Mer, and then by steamer to Folkestone, and then by railroad to London and to Liverpool. It is at Liverpool that you go on board the steamer for America, and piff! in ten days you are in Nuova York. My friend has written me all about it."

      "Ah yes, your friend. Does he like it there in America?"

      "Passably, passably. The Americans have no manners; but they are good devils. They are governed by the Irish. And the wine is dear. But he likes America; yes, he likes it. Nuova York is a fine city. But immense, you know! Eight times as large as Venice!"

      "Is your friend prosperous there?"

      "Ah heigh! That is the prettiest part of the story. He has made himself rich. He is employed by a large house to make designs for mantlepieces, and marble tables, and tombs; and he has—listen!—six hundred francs a month!"

      "Oh per Bacco!" cried Don Ippolito.

      "Honestly. But you spend a great deal there. Still, it is magnificent, is it not? If it were not for that blessed war there, now, that would be the place for you, Don Ippolito. He tells me the Americans are actually mad for inventions. Your servant. Excuse the freedom, you know," said the man, bowing and moving away.

      "Nothing, dear, nothing," answered the priest. He walked out of the station with a light step, and went to his own house, where he sought the room in which his inventions were stored. He had not touched them for weeks. They were all dusty and many were cobwebbed. He blew the dust from some, and bringing them to the light, examined them critically, finding them mostly disabled in one way or other, except the models of the portable furniture which he polished with his handkerchief and set apart, surveying them from a distance with a look of hope. He took up the breech-loading cannon and then suddenly put it down again with a little shiver, and went to the threshold of the perverted oratory and glanced in at his forge. Veneranda had carelessly left the window open, and the draught had carried the ashes about the floor. On the cinder-heap lay the tools which he had used in mending the broken pipe of the fountain at Casa Vervain, and had not used since. The place seemed chilly even on that summer's day. He stood in the doorway with clenched hands. Then he called Veneranda, chid her for leaving the window open, and bade her close it, and so quitted the house and left her muttering.

      Ferris seemed surprised to see him when he appeared at the consulate near the middle of the afternoon, and seated himself in the place where he was wont to pose for the painter.

      "Were you going to give me a sitting?" asked the latter, hesitating. "The light is horrible, just now, with this glare from the canal. Not that I manage much better when it's good. I don't get on with you, Don Ippolito.