The Collected Works of Sigmund Freud. Sigmund Freud

or for flappers, so the ladies present among you have, by their appearance in this lecture hall, made it clear that they wish to be considered on the same basis as the men.

      The dream has a number of representations for the male genital that may be called symbolic, and in which the similarity of the comparison is, for the most part, very enlightening. In the first place, the holy figure 3 is a symbolical substitute for the entire male genital. The more conspicuous and more interesting part of the genital to both sexes, the male organ, has symbolical substitute in objects of like form, those which are long and upright, such as sticks, umbrellas, poles, trees, etc. It is also symbolized by objects that have the characteristic, in common with it, of penetration into the body and consequent injury, hence pointed weapons of every type, knives, daggers, lances, swords, and in the same manner firearms, guns, pistols and the revolver, which is so suitable because of its shape. In the troubled dream of the young girl, pursuit by a man with a knife or a firearm plays a big role. This, probably the most frequent dream symbolism, is easily translatable. Easily comprehensible, too, is the substitution for the male member of objects out of which water flows: faucets, water cans, fountains, as well as its representation by other objects that have the power of elongation, such as hanging lamps, collapsible pencils, etc. That pencils, quills, nail files, hammers and other instruments are undoubtedly male symbols is a fact connected with a conception of the organ, which likewise is not far to seek.

      The extraordinary characteristic of the member of being able to raise itself against the force of gravity, one of the phenomena of erection, leads to symbolic representations by balloons, aeroplanes, and more recently, Zeppelins. The dream has another far more expressive way of symbolizing erection. It makes the sex organ the essential part of the whole person and pictures the person himself as flying. Do not feel disturbed because the dreams of flying, often so beautiful, and which we all have had, must be interpreted as dreams of general sexual excitement, as erection dreams. P. Federn, among the psychoanalytical students, has confirmed this interpretation beyond any doubt, and even Mourly Vold, much praised for his sobriety, who carried on his dream experiments with artificial positions of the arms and legs, and who was really opposed to psychoanalysis — perhaps knew nothing about psychoanalysis — has come to the same conclusion as a result of his research. It is no objection to this conclusion that women may have the same dreams of flying. Remember that our dreams act as wish-fulfillments, and that the wish to be a man is often present in women, consciously or unconsciously. And the fact that it is possible for a woman to realize this wish by the same sensation as a man does, will not mislead anyone acquainted with anatomy. There is a small organ in the genitals of a woman similar to that of the male, and this small organ, the clitoris, even in childhood, and in the years before sexual intercourse, plays the same role as does the large organ of the male.

      To the less comprehensible male sex-symbols belong certain reptiles and fish, notably the famous symbol of the snake. Why hats and cloaks should have been turned to the same use is certainly difficult to discover, but their symbolic meaning leaves no room for doubt. And finally the question may be raised whether possibly the substitution of some other member as a representation for the male organ may not be regarded as symbolic. I believe that one is forced to this conclusion by the context and by the female counterparts.

      The female genital is symbolically represented by all those objects which share its peculiarity of enclosing a space capable of being filled by something — viz., by pits, caves, and hollows, by pitchers and bottles, by boxes and trunks, jars, cases, pockets, etc. The ship, too, belongs in this category. Many symbols represent the womb of the mother rather than the female genital, as wardrobes, stoves, and primarily a room. The room-symbolism is related to the house-symbol, doors and entrances again become symbolic of the genital opening. But materials, too, are symbols of the woman —wood, paper, and objects that are made of these materials, such as tables and books. Of animals, at least the snail and mussel are unmistakably recognizable as symbols for the female; of parts of the body the mouth takes the place of the genital opening, while churches and chapels are structural symbolisms. As you see, all of these symbols are not equally comprehensible.

      The breasts must be included in the genitals, and like the larger hemispheres of the female body are represented by apples, peaches and fruits in general. The pubic hair growth of both sexes appears in the dream as woods and bushes. The complicated topography of the female genitals accounts for the fact that they are often represented as scenes with cliffs, woods and water, while the imposing mechanism of the male sex apparatus leads to the use of all manner of very complicated machinery, difficult to describe.

      A noteworthy symbol of the female genital is also the jewel-casket; jewels and treasure are also representatives of the beloved person in the dream; sweets frequently occur as representatives of sexual delights. The satisfaction in one’s own genital is suggested by all types of play, in which may be included piano-playing. Exquisite symbolic representations of onanism are sliding and coasting as well as tearing off a branch. A particularly remarkable dream symbol is that of having one’s teeth fall out, or having them pulled. Certainly its most immediate interpretation is castration as a punishment for onanism. Special representations for the relations of the sexes are less numerous in the dream than we might have expected from the foregoing. Rhythmic activities, such as dancing, riding and climbing may be mentioned, also harrowing experiences, such as being run over. One may include certain manual activities, and, of course, being threatened with weapons.

      You must not imagine that either the use or the translation of these symbols is entirely simple. All manner of unexpected things are continually happening. For example, it seems hardly believable that in these symbolic representations the sex differences are not always sharply distinguished. Many symbols represent a genital in general, regardless of whether male or female, e.g., the little child, the small son or daughter. It sometimes occurs that a predominantly male symbol is used for a female genital, or vice versa. This is not understood until one has acquired an insight into the development of the sexual representations of mankind. In many instances this double meaning of symbols may be only apparent; the most striking of the symbols, such as weapons, pockets and boxes are excluded from this bisexual usage.

      I should now like to give a summary, from the point of view of the symbols rather than of the thing represented, of the field out of which the sex symbols are for the most part taken, and then to make a few remarks about the symbols which have points in common that are not understood. An obscure symbol of this type is the hat, perhaps headdress on the whole, and is usually employed as a male representation, though at times as a female. In the same way the cloak represents a man, perhaps not always the genital aspect. You are at liberty to ask, why? The cravat, which is suspended and is not worn by women, is an unmistakable male symbol. White laundry, all linen, in fact, is female. Dresses, uniforms are, as we have already seen, substitutes for nakedness, for body-formation; the shoe or slipper is a female genital. Tables and wood have already been mentioned as puzzling but undoubtedly female symbols. Ladders, ascents, steps in relation to their mounting, are certainly symbols of sexual intercourse. On closer consideration we see that they have the rhythm of walking as a common characteristic; perhaps, too, the heightening of excitement and the shortening of the breath, the higher one mounts.

      We have already spoken of natural scenery as a representation of the female genitals. Mountains and cliffs are symbols of the male organ; the garden a frequent symbol of the female genitals. Fruit does not stand for the child, but for the breasts. Wild animals signify sensually aroused persons, or further, base impulses, passions. Blossoms and flowers represent the female genitals, or more particularly, virginity. Do not forget that the blossoms are really the genitals of the plants.

      We already know the room